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Eleanor McEvoy|What'S Following Me? (Album Version)

What'S Following Me? (Album Version)

Eleanor McEvoy

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Langue disponible : anglais

Awash in critical praise for earlier musical efforts, Eleanor McEvoy released What's Following Me in 1996 for Columbia Records. True to her past musical creations, the singer/songwriter's second disc delivers 12 soft rock lullabies full of anguished yet subdued lyrics. Although frequently compared to fellow Irish songstress Sinéad O'Connor, listeners should not expect thick Celtic inflections, stylized yodeling, and other O'Connor vocal acrobatics on What's Following Me. It's the uniquely feminine approach to personal, sometimes controversial subject matter that will remind listeners of O'Connor. Performance stylizations occupy a low priority on What's Following Me when compared to McEvoy's redemptive lyric yearnings. The constant rhyming comes off as a bit contrived, but for the most part, McEvoy employs simple, sweet poetry. Topics like alcoholism and Catholicism are explored in depth, but McEvoy's feelings of betrayal -- as expressed in her mostly lovelorn ballads -- are most central to her message. Highlights include the mellow tracks "Sleepless," "All That Surrounds Me," and the Top Ten radio hit "Precious Little." During more up-tempo numbers, McEvoy struggles with her soft-spoken vocal approach and fails to match her band's intensity. With so much to say, it would have served the songwriter well to take a few vocal cues from her more expressive countrymen and women (U2, O'Connor) as her subdued crooning adds no emotional weight to the record's livelier material. Instead, McEvoy goes to a minimal extreme, often whispering or half-speaking her lyrics, leaving listeners without a discernable melody. Entropic musical wanderings, and McEvoy's restrained vocals inhibit What's Following Me -- an otherwise successful display of introspective songwriting. New listeners might want to check out 1993's self-titled debut or the more immediate Snapshots before picking up this collection.

© Vincent Jeffries /TiVo

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What'S Following Me? (Album Version)

Eleanor McEvoy

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1
A Glass Unkissed (Album Version)
00:05:03

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Electric Guitar - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Violin - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Kieran McEvoy, Background Vocal - Kieran McEvoy, Electric Guitar - Lloyd Byrne, Drums - Lloyd Byrne, Tambourine - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

2
Where Is The Healing? (Album Version)
00:04:50

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Acoustic Baritone Guitar - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Violin - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Kieran McEvoy, Background Vocal - Kieran McEvoy, Electric Guitar - Kieran McEvoy, Guitar - Lloyd Byrne, Congas - Lloyd Byrne, Drums - PHIL HUFF, 2nd Engineer - Patrick Derivas, Mixing Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

3
Don't Ask Me Why (Album Version)
00:04:53

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Performer - Eleanor McEvoy, Piano - Eleanor McEvoy, Producer - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Kieran McEvoy, Electric Guitar - Kieran McEvoy, Guitar - Lloyd Byrne, Drums - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

4
Precious Little (Album Version)
00:04:24

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Organ - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Kieran McEvoy, Electric Guitar - Lloyd Byrne, Drums - Lloyd Byrne, Shaker - Mark Isham, Trumpet - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

5
Whisper A Prayer To The Moon (Album Version)
00:04:30

Andreja Malir, Harp - David James, Acoustic Cello - E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Acoustic Baritone Guitar - Eleanor McEvoy, Keyboards - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Electric Guitar - Lloyd Byrne, Drums - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

6
Trapped Inside (Album Version)
00:04:21

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Electric Guitar - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Violin - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Electric Guitar - Lloyd Byrne, Drums - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

7
Sleepless (Album Version)
00:05:17

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Harpsichord - Eleanor McEvoy, Performer - Eleanor McEvoy, Piano - Eleanor McEvoy, Producer - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Kieran McEvoy, Electric Guitar - Lloyd Byrne, Drums - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

8
My Own Sweet Bed Tonight (Album Version)
00:04:54

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Arranger - Eleanor McEvoy, Electric Guitar - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, 2nd Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Kieran McEvoy, Background Vocal - Kieran McEvoy, Electric Guitar - Kieran McEvoy, Guitar - Lloyd Byrne, Drums - Lloyd Byrne, Tambourine - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

9
Biochemistry (Album Version)
00:04:47

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Electric Guitar - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Kieran McEvoy, Background Vocal - Kieran McEvoy, Electric Guitar - Kieran McEvoy, Guitar - Lloyd Byrne, Drums - Lloyd Byrne, Tambourine - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

10
The Weatherman (Twelve Days) (Album Version)
00:04:12

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Electric Guitar - Eleanor McEvoy, Performer - Eleanor McEvoy, Producer - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Electric Guitar - Lloyd Byrne, Drums - Lloyd Byrne, Tambourine - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

11
The Fire Overhead (Album Version)
00:06:22

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Acoustic Baritone Guitar - Eleanor McEvoy, Performer - Eleanor McEvoy, Piano - Eleanor McEvoy, Producer - Eleanor McEvoy, Violin - Eleanor McEvoy, Vocal - Erika Larson, Mixing Engineer - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Electric Guitar - Lloyd Byrne, Bodhran - Lloyd Byrne, Drums - Patrick Derivas, Mixing Engineer - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer - Tim Conklin, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

12
All That Surrounds Me (Album Version)
00:05:24

E. McEvoy, Composer - E. McEvoy, Lyricist - Eleanor McEvoy, Performer - Eleanor McEvoy, Piano - Eleanor McEvoy, Producer - Eleanor McEvoy, Violin - Eleanor McEvoy, Vocal - Greg Calbi, Mastering Engineer - Greg Guarino, Mixing Engineer - Jim Tate, Bass - Joe Rivera, Mixing Engineer - Kevin Moloney, Engineer - Kevin Moloney, Mixing Engineer - Kevin Moloney, Producer - Kieran McEvoy, Acoustic Baritone Guitar - Lloyd Byrne, Cymbals - Lloyd Byrne, Drums - Lloyd Byrne, Tambourine - Lloyd Byrne, Triangle - Phil Luff, 2nd Engineer - Stephen George Hammond, Mixing Engineer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT

Chronique

Awash in critical praise for earlier musical efforts, Eleanor McEvoy released What's Following Me in 1996 for Columbia Records. True to her past musical creations, the singer/songwriter's second disc delivers 12 soft rock lullabies full of anguished yet subdued lyrics. Although frequently compared to fellow Irish songstress Sinéad O'Connor, listeners should not expect thick Celtic inflections, stylized yodeling, and other O'Connor vocal acrobatics on What's Following Me. It's the uniquely feminine approach to personal, sometimes controversial subject matter that will remind listeners of O'Connor. Performance stylizations occupy a low priority on What's Following Me when compared to McEvoy's redemptive lyric yearnings. The constant rhyming comes off as a bit contrived, but for the most part, McEvoy employs simple, sweet poetry. Topics like alcoholism and Catholicism are explored in depth, but McEvoy's feelings of betrayal -- as expressed in her mostly lovelorn ballads -- are most central to her message. Highlights include the mellow tracks "Sleepless," "All That Surrounds Me," and the Top Ten radio hit "Precious Little." During more up-tempo numbers, McEvoy struggles with her soft-spoken vocal approach and fails to match her band's intensity. With so much to say, it would have served the songwriter well to take a few vocal cues from her more expressive countrymen and women (U2, O'Connor) as her subdued crooning adds no emotional weight to the record's livelier material. Instead, McEvoy goes to a minimal extreme, often whispering or half-speaking her lyrics, leaving listeners without a discernable melody. Entropic musical wanderings, and McEvoy's restrained vocals inhibit What's Following Me -- an otherwise successful display of introspective songwriting. New listeners might want to check out 1993's self-titled debut or the more immediate Snapshots before picking up this collection.

© Vincent Jeffries /TiVo

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