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Don Henley|Actual Miles: Henley's Greatest Hits

Actual Miles: Henley's Greatest Hits

Don Henley

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Although it is drawn from only three albums (with only one track, "Dirty Laundry," from I Can't Stand Still), Actual Miles was a well-chosen best-of from an artist who had enjoyed just enough hits to justify one. Five tracks each came from Building the Perfect Beast and The End of the Innocence, and they included all of Don Henley's Top 40 hits. The album was filled out with a cover of Leonard Cohen's "Everybody Knows" and two new tracks, among them the ambitious "The Garden of Allah," which seemed to be an attempt to create a new allegorical masterpiece along the lines of "Hotel California," but managed to be only pretentious. Still, the bulk of this album was the sound of AOR radio in the mid-'80s. That, of course, was the catch -- this album should have come out about four years before it did, and probably would have if Henley hadn't been suing Geffen Records. Though destined to be a successful catalog item, in 1995 it was more a historical artifact than a major release.

© William Ruhlmann /TiVo

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Actual Miles: Henley's Greatest Hits

Don Henley

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1
Dirty Laundry
00:05:36
2
The Boys Of Summer
00:04:47

Danny Kortchmar, Guitar, Synthesizer, AssociatedPerformer - DON HENLEY, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - LARRY KLEIN, Bass Guitar, AssociatedPerformer - Steve Porcaro, Synthesizer, AssociatedPerformer - David Schober, Engineer, StudioPersonnel - Greg Ladanyi, Mixer, Recording Engineer, StudioPersonnel - Mike Campbell, Producer, Guitar, Percussion, Synthesizer, AssociatedPerformer, ComposerLyricist - Dan Garcia, Engineer, StudioPersonnel - Duane Seykora, Engineer, StudioPersonnel - NIKO BOLAS, Mixer, Recording Engineer, StudioPersonnel - Richard Bosworth, Asst. Recording Engineer, StudioPersonnel

℗ 1984 Geffen Records

3
All She Wants To Do Is Dance
00:04:29

Patty Smyth, Participant - Danny Kortchmar, Producer, ComposerLyricist - DAVID PAICH, Participant - DON HENLEY, Producer, MainArtist - Steve Porcaro, Participant - Greg Ladanyi, Producer, Mixer, Engineer, StudioPersonnel - Martha Davis, Participant - NIKO BOLAS, Mixer, Engineer, StudioPersonnel

℗ 1984 Geffen Records

4
Not Enough Love In The World
00:03:54

Benmont Tench, ComposerLyricist - Danny Kortchmar, Producer, ComposerLyricist - DON HENLEY, Producer, MainArtist, ComposerLyricist - Greg Ladanyi, Producer, Mixer, Engineer, StudioPersonnel - NIKO BOLAS, Mixer, Engineer, StudioPersonnel

℗ 1984 Geffen Records

5
Sunset Grill
00:06:29

Patty Smyth, Participant - Benmont Tench, ComposerLyricist - Danny Kortchmar, Producer, ComposerLyricist - DAVID PAICH, Participant - DON HENLEY, Producer, MainArtist, ComposerLyricist - Mike Boddicker, Participant - Pino Palladino, Participant - Greg Ladanyi, Producer, Mixer, Engineer, StudioPersonnel - NIKO BOLAS, Mixer, Engineer, StudioPersonnel

℗ 1984 Geffen Records

6
The End Of The Innocence
00:05:14

Bruce Randall Hornsby, ComposerLyricist - BRUCE HORNSBY, Producer, Participant - DON HENLEY, Producer, MainArtist, ComposerLyricist - Shelly Yakus, Mixer, StudioPersonnel - Rob Jacobs, Mixer, StudioPersonnel - Robert "J.R." Jaczko, Assistant Mixer, StudioPersonnel

℗ 1989 Geffen Records

7
The Last Worthless Evening
00:06:03

Stan Lynch, Producer, ComposerLyricist - DON HENLEY, Producer, MainArtist, ComposerLyricist - Shelly Yakus, Mixer, StudioPersonnel - Rob Jacobs, Mixer, StudioPersonnel - John Coury, Producer, ComposerLyricist

℗ 1989 Geffen Records

8
New York Minute
00:06:32

Jeff Porcaro, Participant - Danny Kortchmar, Producer, ComposerLyricist - Jai Winding, ComposerLyricist - DAVID PAICH, Participant - DON HENLEY, Producer, MainArtist, ComposerLyricist - Shelly Yakus, Mixer, StudioPersonnel - Take 6, Background Vocalist, AssociatedPerformer - Rob Jacobs, Mixer, StudioPersonnel

℗ 1989 Geffen Records

9
I Will Not Go Quietly
00:05:41

Danny Kortchmar, Producer, ComposerLyricist - DON HENLEY, Producer, MainArtist, ComposerLyricist - Shelly Yakus, Mixer, StudioPersonnel - Rob Jacobs, Mixer, StudioPersonnel

℗ 1989 Geffen Records

10
The Heart Of The Matter
00:05:21

J.D. Souther, ComposerLyricist - Danny Kortchmar, Producer - DON HENLEY, Producer, MainArtist, ComposerLyricist - Shelly Yakus, Mixer, StudioPersonnel - Maxine Waters, Background Vocalist, AssociatedPerformer - Rob Jacobs, Mixer, StudioPersonnel - Mike Campbell, Producer, ComposerLyricist - Julia Waters, Background Vocalist, AssociatedPerformer

℗ 1989 Geffen Records

11
The Garden Of Allah
00:07:02

Stan Lynch, Producer, ComposerLyricist - DON HENLEY, Producer, MainArtist, ComposerLyricist - Sheryl Crow, Participant - Paul Gurian, ComposerLyricist - John Coury, Producer, ComposerLyricist

℗ 1995 Geffen Records

12
You Don't Know Me At All
00:05:36

Stan Lynch, Producer, ComposerLyricist - DON HENLEY, Producer, MainArtist, ComposerLyricist - John Coury, Producer, ComposerLyricist

℗ 1995 Geffen Records

13
Everybody Knows
00:06:08

Stan Lynch, Producer - DON HENLEY, Producer, MainArtist - Leonard Cohen, ComposerLyricist - Rob Jacobs, Mixer, Engineer, StudioPersonnel - Sharon Robinson, ComposerLyricist

℗ 1995 Geffen Records

Album review

Although it is drawn from only three albums (with only one track, "Dirty Laundry," from I Can't Stand Still), Actual Miles was a well-chosen best-of from an artist who had enjoyed just enough hits to justify one. Five tracks each came from Building the Perfect Beast and The End of the Innocence, and they included all of Don Henley's Top 40 hits. The album was filled out with a cover of Leonard Cohen's "Everybody Knows" and two new tracks, among them the ambitious "The Garden of Allah," which seemed to be an attempt to create a new allegorical masterpiece along the lines of "Hotel California," but managed to be only pretentious. Still, the bulk of this album was the sound of AOR radio in the mid-'80s. That, of course, was the catch -- this album should have come out about four years before it did, and probably would have if Henley hadn't been suing Geffen Records. Though destined to be a successful catalog item, in 1995 it was more a historical artifact than a major release.

© William Ruhlmann /TiVo

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