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Masaaki Suzuki|Bach, J.S.: Italian Concerto - French Overture in B Minor - Keyboard Sonata in D minor

Bach, J.S.: Italian Concerto - French Overture in B Minor - Keyboard Sonata in D minor

Masaaki Suzuki

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Strong but delicate, deliberate but subtle, driven but supple, Masaaki Suzuki's 2005 recording of Bach's Italian Concerto and French Overture for harpsichord are quite convincing in their own distinctive way. In Suzuki's hands, the opening crash of the Italian Concerto is as instantly arresting as the powerful opening prelude and fugue from the French Overture is immediately appealing. Yet the concerto's following Andante is as emotionally nuanced as the overture's Sarabande is deeply affecting and the concerto's closing Presto is as joyfully rambunctious as the overture's Gigue is relentlessly propulsive. Better yet are Suzuki's performances of Bach's own transcription of his A minor Sonata for solo violin as a D minor sonata for solo harpsichord. Here, Suzuki's playing and interpretation are all of a piece; a deep, dark, soulful, and sometimes scary piece, true, but still one overwhelming piece. And whatever the work, Suzuki's playing is always first rate, if not quite as strikingly virtuosic as some full-time harpsichordists -- after all, Suzuki's full-time job since 1990 has been directing the Bach Collegium of Japan, the group recording Bach's complete cantatas for BIS. Captured in crisp sound, this recording will please Suzuki's many fans in Japan and around the world.

© TiVo

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Bach, J.S.: Italian Concerto - French Overture in B Minor - Keyboard Sonata in D minor

Masaaki Suzuki

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Concerto in the Italian Style in F Major, BWV 971 (Johann Sebastian Bach)

1
I. (Allegro)
00:04:12

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

2
II. Andante
00:05:17

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

3
III. Presto
00:04:01

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

Overture (Partita) in the French Style in B Minor, BWV 831 (Johann Sebastian Bach)

4
I. Ouverture
00:12:58

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

5
II. Courante
00:02:14

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

6
III. Gavotte I - II
00:03:44

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

7
IV. Passepied I - II
00:02:59

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

8
V. Sarabande
00:03:49

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

9
VI. Bourree I - II
00:03:09

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

10
VII. Gigue
00:02:40

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

11
VIII. Echo
00:03:18

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

Keyboard Sonata in D Minor, BWV 964 (Johann Sebastian Bach)

12
I. (Adagio) [After BWV 1003]
00:03:01

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

13
II. Allegro (After BWV 1003)
00:06:48

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

14
III. Andante (After BWV 1003)
00:05:04

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

15
IV. Allegro (After BWV 1003)
00:05:58

Johann Sebastian Bach, Composer - Masaaki Suzuki, MainArtist, AssociatedPerformer

2006 BIS 2006 (P) BIS

Album review

Strong but delicate, deliberate but subtle, driven but supple, Masaaki Suzuki's 2005 recording of Bach's Italian Concerto and French Overture for harpsichord are quite convincing in their own distinctive way. In Suzuki's hands, the opening crash of the Italian Concerto is as instantly arresting as the powerful opening prelude and fugue from the French Overture is immediately appealing. Yet the concerto's following Andante is as emotionally nuanced as the overture's Sarabande is deeply affecting and the concerto's closing Presto is as joyfully rambunctious as the overture's Gigue is relentlessly propulsive. Better yet are Suzuki's performances of Bach's own transcription of his A minor Sonata for solo violin as a D minor sonata for solo harpsichord. Here, Suzuki's playing and interpretation are all of a piece; a deep, dark, soulful, and sometimes scary piece, true, but still one overwhelming piece. And whatever the work, Suzuki's playing is always first rate, if not quite as strikingly virtuosic as some full-time harpsichordists -- after all, Suzuki's full-time job since 1990 has been directing the Bach Collegium of Japan, the group recording Bach's complete cantatas for BIS. Captured in crisp sound, this recording will please Suzuki's many fans in Japan and around the world.

© TiVo

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