Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
Composer Igor Raykhelson had his early training in what was then the Soviet Union and later lived in New York and studied jazz piano. This CD is offered as a sampler of his compositional style. In his music for strings he follows the Shostakovich idiom popular among a number of Russian composers, straight down to the ponderous slow movement of the Little Symphony for strings in G minor; several of the pieces were written for violist and conductor Yuri Bashmet, who has exploited the popularity of the Shostakovich style. Raykhelson has not been the only Russian composer to draw on jazz, either; jazz had a long tradition in the Soviet Union (where it was, to borrow the title of a study on the subject, "red and hot"). His contribution to this repertoire, however, is unique, and after hearing this disc one suspects this is where his talent lies. Annotator Arkady Petrov evokes the name of Gershwin in his notes, but Raykhelson's Jazz Suite for viola, saxophone, and orchestra really resembles neither Gershwin's attempt at a symphonic extension of the language of jazz nor the attempts of composers starting with Stravinsky and Ravel to incorporate jazz rhythms into their own compositional conceptions. One might argue that Raykhelson has started from a position of respect for the problem of combining two musics that, despite certain meeting points, fundamentally differ in their organizational principles. He does not try to merge jazz and twentieth century chamber music but has them glance off one another and, at times, blend into one another at the edges. The seven movements of his suite mostly contain shorter individual sections rhythmically associated with either jazz or concert music, and the interest of the music evolves as the methods of getting from one to the other expand in range. Igor Butman's saxophone is key to this process; the sax is, naturally, primarily associated with jazz passages, but it also serves various transitional functions. The finale is in the nature of a container in which the elements are mixed together more thoroughly than they have been up to that point, with Bashmet's viola emerging into a full-fledged jazz role as if to say that some kind of reconciliation of the two musics has been achieved. (His jazz solos were notated by Raykhelson, but the rest of the jazz is improvised.) The Jazz Suite offers evidence that the so-called third stream has not run dry, and anyone interested in the broader question of the place of concert music in a vernacular musical world should hear it.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $16.65/month
Little Symphony in G Minor (Igor Raykhelson)
Moscow Soloists
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Moscow Soloists
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Moscow Soloists
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Moscow Soloists
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Reflections (Igor Raykhelson)
Yuri Bashmet, viola, conductor - Elena Revich, violin
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Adagio (Igor Raykhelson)
Yuri Bashmet, viola, conductor
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Jazz Suite (Igor Raykhelson)
Yuri Bashmet, viola, conductor - Igor Butman, saxophone - Igor Raykhelson, piano - Yuri Golubev, double-bass - Eduard Zizak, drums
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Yuri Bashmet, viola, conductor - Igor Butman, saxophone - Igor Raykhelson, piano - Yuri Golubev, double-bass - Eduard Zizak, drums
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Yuri Bashmet, viola, conductor - Igor Butman, saxophone - Igor Raykhelson, piano - Yuri Golubev, double-bass - Eduard Zizak, drums
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Yuri Bashmet, viola, conductor - Igor Butman, saxophone - Igor Raykhelson, piano - Yuri Golubev, double-bass - Eduard Zizak, drums
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Yuri Bashmet, viola, conductor - Igor Butman, saxophone - Igor Raykhelson, piano - Yuri Golubev, double-bass - Eduard Zizak, drums
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Yuri Bashmet, viola, conductor - Igor Butman, saxophone - Igor Raykhelson, piano - Yuri Golubev, double-bass - Eduard Zizak, drums
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Yuri Bashmet, viola, conductor - Igor Butman, saxophone - Igor Raykhelson, piano - Yuri Golubev, double-bass - Eduard Zizak, drums
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Album review
Composer Igor Raykhelson had his early training in what was then the Soviet Union and later lived in New York and studied jazz piano. This CD is offered as a sampler of his compositional style. In his music for strings he follows the Shostakovich idiom popular among a number of Russian composers, straight down to the ponderous slow movement of the Little Symphony for strings in G minor; several of the pieces were written for violist and conductor Yuri Bashmet, who has exploited the popularity of the Shostakovich style. Raykhelson has not been the only Russian composer to draw on jazz, either; jazz had a long tradition in the Soviet Union (where it was, to borrow the title of a study on the subject, "red and hot"). His contribution to this repertoire, however, is unique, and after hearing this disc one suspects this is where his talent lies. Annotator Arkady Petrov evokes the name of Gershwin in his notes, but Raykhelson's Jazz Suite for viola, saxophone, and orchestra really resembles neither Gershwin's attempt at a symphonic extension of the language of jazz nor the attempts of composers starting with Stravinsky and Ravel to incorporate jazz rhythms into their own compositional conceptions. One might argue that Raykhelson has started from a position of respect for the problem of combining two musics that, despite certain meeting points, fundamentally differ in their organizational principles. He does not try to merge jazz and twentieth century chamber music but has them glance off one another and, at times, blend into one another at the edges. The seven movements of his suite mostly contain shorter individual sections rhythmically associated with either jazz or concert music, and the interest of the music evolves as the methods of getting from one to the other expand in range. Igor Butman's saxophone is key to this process; the sax is, naturally, primarily associated with jazz passages, but it also serves various transitional functions. The finale is in the nature of a container in which the elements are mixed together more thoroughly than they have been up to that point, with Bashmet's viola emerging into a full-fledged jazz role as if to say that some kind of reconciliation of the two musics has been achieved. (His jazz solos were notated by Raykhelson, but the rest of the jazz is improvised.) The Jazz Suite offers evidence that the so-called third stream has not run dry, and anyone interested in the broader question of the place of concert music in a vernacular musical world should hear it.
© TiVo
About the album
- 1 disc(s) - 13 track(s)
- Total length: 01:06:51
- Main artists: Moscow Soloists Elena Revich Yuri Bashmet Igor Butman
- Composer: Igor Raykhelson
- Label: Toccata Classics
- Genre: Classical
(C) 2000 Toccata Classics (P) 2000 Toccata Classics
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.