Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
On sale -50%Orchestration was Duke Ellington's forte, and it is not a great challenge to adapt his works for full symphony orchestra. The challenge is even slighter in the large tone poems with which Ellington occupied himself for most of the later part of his career; these works, which make up the bulk of the program here, are already written for large group and are replete with instrumental effects. Generally speaking, the arrangers here have transferred some of the wind lines to the orchestral strings and left Ellington's brass writing intact. Indeed, the biggest problem with these works is not as classical music -- Ellington's ambitions clearly went in that direction -- but as jazz: the solos were written for musicians with whom Ellington worked closely, and nobody else can quite duplicate their particular texture and snap. This said, the Buffalo Symphony Orchestra under JoAnn Falletta is filled with musicians with plenty of experience in performing jazz, and this release is nowhere less than enjoyable. Its primary interest lies in the late works, which may be uneven but which show the aging composer continuing to explore new ideas drawn equally from jazz, classical orchestral repertory, and (an underappreciated component of his later style) film music. The album contains Ellington's last composition, the ballet Les Trois Rois Noirs (The Three Black Kings, referring to the King of the Magi, Solomon, and the Rev. Martin Luther King, Jr., in whose memory the music was composed). The graphics erroneously give a 1943 date for this work, which was left unfinished at Ellington's death in 1974 and completed by his son. It is quite unlike any other classical-jazz crossover work, with highly original musical imagery. The opening King of the Magi movement is a stylized boogie woogie, focusing unexpectedly on the travels of the Magi to see Jesus, not on the luxury of conventional iconography. The middle King Solomon movement could have come from a film score, while the MLK finale has a warm jubilee mood. The River (1970) is another underplayed score; its images of the Mississippi River are similarly inventive. Bookending these are the more familiar Black, Brown and Beige suite, Harlem, and, most familiar of all, Take the "A" Train, for which Ellington himself was the arranger in this case. Recording the orchestra in its Buffalo home of Kleinhans Music Hall, Naxos achieves idiomatic sound. Recommended for Ellington lovers, especially those interested in the later part of his career.
© TiVo
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From $16.65/month
Harlem (Arr. M. Peress for Orchestra) (Duke Ellington)
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Black, Brown and Beige (arr. M. Peress for orchestra) (Duke Ellington)
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Three Black Kings (completed by M. Ellington) (Duke Ellington)
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra - Sal Andolina, Artist, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
The River Suite (arr. R. Collier for orchestra) (Duke Ellington)
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Duke Ellington, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra, MainArtist
(C) 2013 Naxos (P) 2013 Naxos
Take the "A" Train (Arr. D. Ellington for orchestra) (Billy Strayhorn)
Billy Strayhorn, Composer - JoAnn Falletta, Conductor - Buffalo Philharmonic Orchestra, Orchestra - Sal Andolina, Artist, MainArtist - Tony Di Lorenzo, Artist - Amy Licata, Artist
(C) 2013 Naxos (P) 2013 Naxos
Album review
Orchestration was Duke Ellington's forte, and it is not a great challenge to adapt his works for full symphony orchestra. The challenge is even slighter in the large tone poems with which Ellington occupied himself for most of the later part of his career; these works, which make up the bulk of the program here, are already written for large group and are replete with instrumental effects. Generally speaking, the arrangers here have transferred some of the wind lines to the orchestral strings and left Ellington's brass writing intact. Indeed, the biggest problem with these works is not as classical music -- Ellington's ambitions clearly went in that direction -- but as jazz: the solos were written for musicians with whom Ellington worked closely, and nobody else can quite duplicate their particular texture and snap. This said, the Buffalo Symphony Orchestra under JoAnn Falletta is filled with musicians with plenty of experience in performing jazz, and this release is nowhere less than enjoyable. Its primary interest lies in the late works, which may be uneven but which show the aging composer continuing to explore new ideas drawn equally from jazz, classical orchestral repertory, and (an underappreciated component of his later style) film music. The album contains Ellington's last composition, the ballet Les Trois Rois Noirs (The Three Black Kings, referring to the King of the Magi, Solomon, and the Rev. Martin Luther King, Jr., in whose memory the music was composed). The graphics erroneously give a 1943 date for this work, which was left unfinished at Ellington's death in 1974 and completed by his son. It is quite unlike any other classical-jazz crossover work, with highly original musical imagery. The opening King of the Magi movement is a stylized boogie woogie, focusing unexpectedly on the travels of the Magi to see Jesus, not on the luxury of conventional iconography. The middle King Solomon movement could have come from a film score, while the MLK finale has a warm jubilee mood. The River (1970) is another underplayed score; its images of the Mississippi River are similarly inventive. Bookending these are the more familiar Black, Brown and Beige suite, Harlem, and, most familiar of all, Take the "A" Train, for which Ellington himself was the arranger in this case. Recording the orchestra in its Buffalo home of Kleinhans Music Hall, Naxos achieves idiomatic sound. Recommended for Ellington lovers, especially those interested in the later part of his career.
© TiVo
Details of original recording : 78:30 - DDD - Enregistré du 9 au 11 mai 2012 Kleinhans Music Hall, Buffalo, New York - Notes en anglais
About the album
- 1 disc(s) - 13 track(s)
- Total length: 01:18:22
- 1 Digital booklet
- Main artists: Buffalo Philharmonic Orchestra Sal Andolina JoAnn Falletta Tony Di Lorenzo Amy Licata
- Composer: Various Composers
- Label: Naxos
- Area: Etats-Unis d'Amérique
- Genre: Classical
- Period: Modern Style
- Collection: Naxos American Classics
(C) 2013 Naxos (P) 2013 Naxos
Improve album informationWhy buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.