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With Just the Same, Terri Clark proved she was going to be around for a while, and that the impression her self-titled debut made was no fluke. And like most acts Luke Lewis oversees, she's been allowed to grow with each release. How I Feel opens with one of the best songs written in the country genre in the preceding decade or so, Kim Richey's testimonial anthem "I'm Alright" from her own Bitter Sweet album. In Clark's interpretation, the song is less Americana and more mainstream pop-country, but Clark's voice is no ordinary instrument. She delivers both the humor and the pathos in the tune without forcing the issue. Produced by Keith Stegall, Clark is allowed to let her natural voice more fully into the mix. Her inflections are her own, and the songs are well suited to her forthright style of delivery. To say that Clark is emotive is one thing, to say that her voice is the sound of emotion itself is another, and it is the latter that's true -- take a listen to "Everytime I Cry" or Clark's own "Not Getting Over You," a ballad ruled by her throaty contralto, gorgeous pedal steel fills, and synth strings that sound natural. "Till I Get There" displays just how comfortable Clark is with traditional country music. Despite the presence of a B-3 in the mix, the tune itself comes right out of the early '70s. Further, there is Melba Montgomery's classic "Cure for the Common Heartache," a honky tonk pearl handled expertly with the righteous brokenhearted Western swing blues bustin' out all over it. The sum total of these 12 songs is Clark's restlessness as a vocalist and as a songwriter. Her attempt to be true to country's traditions while riding the pop-country wave of the present creates a wonderful tension that never seems resolved. In addition, Clark's songwriting is stronger, more assured, and as recognizable as her voice. A fine effort.
© Thom Jurek /TiVo
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Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Kim Richey, ComposerLyricist - Terri Clark, MainArtist - ANGELO, ComposerLyricist - Larry Gottlieb, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
J.D. Martin, ComposerLyricist - Keith Stegall, Producer - Paul Begaud, ComposerLyricist - Vanessa Corish, ComposerLyricist - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Terri Clark, MainArtist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records
Bob Regan, ComposerLyricist - Karen Staley, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Terri Clark, MainArtist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Sunny Russ, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Terri Clark, MainArtist, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Stephany Smith, ComposerLyricist
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Tom Shapiro, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Chris Waters, ComposerLyricist - Terri Clark, MainArtist, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Tom Shapiro, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Chris Waters, ComposerLyricist - Terri Clark, MainArtist, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Tom Shapiro, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Chris Waters, ComposerLyricist - Terri Clark, MainArtist, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Terri Clark, MainArtist, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
David Lee, ComposerLyricist - Tony Lane, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Terri Clark, MainArtist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Leslie Satcher, ComposerLyricist - Larry Cordle, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Alison Krauss, Background Vocalist, AssociatedPerformer - Terri Clark, MainArtist - MELBA MONTGOMERY, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Keith Stegall, Producer - Bob Dipiero, ComposerLyricist - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Chris Waters, ComposerLyricist - Terri Clark, MainArtist, ComposerLyricist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Dean McTaggart, ComposerLyricist - David Tyson, ComposerLyricist - Keith Stegall, Producer - John Kelton, Mixer, Recording Engineer, StudioPersonnel - Tina Arena, ComposerLyricist - Terri Clark, MainArtist - Paula Montondo, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel
℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
Album review
With Just the Same, Terri Clark proved she was going to be around for a while, and that the impression her self-titled debut made was no fluke. And like most acts Luke Lewis oversees, she's been allowed to grow with each release. How I Feel opens with one of the best songs written in the country genre in the preceding decade or so, Kim Richey's testimonial anthem "I'm Alright" from her own Bitter Sweet album. In Clark's interpretation, the song is less Americana and more mainstream pop-country, but Clark's voice is no ordinary instrument. She delivers both the humor and the pathos in the tune without forcing the issue. Produced by Keith Stegall, Clark is allowed to let her natural voice more fully into the mix. Her inflections are her own, and the songs are well suited to her forthright style of delivery. To say that Clark is emotive is one thing, to say that her voice is the sound of emotion itself is another, and it is the latter that's true -- take a listen to "Everytime I Cry" or Clark's own "Not Getting Over You," a ballad ruled by her throaty contralto, gorgeous pedal steel fills, and synth strings that sound natural. "Till I Get There" displays just how comfortable Clark is with traditional country music. Despite the presence of a B-3 in the mix, the tune itself comes right out of the early '70s. Further, there is Melba Montgomery's classic "Cure for the Common Heartache," a honky tonk pearl handled expertly with the righteous brokenhearted Western swing blues bustin' out all over it. The sum total of these 12 songs is Clark's restlessness as a vocalist and as a songwriter. Her attempt to be true to country's traditions while riding the pop-country wave of the present creates a wonderful tension that never seems resolved. In addition, Clark's songwriting is stronger, more assured, and as recognizable as her voice. A fine effort.
© Thom Jurek /TiVo
About the album
- 1 disc(s) - 12 track(s)
- Total length: 00:46:18
- Main artists: Terri Clark
- Composer: Various Composers
- Label: Mercury Nashville
- Genre: Country
© 1998 Mercury Records, a Division of UMG Recordings, Inc. ℗ 1998 Mercury Records, a Division of UMG Recordings, Inc.
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