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Choir of Merton College, Oxford|The Marian Collection

The Marian Collection

Choir of Merton College, Oxford

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The Choir of Merton College, Oxford, has released a series of thematic albums that depart in several ways from the common run of British collegiate choral products. The first is the willingness of the choir to depart from a pristine sound and to build tension through the judicious application of what Astor Piazzolla once called mud. Committed fans of John Tavener may well find the choir's recording of Two Hymns to the Mother of God (tracks 12 and 13) worth the price of admission in itself. The second novelty is the application of the Christmas programming concept of combining contemporary and Renaissance material to other Christian themes. The Choir of Merton College is of course not the first group to do this, but the idea has been worked out unusually well here: there are newly commissioned pieces about Mary, all of them from female composers and displaying a fascinating variety of perspectives, and the choir's pair of conductors are seemingly given the chance to follow their own leads. The focus is naturally on the newer music, but the version of Byrd's Salve Regina led by veteran conductor Peter Phillips seems to stand at the center of the whole program. The emotional involvement of the young singers in the music provides an X factor in the album's favor, as does the deep familiarity of the performers and the engineers of the British audiophile label Delphian with the sound environment of the group's home base, Merton College Chapel. An unusually satisfying British choral release.

© TiVo

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The Marian Collection

Choir of Merton College, Oxford

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1
Ave Regina Caelorum
00:03:27

Judith Weir, Composer - Choir of Merton College, Oxford, MainArtist - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

2
Alma Redemptoris Mater
00:02:40

Giovanni Pierluigi da Palestrina, Composer - Peter Phillips, Conductor - Choir of Merton College, Oxford, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

3
Mother Of God, Here I Stand
00:02:56

John Tavener, Composer - Choir of Merton College, Oxford, MainArtist - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

4
Salve Regina
00:07:00

Choir of Merton College, Oxford, MainArtist - Kerry Andrew, Composer - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

5
Magnificat
00:09:23

Peter Phillips, Conductor - Choir of Merton College, Oxford, MainArtist - John Nesbett, Composer - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

6
Regina Caeli
00:04:04

Choir of Merton College, Oxford, MainArtist - Benjamin Nicholas, Conductor - Hannah Kendall, Composer - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

7
Salve Regina
00:07:18

William BYRD, Composer - Peter Phillips, Conductor - Choir of Merton College, Oxford, MainArtist - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

8
Ave Maria
00:01:49

Igor Stravinsky, Composer - Choir of Merton College, Oxford, MainArtist - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

9
Alma Redemptoris Mater
00:05:20

Choir of Merton College, Oxford, MainArtist - Dobrinka Tabakova, Composer - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

10
I Say That We Are Wound With Mercy
00:07:23

Choir of Merton College, Oxford, MainArtist - Gabriel Jackson, Composer - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

11
Ave Maria, Maris Stella
00:04:09

Peter Phillips, Conductor - Choir of Merton College, Oxford, MainArtist - Robert Parsons, Composer - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

12
A Hymn To The Mother Of God
00:02:36

John Tavener, Composer - Choir of Merton College, Oxford, MainArtist - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

13
Hymn For The Dormition Of The Mother Of God
00:02:59

John Tavener, Composer - Choir of Merton College, Oxford, MainArtist - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

14
Salve Sedes Sapientiae
00:02:58

Choir of Merton College, Oxford, MainArtist - Matthew Martin, Composer - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

15
Ave Maria
00:03:30

Anton BRUCKNER, Composer - Choir of Merton College, Oxford, MainArtist - Benjamin Nicholas, Conductor - Delphian Records Ltd., MusicPublisher

(C) 2014 Delphian Records Ltd (P) 2014 Delphian Records

Chronique

The Choir of Merton College, Oxford, has released a series of thematic albums that depart in several ways from the common run of British collegiate choral products. The first is the willingness of the choir to depart from a pristine sound and to build tension through the judicious application of what Astor Piazzolla once called mud. Committed fans of John Tavener may well find the choir's recording of Two Hymns to the Mother of God (tracks 12 and 13) worth the price of admission in itself. The second novelty is the application of the Christmas programming concept of combining contemporary and Renaissance material to other Christian themes. The Choir of Merton College is of course not the first group to do this, but the idea has been worked out unusually well here: there are newly commissioned pieces about Mary, all of them from female composers and displaying a fascinating variety of perspectives, and the choir's pair of conductors are seemingly given the chance to follow their own leads. The focus is naturally on the newer music, but the version of Byrd's Salve Regina led by veteran conductor Peter Phillips seems to stand at the center of the whole program. The emotional involvement of the young singers in the music provides an X factor in the album's favor, as does the deep familiarity of the performers and the engineers of the British audiophile label Delphian with the sound environment of the group's home base, Merton College Chapel. An unusually satisfying British choral release.

© TiVo

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