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London Symphony Orchestra|Ginastera: Panambi, Estancia (Complete Ballets)

Ginastera: Panambi, Estancia (Complete Ballets)

London Symphony Orchestra, Gisèle Ben-Dor

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Although classical recordings, particularly those of orchestral music, are expensive to make and usually have only the faintest hope of generating enough unit movement to pay the studio bill, some don't really get a fair shot at finding an audience before the delete sheet arrives to reclaim them. Gisèle Ben-Dor's 1997 recording of the complete scores of Alberto Ginastera's first two ballets Panambí and Estancia with the London Symphony Orchestra are a good example of this; issued on Conifer Classics in 1998, the disc was barely in the catalog a year before BMG pulled the plug on its classical division, which essentially rang the death knell for Conifer. Nearly a decade later, Naxos rights this wrong by making this performance available once again in its Latin American Classics Series. Both Panambí and Estancia are better known in their incarnations as concert suites; the concert suite for Estancia is probably the best-known orchestral work of Ginastera overall. This is the first recording made of Estancia as a complete ballet, and Ben-Dor has taken the option of having a narrator recite verses from the source work, José Hernández's poem "Martin Fierro," to link the various parts of the ballet, as is common in Argentine performances. Not everyone will be pleased with this choice, but it is completely in keeping with the nature of the work, and the narration is well delivered by singer/actor Luis Gaeta. In some cases Ben-Dor has also opted to substitute movements from the suites for those in the original ballets; although through mere circumstance the suites for both works were premiered before the ballets were staged, they were written later and represent ideas that seem a bit more finished than in the originals. Again, not everyone will find that a satisfactory compromise, but you have to hand it to Ben-Dor for taking the initiative in making these recordings the best that they can be from a textual standpoint. These recordings were made at Abbey Road and the London Philharmonic Orchestra does a terrific job in making these unfamiliar, and often dense, scores sing under Ben-Dor's knowing baton. This is not as crisp a performance as the best ones of the suites -- just witness Eduardo Mata's 1995 recording of the Estancia Suite on the Dorian disc Latin American Ballets, one of his last. However, it is better than just adequate and the Danza Final "Malambo" in Estancia packs plenty of wallop, just as it should. Moreover, one is grateful to finally have access to a complete recording of Estancia, which reveals the work as a masterpiece of modern composition, containing many inspired moments and ideas that are 50 years ahead of their time.
© TiVo

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Ginastera: Panambi, Estancia (Complete Ballets)

London Symphony Orchestra

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Panambi, Op. 1 (Alberto Ginastera)

1
Claro de luna el Parana (Moonlight on the Parana)
Gisèle Ben-Dor
00:04:42

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

2
Fiesta indigena (Native festival)
Gisèle Ben-Dor
00:00:26

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

3
Ronda de la doncellas (Girls' round dance)
Gisèle Ben-Dor
00:01:23

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

4
Danza de los guerreros (Warriors' dance)
Gisèle Ben-Dor
00:01:58

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

5
Escena (Scene)
Gisèle Ben-Dor
00:02:42

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

6
Pantomima del amor eterno (Pantomime of eternal love)
Gisèle Ben-Dor
00:03:53

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

7
Canto de Guirahu (Guirahu's Song)
Gisèle Ben-Dor
00:03:21

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

8
El Hechicero se dirige hacia Guirahu (The sorcerer approaches Guirahu) - Aparecen las deidades del agua (The water sprites appear) …
Gisèle Ben-Dor
00:00:28

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

9
Juego de las deidades del agua (The water sprites play)
Gisèle Ben-Dor
00:02:09

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

10
Reaparece el Hechicero (The sorcerer reappears) - Los gritos del Hechicero (The Sorcerer's cries)
Gisèle Ben-Dor
00:00:36

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

11
Inquietud de la tribu (The tribe is uneasy) - Suplica de Panambi (Panambi's prayer)
Gisèle Ben-Dor
00:04:15

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

12
Invocacion a los espiritus poderosos (Invocation to the spirits of power)
Gisèle Ben-Dor
00:01:19

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

13
Danza del Hechicero (Dance of the Sorcerer)
Gisèle Ben-Dor
00:02:10

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

14
El Hechicero habla (The Sorcerer speaks)
Gisèle Ben-Dor
00:00:34

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

15
Lamento de las doncellas (The girls' lament)
Gisèle Ben-Dor
00:03:12

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

16
Aparicion de Tupa (Tupa appears) - Los guerreros amenazan al Hechicero (The warriors threaten the Sorcerer)
Gisèle Ben-Dor
00:00:51

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

17
El Amanecer (Dawn)
Gisèle Ben-Dor
00:05:09

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Gisele Ben-Dor, Conductor

2006 Naxos 2006 Naxos

Estancia, Op. 8 (Alberto Ginastera)

18
Scene 1: El Amanecer - Introduccion y Escena (Dawn - Introduction and Scena)
London Symphony Orchestra
00:02:33

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

19
Pequena Danza (Little dance)
London Symphony Orchestra
00:02:07

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

20
Scene 2: La Manana - Danza del trigo (Morning - Wheat Dance)
London Symphony Orchestra
00:03:21

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

21
Los trabajadores agricolas (The farm labourers)
London Symphony Orchestra
00:02:55

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

22
Los peones de hacienda - Entrada de los caballitos (The cattlemen - Entry of the foals)
London Symphony Orchestra
00:02:04

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

23
Los puebleros (The townsfolk)
London Symphony Orchestra
00:02:19

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

24
Scene 3: La tarde - Triste pampeano (Afternoon - 'Triste' from the Pampas)
London Symphony Orchestra
00:03:22

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

25
La doma (Rodeo)
London Symphony Orchestra
00:02:04

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

26
Idilio crepuscular (Twilight idyll)
London Symphony Orchestra
00:02:51

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

27
Scene 4: La Noche - Nocturno (Night - Nocturne)
London Symphony Orchestra
00:04:19

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

28
Scene 5: El Amanecer - Escena (Dawn - Scena)
London Symphony Orchestra
00:01:41

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

29
Danza final (Final Dance) (Malambo)
London Symphony Orchestra
00:03:32

London Symphony Orchestra, Orchestra - Alberto Ginastera, Composer - Jose Hernandez, Lyricist - Gisele Ben-Dor, Conductor - Luis Gaeta, Performer

2006 Naxos 2006 Naxos

Album review

Although classical recordings, particularly those of orchestral music, are expensive to make and usually have only the faintest hope of generating enough unit movement to pay the studio bill, some don't really get a fair shot at finding an audience before the delete sheet arrives to reclaim them. Gisèle Ben-Dor's 1997 recording of the complete scores of Alberto Ginastera's first two ballets Panambí and Estancia with the London Symphony Orchestra are a good example of this; issued on Conifer Classics in 1998, the disc was barely in the catalog a year before BMG pulled the plug on its classical division, which essentially rang the death knell for Conifer. Nearly a decade later, Naxos rights this wrong by making this performance available once again in its Latin American Classics Series. Both Panambí and Estancia are better known in their incarnations as concert suites; the concert suite for Estancia is probably the best-known orchestral work of Ginastera overall. This is the first recording made of Estancia as a complete ballet, and Ben-Dor has taken the option of having a narrator recite verses from the source work, José Hernández's poem "Martin Fierro," to link the various parts of the ballet, as is common in Argentine performances. Not everyone will be pleased with this choice, but it is completely in keeping with the nature of the work, and the narration is well delivered by singer/actor Luis Gaeta. In some cases Ben-Dor has also opted to substitute movements from the suites for those in the original ballets; although through mere circumstance the suites for both works were premiered before the ballets were staged, they were written later and represent ideas that seem a bit more finished than in the originals. Again, not everyone will find that a satisfactory compromise, but you have to hand it to Ben-Dor for taking the initiative in making these recordings the best that they can be from a textual standpoint. These recordings were made at Abbey Road and the London Philharmonic Orchestra does a terrific job in making these unfamiliar, and often dense, scores sing under Ben-Dor's knowing baton. This is not as crisp a performance as the best ones of the suites -- just witness Eduardo Mata's 1995 recording of the Estancia Suite on the Dorian disc Latin American Ballets, one of his last. However, it is better than just adequate and the Danza Final "Malambo" in Estancia packs plenty of wallop, just as it should. Moreover, one is grateful to finally have access to a complete recording of Estancia, which reveals the work as a masterpiece of modern composition, containing many inspired moments and ideas that are 50 years ahead of their time.
© TiVo

Details of original recording : 72:32 - DDD - Enregistré en mai 1997 aux Studios Abbey Road à Londres - Notes en anglais et allemand

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