Albums

2448 albums gesorteerd op Date: from newest to oldest en gefilterd op Concertmuziek
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Concerten voor klavier - Verschijnt op 20 oktober 2017 | Mariinsky

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Concerten voor viool - Verschijnt op 13 oktober 2017 | audite Musikproduktion

Hi-Res Booklet
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Concertmuziek - Verschijnt op 6 oktober 2017 | Avie Records

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Concertmuziek - Verschenen op 1 september 2017 | Warner Classics

Hi-Res Booklet
The previous batch from the 2015 Lugano Festival was especially rich, with many of the chosen moments being particularly thrilling (Brahms’ Trio, Poulenc’s Sonata for two pianos). The 2016 Festival would in turn see one great event: the tremendous Martha agreed to play on stage, for the first time in more than thirty years, Ravel’s Gaspard de la nuit. She was worried at the thought of measuring herself against her own success from forty years ago—she recorded in 1974 for Deutsche Grammophon a Ravel LP featuring Gaspard, Sonatine and Valses nobles et sentimentales, which is still in everyone’s memory despite its disappointing sound recording. On the spot, it’s obviously all the magic from a sound completely revealing itself, and the permanence of a vision. The truly haunted tone of Le Gibet leaves a lasting impression, Scarbo’s goblin literally shatters when Ondine, completely radiant, screams her recollections of Liszt and remembers just as much Une barque sur l’océan written a few years before. The rest of the testimonies from this 2016 Lugano Festival is as varied as usual. We’ll start with the rarity among the musical repertoire that is Busoni’s Violin Concerto, in D major (like the ones from Beethoven, Brahms, Tchaikovsky), also being the opus 35 (like the ones from Tchaikovsky, Korngold), under Renaud Capuçon’s determined bow. As for the two pianos, a classic from Argerich’s repertoire, Mozart Sonata for Two Pianos K. 488 that she’s enjoyed playing regularly with her friends for a few years, here with Sergey Babayan. And let’s not forget the very sincere Horn Trio from Brahms, with the trio Capuçon, Angelich & Guerrier (in 2015, a version without horn was unforgettable), or especially Bach’s Sonata by Martha Argerich and Tedi Papavrami, which could make us forget to not have this duo play the five other works written by Bach for the same formation. We cannot ignore the too short moment from the duo Tiempo & Lechner, as thrilling as ever, here in two Falla’s dances. During this 2016 edition, Argerich also played Ravel’s Concerto in G major. Maybe not in its most extraordinary version, but listening to its phrasings, accents, and nuances that are so personal in the Adagio assai this work remains the source of a rare emotion. May this Lugano Festival resuscitate in a few years with the participation of generous sponsors nostalgic of these incredible moments. © PYL
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Concertmuziek - Verschenen op 1 september 2017 | Warner Classics

Booklet
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Concertmuziek - Verschenen op 25 augustus 2017 | Alpha

Booklet
Serge Rachmaninov’s Second Piano Concerto might never have seen the light of day had it not been for hypnosis: before the twenty-seven-year-old composer began work on it, he was on his last legs – financially, artistically and psychologically. Dr Nikolay Dahl hypnotised his patient every day, whispering to him: ‘You will write your concerto. You will work with great fluency. The concerto will be of excellent quality.’ The creative block disappeared, and the concerto’s premiere in Moscow in 1901 was a triumph for Rachmaninov, who played the solo part himself. Anna Vinnitskaya says she feels ‘a spring-like atmosphere’ in this work: throughout there is a sense of movement, of awakening. The music passes through the most contrasting psychological landscapes, but moves towards clarity and light. Rachmaninov composed the Rhapsody on a Theme of Paganini in 1934, ten years before his death. Brahms, Liszt, Lutosławski and Andrew Lloyd Webber are among the remarkable roll call of composers inspired by Paganini’s theme. The Russian pianist and the Polish conductor Krzysztof Urbański have often played Rachmaninoff together, on every continent. The two artists, both of whom present here their third disc for Alpha, were reunited in the NDR studios in Hamburg to record this repertory that fits them like a glove. © Alpha
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Concertmuziek - Verschenen op 25 augustus 2017 | Alpha

Hi-Res Booklet
Supporting new talents is in Alpha’s DNA. Here is the very first recording of the Italian pianist Filippo Gorini, who was recently awarded First Prize in the Telekom-Beethoven Competition in Bonn. He has also won the same competition’s Audience Prize twice over. At just twenty years of age, he has already played in such prestigious venues as the Berlin Konzerthaus, the Leipzig Gewandhaus, the Laeiszhalle in Hamburg, the Herkulessaal in Munich, the Liederhalle in Stuttgart, Die Glocke in Bremen, the Royal Academy of Music in London, and the Moscow Conservatory. Strongly supported by Alfred Brendel, with whom he studies, he has chosen to tackle a monument of the piano repertory, the Diabelli Variations, a work whose interpretation he has matured through frequent performance, notably at the Beethoven Competition where it was the key item in his winning programme. And, appropriately, it is at the Beethovenhaus in Bonn that he made this first disc, the start of a highly promising recording career. © Alpha
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Concertmuziek - Verschenen op 25 augustus 2017 | New York Philharmonic

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Concerten voor viool - Verschenen op 25 augustus 2017 | harmonia mundi

Hi-Res Booklet
After the mystical Hebrides Overture and the masterly ‘Reformation’ Symphony, Mendelssohn embarked on his second violin concerto. After a long gestation in which he polished the orchestration and meticulously revised the solo part, the work was finally premiered in Leipzig in 1845. From David to Joachim, several virtuosos honed the violin part with the composer over successive revivals, leaving posterity traces of their playing style: fingerings, bowings, performance marks. This precious heritage has been scrutinised here for previously unexploited expressive resources. Isabelle Faust, accompanied by the Freiburger Barockorchester in top form under the direction of Pablo Heras-Casado, offers us a miracle of purity and lyricism in this freshly minted interpretation that fulfills Mendelssohn’s promise of ‘a concerto to make the angels rejoice in heaven’! © harmonia mundi
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Concertmuziek - Verschenen op 10 augustus 2017 | Český rozhlas

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Concertmuziek - Verschenen op 2 augustus 2017 | Český rozhlas

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Concerten voor cello - Verschenen op 30 juni 2017 | audite Musikproduktion

Hi-Res Booklet
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Concerten voor klavier - Verschenen op 26 juni 2017 | Les Indispensables de Diapason

Onderscheidingen Diapason d'or
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Concerten voor cello - Verschenen op 16 juni 2017 | Ars Produktion

Booklet
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Concerten voor cello - Verschenen op 28 april 2017 | Musique en Wallonie

Hi-Res Booklet