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Irmin Schmidt|Filmmusik Anthology 4 & 5

Filmmusik Anthology 4 & 5

Irmin Schmidt

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While much of the world knows Irmin Schmidt best for the years he spent as the keyboard player in Can, providing exotic tone colors for their groove-heavy but adventurous Krautrock expeditions, that's really just one small part of the German musician's long career. The classically trained Schmidt started out as a composer and conductor, working in that capacity long before his Can days, and he's been creating soundtrack music for a dizzying variety of projects for more than four decades now. His first collection of soundtrack themes was released back in 1980, and Filmmusik Anthology Vols. 4 & 5 arrives as the follow-up to Soundtracks 1978-1993. It covers the work Schmidt has done for film and television over the last ten years, including the movie Schneeland, the TV series Bloch and Tatort, and the most recent Wim Wenders film, Palermo Shooting. Over the course of its two discs, the collection represents the music for 20 films in all. Right off the bat, listeners should know that if they're expecting anything even remotely Can-esque, they're going to be thrown for a loop. As those familiar with Schmidt's previous soundtrack releases already know, we're dealing mostly with low-key moods and darkly ambient musical landscapes here. The feel throughout most of the tracks is a contemplative one; though things often turn toward the murky and foreboding, the music never gets overtly heavy. Whether employing keyboards, strings, or wind instruments to make his statements, the vibe is most often an ethereal one. Even on the tracks where there's percussion and an actual groove at the center of the arrangements, such as "Tattoo" and "Airport," Schmidt never abandons that smoky, evanescent quality, consistently reminding you that you're in a theater of the mind here.
© TiVo

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Filmmusik Anthology 4 & 5

Irmin Schmidt

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1
Flavia theme (Variationen über ein Thema von J.S. Bach)
00:01:32

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

2
Strange Luck
00:01:11

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

3
Arrow from Beyond
00:03:23

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

4
Being Dwarf (Dream Theme III)
00:02:01

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

5
Quattrocanti
00:02:19

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

6
Tears (Flavia Theme IV)
00:05:11

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

7
Falling
00:02:46

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

8
Fresco & Finale (Flavia Theme III & IV)
00:05:51

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

9
Die Letzte Prüfung
00:04:34

Irmin Schmidt, Composer, Producer, MainArtist - Jono Podmore, Composer, Producer, MixingEngineer

2015 Spoon Records 2015 Spoon Records

10
Schneeland
00:04:06

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

11
Aaron
00:02:43

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

12
Ina & Aaron
00:03:50

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

13
Tatoo
00:04:40

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

14
Bondage
00:06:44

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

15
Airport
00:01:59

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

DISC 2

1
Exit West
00:04:24

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

2
Dangerous
00:03:31

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

3
Coming Home
00:03:53

Irmin Schmidt, Composer, Producer, MainArtist - Jono Podmore, MixingEngineer

2015 Spoon Records 2015 Spoon Records

4
Stigma
00:02:51

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

5
Lied vom verschwinden
00:02:07

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

6
Unheimliche Entdeckung
00:01:47

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

7
Tausendschönchen
00:01:35

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

8
Silbergraue Augen
00:01:54

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

9
Abschied
00:06:59

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

10
Verlorene Liebe Walter
00:02:55

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

11
Im Wald
00:04:17

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

12
Zucker Fur Die Bestie
00:02:47

Irmin Schmidt, Composer, Producer, MainArtist - Jono Podmore, MixingEngineer

2015 Spoon Records 2015 Spoon Records

13
Bloch Bei Bloch
00:02:07

Irmin Schmidt, Composer, Producer, MainArtist - Jono Podmore, MixingEngineer

2015 Spoon Records 2015 Spoon Records

14
Dark Morning
00:01:45

Irmin Schmidt, Composer, Producer, MainArtist - Jono Podmore, MixingEngineer

2015 Spoon Records 2015 Spoon Records

15
Zicke Zick
00:03:18

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

16
Hinter Glas
00:03:00

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

17
Geisterlied
00:04:11

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

18
Final Cut
00:03:12

Rene Tinner, MixingEngineer - Irmin Schmidt, Composer, Producer, MainArtist

2015 Spoon Records 2015 Spoon Records

Album review

While much of the world knows Irmin Schmidt best for the years he spent as the keyboard player in Can, providing exotic tone colors for their groove-heavy but adventurous Krautrock expeditions, that's really just one small part of the German musician's long career. The classically trained Schmidt started out as a composer and conductor, working in that capacity long before his Can days, and he's been creating soundtrack music for a dizzying variety of projects for more than four decades now. His first collection of soundtrack themes was released back in 1980, and Filmmusik Anthology Vols. 4 & 5 arrives as the follow-up to Soundtracks 1978-1993. It covers the work Schmidt has done for film and television over the last ten years, including the movie Schneeland, the TV series Bloch and Tatort, and the most recent Wim Wenders film, Palermo Shooting. Over the course of its two discs, the collection represents the music for 20 films in all. Right off the bat, listeners should know that if they're expecting anything even remotely Can-esque, they're going to be thrown for a loop. As those familiar with Schmidt's previous soundtrack releases already know, we're dealing mostly with low-key moods and darkly ambient musical landscapes here. The feel throughout most of the tracks is a contemplative one; though things often turn toward the murky and foreboding, the music never gets overtly heavy. Whether employing keyboards, strings, or wind instruments to make his statements, the vibe is most often an ethereal one. Even on the tracks where there's percussion and an actual groove at the center of the arrangements, such as "Tattoo" and "Airport," Schmidt never abandons that smoky, evanescent quality, consistently reminding you that you're in a theater of the mind here.
© TiVo

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