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Midnight Star|No Parking On the Dance Floor

No Parking On the Dance Floor

Midnight Star

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The greatest Midnight Star album, and a dancefloor and early '80s R&B/funk classic. The group found its niche with the silly hit "Freak-A-Zoid," and a nice, if lightweight, change-of-pace number in "Wet My Whistle." The title track was their third chart hit from the album, and "Electricity" did well as an album cut. The Calloways found the right balance between collective vocals, dance/funk arrangements, and a light fusion and instrumental pop touch in the charts.

© Ron Wynn /TiVo

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No Parking On the Dance Floor

Midnight Star

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1
Electricity
00:07:03

Belinda Lipscomb, Vocals - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Drums - Melvin Gentry, Guitar - Midnight Star, MainArtist - Bill Simmons, Saxophone - William Simmons, Composer - Reginald Calloway, Composer - Kenneth Gant, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

2
Night Rider
00:04:44

Boaz Watson, Composer - Belinda Lipscomb, Composer, Vocals - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Drums - Melvin Gentry, Composer, Guitar - Midnight Star, MainArtist - Bill Simmons, Saxophone - William Simmons, Composer - Jeffrey Cooper, Composer - Kenneth Gant, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

3
Feels So Good
00:04:22

Belinda Lipscomb, Composer, Vocals - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Drums - Melvin Gentry, Guitar - Midnight Star, MainArtist - Bill Simmons, Saxophone - Kenneth Gant, Composer, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company

4
Wet My Whistle
00:05:11

Belinda Lipscomb, Vocals - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Drums - Melvin Gentry, Guitar - Midnight Star, MainArtist - Bill Simmons, Saxophone - Reginald Calloway, Composer - Kenneth Gant, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

5
No Parking (On the Dancefloor)
00:04:29

Belinda Lipscomb, Vocals - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Composer, Drums - Melvin Gentry, Guitar - Vincent Calloway, Composer - Midnight Star, MainArtist - Bill Simmons, Saxophone - William Simmons, Composer - Kenneth Gant, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1984 Sanctuary Records Group Ltd., a BMG Company

6
Freak-A-Zoid
00:07:59

Belinda Lipscomb, Vocals - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Drums - Melvin Gentry, Guitar - Vincent Calloway, Composer - Midnight Star, MainArtist - Bill Simmons, Saxophone - William Simmons, Composer - Reginald Calloway, Composer - Kenneth Gant, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

7
Slow Jam
00:04:17

Boaz Watson, Composer - Belinda Lipscomb, Composer, Vocals - Kenny Edmonds, Composer - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Drums - Melvin Gentry, Guitar - Midnight Star, MainArtist - Bill Simmons, Saxophone - Kenneth Gant, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1981 Sanctuary Records Group Ltd., a BMG Company

8
Playmates
00:04:32

Boaz Watson, Composer - Belinda Lipscomb, Composer, Vocals - Reggie Calloway, Producer, Percussion, Trumpet - Bobby Lovelace, Drums - Melvin Gentry, Guitar - Midnight Star, MainArtist - Bill Simmons, Saxophone - William Simmons, Composer - Kenneth Gant, Bass Guitar

© 1983 Sanctuary Records Group Ltd., a BMG Company ℗ 1983 Sanctuary Records Group Ltd., a BMG Company

Album review

The greatest Midnight Star album, and a dancefloor and early '80s R&B/funk classic. The group found its niche with the silly hit "Freak-A-Zoid," and a nice, if lightweight, change-of-pace number in "Wet My Whistle." The title track was their third chart hit from the album, and "Electricity" did well as an album cut. The Calloways found the right balance between collective vocals, dance/funk arrangements, and a light fusion and instrumental pop touch in the charts.

© Ron Wynn /TiVo

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