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Ihsahn|After

After

Ihsahn

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Former Emperor frontman Ihsahn's third solo album is closer to mainstream rock than its two predecessors, but is also a totally unique statement -- and a brilliant one. Opening track "The Barren Lands" features progressive rock riffing, an almost art-funk rhythm, and guitar solos worthy of Living Colour. Faster tracks like "A Grave Inversed" are impeccably produced, abandoning black metal's ultra-trebly screech for an intricate thrash reminiscent of Rigor Mortis' Freaks -- except for the honking, almost free jazz saxophone (!). The ten-minute "Undercurrent" heads into jazz fusion territory, with liquid, almost fretless-sounding bass underneath delicate, repeating guitar figures and drums that fall somewhere between Tool and Opeth's quieter moments. But it gets heavy, whipping into another furious yet utterly controlled art-thrash hurricane. It's not the only ten-minute track on the album, either; After ends with "On the Shores," which is almost Yakuza-esque in the way its guitars roar in aggressive yet majestic fashion while the saxophone skronks and squeals up front. This is a seriously mind-warping manifesto from a guy who helped create symphonic black metal with Emperor; he's now moved into the progressive, post-black metal territory occupied by artists like Nachtmystium and particularly Enslaved.
© Phil Freeman /TiVo

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After

Ihsahn

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1
The Barren Lands
00:05:14

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

2
A Grave Inversed
00:04:27

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

3
After
00:04:49

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

4
Frozen Lakes On Mars
00:05:56

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

5
Undercurrent
00:10:02

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

6
Austere
00:06:18

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

7
Heavens Black Sea
00:06:17

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

8
On The Shores
00:10:12

Ihsahn, MainArtist - Asgeir Mickelson, Drums - Lars K. Norberg, BassGuitar - Vegard Sverre 'Ihsahn' Tveitan, Composer, Producer, LeadVocals

2010 Tanglade Ltd t/a Candlelight Records 2010 Tanglade Ltd t/a Candlelight Records

Album review

Former Emperor frontman Ihsahn's third solo album is closer to mainstream rock than its two predecessors, but is also a totally unique statement -- and a brilliant one. Opening track "The Barren Lands" features progressive rock riffing, an almost art-funk rhythm, and guitar solos worthy of Living Colour. Faster tracks like "A Grave Inversed" are impeccably produced, abandoning black metal's ultra-trebly screech for an intricate thrash reminiscent of Rigor Mortis' Freaks -- except for the honking, almost free jazz saxophone (!). The ten-minute "Undercurrent" heads into jazz fusion territory, with liquid, almost fretless-sounding bass underneath delicate, repeating guitar figures and drums that fall somewhere between Tool and Opeth's quieter moments. But it gets heavy, whipping into another furious yet utterly controlled art-thrash hurricane. It's not the only ten-minute track on the album, either; After ends with "On the Shores," which is almost Yakuza-esque in the way its guitars roar in aggressive yet majestic fashion while the saxophone skronks and squeals up front. This is a seriously mind-warping manifesto from a guy who helped create symphonic black metal with Emperor; he's now moved into the progressive, post-black metal territory occupied by artists like Nachtmystium and particularly Enslaved.
© Phil Freeman /TiVo

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