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Dominik Wörner|Vespro da camera

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Roland Wilson, Musica Fiata

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Monteverdi & Friends. It was only recently that the world of classical music began to rid itself of its obsession with great names and great places. There of course can be no doubt that Claudio Monteverdi was a great composer and that he wrote many a magnificent work for St. Mark’s Cathedral. Yet, after many long years, we are now gradually coming to the realization that the Venetian musical universe was not limited to San Marco. Without wanting to diminish Monteverdi’s genius, we have to admit, as is clearly audible on this recording, that this master was a member of a gifted, innovative circle of composers whose creative production was also of benefit to him.

On the present new release we hear sacred works, including rare Psalm settings, not only by Monteverdi himself but also by Giovanni Rovetta, Antonio Rigatti, and Dario Costello. The musical language employed by Monteverdi in his later sacred works displays a theatrical character, rich affections, and a predilection for strong contrasts that can hardly be distinguished from the style of his late madrigals and operas. His substitute Giovanni Rovetta and his pupil Giovanni Antonio Rigatti used the very same language. They more clearly combine the instruments with the singers, at times have them imitate the song lines, and in other places fill out the textures of the tutti segments with them. With their four vocal parts, two high instruments, and the plenum sound of the organ, the homophonic passages create the illusion of a much larger ensemble.

Thirteen years after Monteverdi had settled in Venice, Giovanni Rovetta’s Dixit Dominus and Magnificat were published (1626). These are the mature works of a young composer who here speaks the same musical language known to us from Monteverdi’s Selva morale. Might it be possible that Monteverdi was influenced by his younger colleagues, just as they were influenced by him? &opy; CPO

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Dominik Wörner

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Domine ad adjuvandum (Biagio Marini)

1
Domine ad adjuvandum
Dominik Wörner
00:02:50

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Biagio Marini, Composer - Dominik Worner, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Dixit Dominus, Op. 1 No. 1 (Giovanni Rovetta)

2
Dixit Dominus, Op. 1 No. 1
Marie Luise Werneburg
00:09:36

Alexander Schneider, Artist, MainArtist - Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Giovanni Rovetta, Composer - Dominik Worner, Artist, MainArtist - Marie Luise Werneburg, Artist, MainArtist - Johannes Gaubitz, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Sonata No. 9 (Dario Castello)

3
Sonata No. 9
Musica Fiata
00:06:19

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Dario Castello, Composer

(C) 2021 CPO (P) 2021 CPO

Confitebor tibi Domine, SV 194 (Claudio Monteverdi)

4
Confitebor tibi Domine, SV 194
Marie Luise Werneburg
00:07:52

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Claudio Monteverdi, Composer - Marie Luise Werneburg, Artist, MainArtist - Johannes Gaubitz, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Exaudi me Domine (Alessandro Grandi)

5
Exaudi me Domine
Alexander Schneider
00:02:29

Alexander Schneider, Artist, MainArtist - Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Alessandro Grandi, Composer

(C) 2021 CPO (P) 2021 CPO

Beatus vir (Giovanni Rovetta)

6
Beatus vir
Marie Luise Werneburg
00:07:26

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Giovanni Rovetta, Composer - Dominik Worner, Artist, MainArtist - Marie Luise Werneburg, Artist, MainArtist - Johannes Gaubitz, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Sonata No. 8 (Dario Castello)

7
Sonata No. 8
Musica Fiata
00:04:34

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Dario Castello, Composer

(C) 2021 CPO (P) 2021 CPO

Laudate pueri (Giovanni Rigatti)

8
Laudate pueri
Marie Luise Werneburg
00:07:20

Alexander Schneider, Artist, MainArtist - Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Dominik Worner, Artist, MainArtist - Marie Luise Werneburg, Artist, MainArtist - Giovanni Rigatti, Composer

(C) 2021 CPO (P) 2021 CPO

Sonata No. 3 (Dario Castello)

9
Sonata No. 3
Musica Fiata
00:04:51

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Dario Castello, Composer

(C) 2021 CPO (P) 2021 CPO

Laudate Dominum, SV 197a (Claudio Monteverdi)

10
Laudate Dominum, SV 197a
Dominik Wörner
00:03:32

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Claudio Monteverdi, Composer - Dominik Worner, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Iste Confessor, SV 278b (Claudio Monteverdi)

11
Iste Confessor, SV 278b
Johannes Gaubitz
00:02:31

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Claudio Monteverdi, Composer - Johannes Gaubitz, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Magnificat, Op. 1 No. 12 (Giovanni Rovetta)

12
Magnificat, Op. 1 No. 12
Marie Luise Werneburg
00:07:10

Alexander Schneider, Artist, MainArtist - Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Giovanni Rovetta, Composer - Dominik Worner, Artist, MainArtist - Marie Luise Werneburg, Artist, MainArtist - Johannes Gaubitz, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Ave regina caelorum (Giovanni Rigatti)

13
Ave Regina caelorum
Marie Luise Werneburg
00:02:53

Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Marie Luise Werneburg, Artist, MainArtist - Giovanni Rigatti, Composer

(C) 2021 CPO (P) 2021 CPO

Litanie Beata Maria Virgine (Giovanni Rovetta)

14
Litanie Beata Maria Virgine
Marie Luise Werneburg
00:06:47

Alexander Schneider, Artist, MainArtist - Roland Wilson, Conductor, MainArtist - Musica Fiata, Orchestra, MainArtist - Giovanni Rovetta, Composer - Dominik Worner, Artist, MainArtist - Marie Luise Werneburg, Artist, MainArtist - Johannes Gaubitz, Artist, MainArtist

(C) 2021 CPO (P) 2021 CPO

Album review

Monteverdi & Friends. It was only recently that the world of classical music began to rid itself of its obsession with great names and great places. There of course can be no doubt that Claudio Monteverdi was a great composer and that he wrote many a magnificent work for St. Mark’s Cathedral. Yet, after many long years, we are now gradually coming to the realization that the Venetian musical universe was not limited to San Marco. Without wanting to diminish Monteverdi’s genius, we have to admit, as is clearly audible on this recording, that this master was a member of a gifted, innovative circle of composers whose creative production was also of benefit to him.

On the present new release we hear sacred works, including rare Psalm settings, not only by Monteverdi himself but also by Giovanni Rovetta, Antonio Rigatti, and Dario Costello. The musical language employed by Monteverdi in his later sacred works displays a theatrical character, rich affections, and a predilection for strong contrasts that can hardly be distinguished from the style of his late madrigals and operas. His substitute Giovanni Rovetta and his pupil Giovanni Antonio Rigatti used the very same language. They more clearly combine the instruments with the singers, at times have them imitate the song lines, and in other places fill out the textures of the tutti segments with them. With their four vocal parts, two high instruments, and the plenum sound of the organ, the homophonic passages create the illusion of a much larger ensemble.

Thirteen years after Monteverdi had settled in Venice, Giovanni Rovetta’s Dixit Dominus and Magnificat were published (1626). These are the mature works of a young composer who here speaks the same musical language known to us from Monteverdi’s Selva morale. Might it be possible that Monteverdi was influenced by his younger colleagues, just as they were influenced by him? &opy; CPO

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