The decision to award a Qobuzism is made unanimously by the Qobuz team. In most cases, a Qobuzism is given to a “crossover” album in the best sense of the term, in that it will speak to all of our users.

By awarding a Qobuzism, we aim to draw attention to standout albums across a wide range of genres. In theory a Qobuzism is intended to alert you to an artist’s debut which has ventured into unexplored territory; but albums which merit this distinction can, in practice, come from anywhere! In each instance Qobuz endorses the album entirely, working with the artist in order to give them the greatest exposure possible – both within and outside of Qobuz. 

What we love is to give our Qobuz users the chance to discover recordings which are not necessarily what they would normally go for.

Albums

131 albums gesorteerd op Date: from newest to oldest
€ 15,99
€ 13,49

Klassiek - Verschenen op 1 september 2017 | Warner Classics

Hi-Res Booklet Onderscheidingen Qobuzism
"Händel goes wild", that’s putting it mildly: in Christina Pluhar’s album, he goes wild to quite some extremes! Indeed the Austrian harpist, theorbist, and lute player picked a handful of Handel’s (and a bit of Vivaldi’s) arias, concerto movements and overtures, and put them not only in the hands of baroque musicians of the L’Arpeggiata Ensemble, but also of half a dozen jazz musicians of various styles. The result is a reinterpretation, in turn gypsy, Klezmer, salsa, New Orleans jazz, lounge, blues and so on, that everyone can either love or hate depending on their own degree of adaptability. Undeniably using a clarinet and piano in this language can be confusing for some… But Pluhar’s approach is simple: Handel himself reused, reshaped, tinkered, disguised, ransacked and rewrote, using both the works of other composers and his own, always with his own personal approach and the most immediate style of his time. So why not do the same nowadays?! In any case, this mixture of baroque instruments and voices with 20th-century instruments and genres is breathtaking. The artists invited include clarinettist Gianluigi Trovesi, pianist Francesco Turrisi and bass player Boris Schmidt in the field of jazz, but also countertenor Valer Barna-Sabadus and soprano Nuria Rial. © SM/Qobuz
€ 19,23
€ 14,29

Alternative en Indie - Verschenen op 7 juli 2017 | Vertigo Berlin

Hi-Res Onderscheidingen Qobuzism
€ 14,99
€ 9,99

Rap - Verschenen op 30 juni 2017 | Pineale Prod - Grand Musique Management

Hi-Res Booklet Onderscheidingen Qobuzism
€ 16,49
€ 10,99

Alternative en Indie - Verschenen op 19 mei 2017 | ATO Records

Hi-Res Booklet Onderscheidingen Qobuzism
€ 21,99
€ 14,99

Religieuze vocale muziek - Verschenen op 14 april 2017 | Glossa

Hi-Res Booklet Onderscheidingen Qobuzism - 5 Sterne Fono Forum Klassik
The Vespers for the Blessed Virgin by Monteverdi – Vespro della Beata Vergine – is, so to speak, a work made up of many works. The composer seems to have put everything he had into this piece, which appeared in Venice in 1610. It is as if he wanted to use it as an immense catalogue of all his skills: his facility with ancient and modern styles; with the strict and the flamboyant; with instrumentals, vocals, choruses, solos, parody masses, the magnificat, psalms... Perhaps he wanted to use the work as a CV in Venice, where he would indeed land a job as choirmaster in 1613? The fact that several passages are written for two choirs would seem to support this idea. Elaborate job application or not, in this work Monteverdi has produced one of his most durable masterpieces, which forms a bridge between the late Renaissance - with passages taken from prima practica, the style developed by Palestrina - and the nascent Baroque style, and its seconda practica which was so dear to Monteverda, and which would free the use of dissonance from its old straitjacket. For this recording, Giuseppe Maletto has brought together the rich talents of La Compagnia del Madrigale and the Cantica Symphonia and La Pifarescha ensembles, because it takes a whole lot of talent to give the Vespers the treatment it deserves.
€ 19,23
€ 14,29

Franse chansons - Verschenen op 7 april 2017 | Barclay

Hi-Res Booklet Onderscheidingen Qobuzism
€ 14,99
€ 12,99

Franse chansons - Verschenen op 24 februari 2017 | Un Plan Simple - TOMBOY Lab

Hi-Res Booklet Onderscheidingen Qobuzism
€ 15,39
€ 10,99

Klassiek - Verschenen op 14 februari 2017 | Aparté

Hi-Res Booklet Onderscheidingen Qobuzism
€ 26,99
€ 17,99

Volledige opera's - Verschenen op 20 januari 2017 | Glossa

Hi-Res Booklet Onderscheidingen 5 de Diapason - Qobuzism
€ 15,99
€ 13,49

Klassiek - Verschenen op 26 oktober 2016 | Erato - Warner Classics

Hi-Res Booklet Onderscheidingen Diapason d'or - Qobuzism
€ 14,99
€ 12,99

Opera - Verschenen op 7 oktober 2016 | Sony Classical

Hi-Res Booklet Onderscheidingen 5 de Diapason - Qobuzism
As Mozart wrote to his father in 1778: "I love it when an aria fits a singer as perfectly as a suit". This, by reasoning, means that virtually all of his greatest melodies – for both prima donna and secondary (supporting) roles - were designed for a specific type of voice. This means that anyone who wants to tackle numerous Mozart roles must know how to adapt their suit accordingly – no simple task, to say the least. Swiss soprano coloratura Regula Mühlemann, with her sumptuous, clear and precise vocals, has perfectly adapted to all of these melodies, as well as the wide range of genres, styles and characters explored. Among the works, one will find Exultate, Jubilate and also a melody that Mozart had written to be inserted in The Barber of Seville by Paisiello, although this did not materialize and Mozart left the work unfinished. Regula Mühlemann, whom we have already witnessed in Salzburg, Berlin, Paris, Zurich, and many other prestigious cities and settings, is accompanied here by the Basel Chamber Orchestra conducted by Umberto Benedetti Michelangeli, the nephew of famous Italian pianist Arturo Benedetti Michelangeli. © SM / Qobuz
€ 14,99
€ 9,99

Jazz - Verschenen op 16 september 2016 | Motéma - MustHaveJazz - Membran

Hi-Res Onderscheidingen Qobuzism
€ 29,73
€ 22,09

Klassiek - Verschenen op 16 september 2016 | Deutsche Grammophon (DG)

Hi-Res Booklet Onderscheidingen 5 de Diapason - Pianiste Maestro - Choc de Classica - Qobuzism
€ 14,99
€ 9,99

Klassiek - Verschenen op 24 augustus 2016 | Alpha

Hi-Res Booklet Onderscheidingen Gramophone Editor's Choice - Choc de Classica - Qobuzism
Justin Taylor, the winner of the 2015 edition of the celebrated harpsichord competition of the Musica Antiqua Festival in Bruges (which has honoured some of the world’s finest players, including Scott Ross, Christophe Rousset, Pierre Hantaï, Benjamin Alard, and more recently Jean Rondeau), has recorded for Alpha Classics a programme of music by the Forqueray family: Antoine, Michel, Jean-Baptiste, Nicolas-Gilles . . . Those are just some of the first names of a great dynasty of French composers, gambists and organists. Antoine Forqueray, born in 1672, obtained the highly coveted position of Musicien de la Chambre du Roi. He subsequently had, shall we say, a complicated relationship with his son Jean-Baptiste, born in 1699 . . . Envious of the boy’s talent for the viol, Antoine had him imprisoned when he was just sixteen years old! The recital, as well as painting a musical portrait of this unique family, also offers a chance to reflect on the issue of transcription. In fact, the suites performed here on the harpsichord were originally written for viola da gamba. The passage from one instrument to another, from one soundworld to another, sheds new light on the music and allows us to grasp its full originality. © Alpha
€ 17,48
€ 12,99

Soul - Verschenen op 15 juli 2016 | Polydor

Hi-Res Onderscheidingen 4F de Télérama - Qobuzism
28-year-old Michael Kiwanuka's second album, Love & Hate, comes 4 years after his first, and with it, a more refined sound. The same soulful tones that gave Kiwanuka such a broad following remain the focal point of the new album, as do the lilting melodies and baleful lyrics, but thanks to producers Dangermouse and Inflo, as well as a huge supporting cast of musicians, this album manages to throw the punch we were promised by the first. Beginning with a 9 minute, Pink Floyd inspired 'opus', the album feels expansive and varied. It feels like a coming of age record, a musical maturation for this singer, who is already being hailed as one of the greatest voices around. Ranging from sweeping orchestral arrangements to melancholy introspections, this second effort seems more mature and measured, but remains a 'nearly' moment. Overdone and overloaded, this second album has lost some of the immediacy and realness that made the first stand out. Kiwanuka's voice is sometimes overwhelmed by the size and scale of the arrangements, rather than playing to his strengths. Nevertheless, the overall quality of the record will undoubtedly make it a big winner this year. RK/Qobuz