Greenskeepers
With an adolescent Ween-like absurdist sense of humor that sometimes borders on creepy, Greenskeepers top bass-heavy beats with inside jokes, succeeding in taking a satirical home-recording project from the bedroom to the dancefloor before they were old enough to legally drink at a club. James Curd and Nick Maurer took the name Greenskeepers from the fact that they both paid the bills by working as golf course caddies. In their spare time they kept themselves occupied skateboarding the streets of Chicago, and Maurer performed as a singer/guitarist for various punk bands while Curd DJed the local scene. In 1998, the two paired up and wrote the amusing and danceable song "Should I Sing Like This." It became a minor club anthem and a set staple for DJ Derrick Carter, who released the song on Classic Recordings later that year. Several high-profile reviews about the band in the press caught the attention of multi-instrumentalist Mark Share, who sat in with Curd to help produce and put the final touches on their first full-length album, Present the Ziggy Franklin Radio Show!, in 2001.
After a break, in 2004 Share, Curd, and Maurer recruited bass player Coban Rudish to work on the second album, Pleetch (a combination of the words "please" and "bitch"). This mixed Roger and Zapp-motivated electro-funk, Alan Parsons Project-style slow jams, and house beats with absurd homages to Buffalo Bill from The Silence of the Lambs and Tattoo from Fantasy Island. Soon after, San Francisco indie Om Records licensed the songs "Lotion," "Man in the House," and "Go" to the ABC series Grey's Anatomy. Greenskeepers merged their beats with media again by remixing the theme song from the Pixar/Disney blockbuster The Incredibles on The Incredibles Remix EP. After a two-year world tour, in late 2006 their third album, Polo Club, took shape with heavy inspiration from '80s post-punk (especially Gary Numan and Talking Heads), and again featured their usual combination of quirky house music and twisted comedy, supplemented by guitar hooks and their trademark idiosyncratic vocals.
© Jason Lymangrover /TiVo
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Pleetch
Electronic - Released by Greenskeepers Music on 31 dec. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Vagabond
Electronic - Released by Greenskeepers Music on 31 dec. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Polo Club Unreleased & Remastered
Electronic - Released by Greenskeepers Music on 19 sep. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Ziggy Franklin Radio Show
Electronic - Released by Greenskeepers Music on 31 dec. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Live Like You Wanna Live
Electronic - Released by Om on 27 apr. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Nothing In Common
Electronic - Released by Greenskeepers Music on 23 jun. 2020
24-Bit 44.1 kHz - Stereo -
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Body & Soul
House - Released by Greenskeepers Music on 16 dec. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
Running Out Of Time
House - Released by Greenskeepers Music on 15 jul. 2016
16-Bit CD Quality 44.1 kHz - Stereo -
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Greenskeepers 1990s MPC
House - Released by Greenskeepers Music on 20 okt. 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Herbie Was A Racecar Driver
Electronic - Released by Greenskeepers Music on 26 jan. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
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Very Warm EP
Dance - Released by Jamayka Recordings on 26 jun. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
The Pink EP
Electronic - Released by Greenskeepers Music on 31 dec. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Abracadabra
Electronic - Released by Greenskeepers Music on 1 dec. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Live Like You Wanna Live
Electronic - Released by Om on 11 mei 2010
16-Bit CD Quality 44.1 kHz - Stereo