Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
It may be difficult to believe given the prolific number of recordings guitarist Loren Connors has amassed (over 50), but Red Mars is the first new solo music we've heard from him since 2004's Departing of a Dream, Vol. 3: Juliet, which was followed by a slate of reissues, live recordings, and collaborations. In its way, Red Mars is an event. For anyone familiar with his work, this five-piece suite reflects a shift in Connors' sound. Most of his trademarks are in place -- sparse, skeletal phrasing, long sonorous spaces, etc.-- but his approach here features almost none of the blues orientation that is his signature. His approach to recording differs, too; he adds many more -- albeit lo-fi -- elements. Opener "On Our Way Out" is the only track with accompaniment, from Portuguese bassist Margarida Garcia. Connors uses reverb, multi-layered note and chord voicings, and controlled distortion and feedback, to illustrate an interior view of outer space. With bowed bass, hints of melody are approached but abandoned; stages of development are left behind even as they are introduced, and the work moves further afield, yet very gently. The short, atmospheric "Red Mars I" is amorphous; individual strings are sounded for a few seconds at a time, then are broodingly buried under unidentifiable tones and rumbling effects. On "Red Mars II," the guitar returns to the fore. That said, there are places in the piece where its notes are so far back in the mix, they seem to come from inside the warm blanket of ambient sound without being swallowed, creating new textural spaces. "Showers of Meteors" begins with chords that don't follow a progression, though they are spaced too perfectly to be random. As they give way to more single-string improvising, a ghost of Connors' approach to the blues returns, but it's momentary; the piece first re-enters the fragmented tonal space the chords offer and then deepens, with tougher, single notes from the low end before breaking apart amidst a sparse flurry of high-note shards. "Little Earth" closes the work with a recurrent theme, as chords and Spanish-tinged notes suggest an identifiable sense of place regarded with loss, longing, and a detached acceptance. Only in the silence that follows can the listener fully grasp the poetic exploration Connors undertakes on Red Mars. It marks not only a new direction, but a great achievement as well.
© Thom Jurek /TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $16.65/month
Loren Connors, Artist, MainArtist
2011 Family Vineyard 2011 Family Vineyard
Loren Connors, Artist, MainArtist
2011 Family Vineyard 2011 Family Vineyard
Loren Connors, Artist, MainArtist
2011 Family Vineyard 2011 Family Vineyard
Loren Connors, Artist, MainArtist
2011 Family Vineyard 2011 Family Vineyard
Loren Connors, Artist, MainArtist
2011 Family Vineyard 2011 Family Vineyard
Album review
It may be difficult to believe given the prolific number of recordings guitarist Loren Connors has amassed (over 50), but Red Mars is the first new solo music we've heard from him since 2004's Departing of a Dream, Vol. 3: Juliet, which was followed by a slate of reissues, live recordings, and collaborations. In its way, Red Mars is an event. For anyone familiar with his work, this five-piece suite reflects a shift in Connors' sound. Most of his trademarks are in place -- sparse, skeletal phrasing, long sonorous spaces, etc.-- but his approach here features almost none of the blues orientation that is his signature. His approach to recording differs, too; he adds many more -- albeit lo-fi -- elements. Opener "On Our Way Out" is the only track with accompaniment, from Portuguese bassist Margarida Garcia. Connors uses reverb, multi-layered note and chord voicings, and controlled distortion and feedback, to illustrate an interior view of outer space. With bowed bass, hints of melody are approached but abandoned; stages of development are left behind even as they are introduced, and the work moves further afield, yet very gently. The short, atmospheric "Red Mars I" is amorphous; individual strings are sounded for a few seconds at a time, then are broodingly buried under unidentifiable tones and rumbling effects. On "Red Mars II," the guitar returns to the fore. That said, there are places in the piece where its notes are so far back in the mix, they seem to come from inside the warm blanket of ambient sound without being swallowed, creating new textural spaces. "Showers of Meteors" begins with chords that don't follow a progression, though they are spaced too perfectly to be random. As they give way to more single-string improvising, a ghost of Connors' approach to the blues returns, but it's momentary; the piece first re-enters the fragmented tonal space the chords offer and then deepens, with tougher, single notes from the low end before breaking apart amidst a sparse flurry of high-note shards. "Little Earth" closes the work with a recurrent theme, as chords and Spanish-tinged notes suggest an identifiable sense of place regarded with loss, longing, and a detached acceptance. Only in the silence that follows can the listener fully grasp the poetic exploration Connors undertakes on Red Mars. It marks not only a new direction, but a great achievement as well.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - 5 track(s)
- Total length: 00:34:29
- Main artists: Loren Connors
- Label: Family Vineyard
- Genre: Pop/Rock Rock Alternative & Indie
2011 Family Vineyard 2011 Family Vineyard
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.