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Neyla Pekarek|Rattlesnake

Rattlesnake

Neyla Pekarek

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In October of 2018, after touring the world behind a Billboard number two album and the chart-topping Cleopatra as a member of the Lumineers, cellist/singer Neyla Pekarek announced that she was parting ways with the Grammy-nominated Americana group. Three months later, she presents the M. Ward-produced Rattlesnake, her solo debut. The album was written on tours that included opening stadium shows for U2. It may come as a surprise to many, then, that Rattlesnake retreats from anthems, percussive rhythms, and even modern times. A concept album inspired by Colorado historical figure "Rattlesnake Kate" Slaughterback, the album's lyrics transport listeners to rural life in the first half of the 20th century, with songs inspired by horses, trains, romantic pen pals, and old-fashioned gumption. Opener "Train" sets the scene with evocative train-whistle harmonies, a bright melody, and a celebratory, saloon-appropriate arrangement of piano, low strings, and drum kit, establishing a classic vocal-era sensibility that permeates the record. Rattlesnake Kate's legend dates back to 1925, when she reportedly killed 140 rattlesnakes -- first with a gun, then with a handy sign -- to protect her three-year-old son, who was nearby on horseback. The tale is addressed on second track "The Attack," a dramatic folk narrative underscored by an ostinato. Another part of Kate's story is 40 years' worth of love letters that she exchanged with Colonel Charles D. Randolph, whom she never met. Vocalist Brian Cronan is featured as the Colonel on two tracks, including the yearning piano duet "Letters to the Colonel" and the Cronan entry "I'm a Scoundrel," an early R&B-styled ballad with melodic electric guitar. (The latter is an early example of using the word "mansplain" in song.) Elsewhere, the slinky "Better Than Annie" captures the essence of frontier nostalgia and celebrity as well as addressing gender equality via the topic of Annie Oakley. Pekarek's vocal melodies are warm, crystalline, and theatrical throughout, so though the songs are hard to imagine in the context of contemporary pop playlists, they seem perfectly suited for the stage musical she was commissioned to develop from the album.

© Marcy Donelson /TiVo

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Rattlesnake

Neyla Pekarek

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1
Train
00:02:45

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Acoustic Guitar - Mike Coykendall, Bass Guitar - Adam Selzer, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums, Tambourine - Madelyne Godley, Piano - Mike Coykendal, Bass Guitar

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

2
The Attack Explicit
00:03:38

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums - Luke Ydstie, Bass Guitar - Madelyne Godley, Piano, Background Vocals

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

3
Better Than Annie
00:03:14

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums - Luke Ydstie, Bass Guitar - Madelyne Godley, Piano, Background Vocals

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

4
Letters To The Colonel (feat. Brian Cronan)
00:03:02

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Drums, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Luke Ydstie, Bass Guitar - Madelyne Godley, Piano - Brian Cronan, FeaturedArtist

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

5
Whiskers
00:03:20

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums - Madelyne Godley, Piano, Background Vocals - Mike Coykendal, Bass Guitar

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

6
Brownie: Ode To A Horse
00:03:18

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums - Madelyne Godley, Piano - Mike Coykendal, Bass Guitar

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

7
The Perfect Gown
00:04:25

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Organ, Background Vocals, Synthesizer - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums - Luke Ydstie, Bass Guitar - Madelyne Godley, Piano

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

8
Arsenic
00:03:34

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums, Tambourine - Luke Ydstie, Bass Guitar - Paul Brainard, Pedal Steel Guitar - Madelyne Godley, Piano, Background Vocals - John Whaley, Trumpet

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

9
Hold On Tight
00:02:50

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Keyboards, Background Vocals - Adam Selzer, Background Vocals, Shaker, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Luke Ydstie, Upright Bass - Lauren Jacobsen, Violin

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

10
I'm A Scoundrel (feat. Brian Cronan)
00:03:23

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Drums, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Luke Ydstie, Bass Guitar - Madelyne Godley, Piano, Background Vocals - Brian Cronan, FeaturedArtist - John Whaley, Trumpet

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

11
Swearing You Off
00:03:06

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Luke Ydstie, Upright Bass - Lauren Jacobsen, Violin - Madelyne Godley, Piano, Background Vocals - Brian Cronan, Background Vocals

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

12
Miffed
00:02:50

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Dan Hunt, Drums - Luke Ydstie, Bass Guitar - Madelyne Godley, Piano, Background Vocals

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

13
Western Woman
00:04:24

Chris Gehringer, MasteringEngineer - Matt Ward, Producer, Electric Guitar, Background Vocals - Adam Selzer, Background Vocals, MixingEngineer - Neyla Pekarek, Composer, MainArtist - Madelyne Godley, Piano, Background Vocals

© 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records ℗ 2018 Neyla Pekarek Music LLC under exclusive license to S-Curve Records

Album review

In October of 2018, after touring the world behind a Billboard number two album and the chart-topping Cleopatra as a member of the Lumineers, cellist/singer Neyla Pekarek announced that she was parting ways with the Grammy-nominated Americana group. Three months later, she presents the M. Ward-produced Rattlesnake, her solo debut. The album was written on tours that included opening stadium shows for U2. It may come as a surprise to many, then, that Rattlesnake retreats from anthems, percussive rhythms, and even modern times. A concept album inspired by Colorado historical figure "Rattlesnake Kate" Slaughterback, the album's lyrics transport listeners to rural life in the first half of the 20th century, with songs inspired by horses, trains, romantic pen pals, and old-fashioned gumption. Opener "Train" sets the scene with evocative train-whistle harmonies, a bright melody, and a celebratory, saloon-appropriate arrangement of piano, low strings, and drum kit, establishing a classic vocal-era sensibility that permeates the record. Rattlesnake Kate's legend dates back to 1925, when she reportedly killed 140 rattlesnakes -- first with a gun, then with a handy sign -- to protect her three-year-old son, who was nearby on horseback. The tale is addressed on second track "The Attack," a dramatic folk narrative underscored by an ostinato. Another part of Kate's story is 40 years' worth of love letters that she exchanged with Colonel Charles D. Randolph, whom she never met. Vocalist Brian Cronan is featured as the Colonel on two tracks, including the yearning piano duet "Letters to the Colonel" and the Cronan entry "I'm a Scoundrel," an early R&B-styled ballad with melodic electric guitar. (The latter is an early example of using the word "mansplain" in song.) Elsewhere, the slinky "Better Than Annie" captures the essence of frontier nostalgia and celebrity as well as addressing gender equality via the topic of Annie Oakley. Pekarek's vocal melodies are warm, crystalline, and theatrical throughout, so though the songs are hard to imagine in the context of contemporary pop playlists, they seem perfectly suited for the stage musical she was commissioned to develop from the album.

© Marcy Donelson /TiVo

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