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Grant Green|Sunday Mornin'

Sunday Mornin'

Grant Green

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Langue disponible : anglais

Grant Green's fourth album, Sunday Mornin', was the first time Green recorded (as a leader) with a piano instead of an organ. Joined by pianist Kenny Drew, bassist Ben Tucker, and drummer Ben Dixon, Green makes Sunday Mornin' less of a soul-jazz session than his previous work, instead turning in a solid -- if not quite exceptional -- set of modal hard bop and laid-back grooves. Pianist Drew's sparse chording leaves plenty of room for Green's lilting tones to ring out, and since Green's approach relies on single-note lines rather than chords, the whole session ends up with a spacious, light feel. Half of the original six tracks are Green originals, including the Martin Luther King-inspired "Freedom March" and the gospel-tinged title track; the others are well-known repertory: "God Bless the Child," Miles Davis' "So What," and Eddie Harris' then-recent hit adaptation of the theme from "Exodus." Green is tasteful and elegant as always, and the results make for an enjoyable addition to his discography, even if there are more distinctive Green albums available.
© Steve Huey /TiVo

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Sunday Mornin'

Grant Green

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1
Freedom March (Remastered)
00:08:42

Grant Green, Composer, MainArtist - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer

(C) 2005 Capitol Records, Inc. ℗ 2005 Blue Note Records

2
Sunday Mornin' (Digitally Remastered)
00:04:01

Grant Green, Composer, MainArtist - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer

(C) 2005 Capitol Records, Inc. ℗ 2005 Blue Note Records

3
Exodus (Remastered)
00:07:01

Grant Green, MainArtist - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Ernest Gold, Composer - Pat Boone, Composer

(C) 2005 Capitol Records, Inc. ℗ 2005 Blue Note Records

4
God Bless The Child (Remastered)
00:07:21

Arthur Herzog, Composer - Billie Holiday, Composer - Grant Green, Guitar, MainArtist, AssociatedPerformer - Ben Tucker, AssociatedPerformer, Bass (Vocal) - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Kenny Drew, Piano, AssociatedPerformer - Ben Dixon, Drums, AssociatedPerformer

(C) 2005 Capitol Records, Inc. ℗ 2005 Blue Note Records

5
Come Sunrise (Remastered)
00:04:33

Grant Green, Composer, Guitar, MainArtist, AssociatedPerformer - Ben Tucker, AssociatedPerformer, Bass (Vocal) - Michael Cuscuna, Producer - Rudy Van Gelder, Mastering Engineer, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer - Kenny Drew, Piano, AssociatedPerformer - Ben Dixon, Drums, AssociatedPerformer

(C) 2005 Capitol Records, Inc. ℗ 2005 Blue Note Records

6
So What (Remastered)
00:09:47

Grant Green, MainArtist - Miles Davis, Composer - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer

(C) 2005 Capitol Records, Inc. ℗ 2005 Blue Note Records

7
Tracin' Tracy (2005 Remaster)
00:05:39

Grant Green, Composer, MainArtist - Michael Cuscuna, Producer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Ron McMaster, Mastering Engineer, StudioPersonnel - Alfred Lion, Producer

(C) 2005 Capitol Records, Inc. ℗ 2005 Blue Note Records

Chronique

Grant Green's fourth album, Sunday Mornin', was the first time Green recorded (as a leader) with a piano instead of an organ. Joined by pianist Kenny Drew, bassist Ben Tucker, and drummer Ben Dixon, Green makes Sunday Mornin' less of a soul-jazz session than his previous work, instead turning in a solid -- if not quite exceptional -- set of modal hard bop and laid-back grooves. Pianist Drew's sparse chording leaves plenty of room for Green's lilting tones to ring out, and since Green's approach relies on single-note lines rather than chords, the whole session ends up with a spacious, light feel. Half of the original six tracks are Green originals, including the Martin Luther King-inspired "Freedom March" and the gospel-tinged title track; the others are well-known repertory: "God Bless the Child," Miles Davis' "So What," and Eddie Harris' then-recent hit adaptation of the theme from "Exodus." Green is tasteful and elegant as always, and the results make for an enjoyable addition to his discography, even if there are more distinctive Green albums available.
© Steve Huey /TiVo

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