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Si Zentner and His Orchestra|A Thinking Man's Band

A Thinking Man's Band

Si Zentner and His Orchestra

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Si Zentner basically inherited a phenomenon that Jimmy Dorsey pioneered but didn't live long enough to exploit, the big-band jazz outfit as space age pop phenomenon. From the opening of this album, with the horns and brass and bass all divided between the speakers, one can hear how the original A Thinking Man's Band LP would have cut across a few generations of listeners in all of its stereo glory, as Zentner and company run through such 1940s (and earlier) standards as "Stompin' at the Savoy" and "Volga Boatmen." The sounds are smooth and elegant without losing sight of the jazz component at the root of what the band was doing, all a bit dated in its time but perfectly respectable as music and thoroughly listenable 40 years later, with some inventive moments, such as the electric guitar and reed refrain, as well as the piano-driven break in "Bei Mir Bist du Schön." And the original album cover is so delightfully evocative of its cheerfully sexist era that it ought to be reprinted on postcards, book jackets, posters, and more.

© Bruce Eder /TiVo

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A Thinking Man's Band

Si Zentner and His Orchestra

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1
Sweetheart Of Sigma Chi
00:02:11

Bob Florence, Piano, Recording Arranger, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Trombone, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist - F.D. Vernor, Composer - B.D. Stokes, Composer

℗ 1959 Capitol Records, LLC

2
Volga Boatmen
00:03:34

William Finegan, Composer - Traditional, Composer - Bob Florence, Piano, Recording Arranger, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Trombone, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

3
Stompin' At The Savoy
00:02:38

Pete Carpenter, Recording Arranger, AssociatedPerformer - Bob Florence, Piano, AssociatedPerformer - Benny Goodman, ComposerLyricist - Edgar Sampson, ComposerLyricist - Si Waronker, Producer - Chick William Webb, ComposerLyricist - Si Zentner, Trombone, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

4
Beautiful Love
00:02:32

Young, Composer - KING, Composer - Bob Florence, Piano, AssociatedPerformer - Haven Gillespie, Composer - Si Waronker, Producer - Si Zentner, Trombone, AssociatedPerformer - Egbert Van Alstyne, Composer - John Bambridge, Recording Arranger, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

5
Thinkin' Man
00:03:00

Bob Florence, Piano, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Composer, Trombone, AssociatedPerformer - John Bambridge, Composer, Recording Arranger, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

6
Two Guitars
00:01:49

Pete Carpenter, Recording Arranger, AssociatedPerformer - Bob Florence, Piano, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Composer, Trombone, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist - Peter Carpenter, Composer

℗ 1959 Capitol Records, LLC

7
Sock Hop
00:02:32

Bob Florence, Piano, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Composer, Trombone, AssociatedPerformer - John Bambridge, Composer, Recording Arranger, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

8
Bei Mir Bist Du Schon
00:02:41

Tom Scott, Trumpet, AssociatedPerformer - Jay Migliori, Tenor Saxophone, AssociatedPerformer - Lyle Ritz, Upright Bass, AssociatedPerformer - Sammy Cahn, Composer - Bob Florence, Piano, AssociatedPerformer - Lanny Morgan, Alto Saxophone, AssociatedPerformer - Si Waronker, Producer - Sholom Secunda, Composer - SAUL CHAPLIN, Composer - Jacob Jacobs, Composer - Frankie Capp, Drums, AssociatedPerformer - Tommy Tedesco, Guitar, AssociatedPerformer - JULES CHAIKIN, Trumpet, AssociatedPerformer - Si Zentner, Trombone, AssociatedPerformer - Bob Edmondson, Trombone, AssociatedPerformer - Bill Peterson, Trumpet, AssociatedPerformer - Robert Hardaway, Tenor Saxophone, AssociatedPerformer - Dave Madden, Baritone Saxophone, AssociatedPerformer - Bob Pring, Trombone, AssociatedPerformer - John Bambridge, Recording Arranger, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist - Bernie Fleischer, Alto Saxophone, AssociatedPerformer

℗ 1959 Capitol Records, LLC

9
Out Of Nowhere
00:02:44

Edward Heyman, Composer - Bob Florence, Piano, AssociatedPerformer - Si Waronker, Producer - John W. Green, Composer - Si Zentner, Trombone, AssociatedPerformer - John Bambridge, Recording Arranger, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

10
Why Not
00:02:51

Bob Florence, Piano, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Composer, Trombone, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist - Peter Carpenter, Composer

℗ 1959 Capitol Records, LLC

11
Little Girl
00:02:14

Bob Florence, Piano, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Composer, Trombone, AssociatedPerformer - John Bambridge, Composer - Joe Dolny, Recording Arranger, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

12
The World Is Waiting For The Sunrise
00:02:09

Eugene Lockhart, ComposerLyricist - Bob Florence, Piano, AssociatedPerformer - Si Waronker, Producer - Si Zentner, Trombone, AssociatedPerformer - Bill Knopf, ComposerLyricist - Ernest Seitz, ComposerLyricist - Joe Dolny, Recording Arranger, AssociatedPerformer - Si Zentner and His Orchestra, MainArtist

℗ 1959 Capitol Records, LLC

Album review

Si Zentner basically inherited a phenomenon that Jimmy Dorsey pioneered but didn't live long enough to exploit, the big-band jazz outfit as space age pop phenomenon. From the opening of this album, with the horns and brass and bass all divided between the speakers, one can hear how the original A Thinking Man's Band LP would have cut across a few generations of listeners in all of its stereo glory, as Zentner and company run through such 1940s (and earlier) standards as "Stompin' at the Savoy" and "Volga Boatmen." The sounds are smooth and elegant without losing sight of the jazz component at the root of what the band was doing, all a bit dated in its time but perfectly respectable as music and thoroughly listenable 40 years later, with some inventive moments, such as the electric guitar and reed refrain, as well as the piano-driven break in "Bei Mir Bist du Schön." And the original album cover is so delightfully evocative of its cheerfully sexist era that it ought to be reprinted on postcards, book jackets, posters, and more.

© Bruce Eder /TiVo

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