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Frank-Immo Zichner|Stravinsky: The Rite of Spring - Bartok: Sonata for 2 Pianos and Percussion

Stravinsky: The Rite of Spring - Bartok: Sonata for 2 Pianos and Percussion

Frank Gutschmidt

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Langue disponible : anglais

As the two-piano version of Igor Stravinsky's Le Sacre du printemps increases in popularity, finding a suitable companion piece for a program has become a necessity, especially for CD releases. Pianists Frank-Immo Zichner and Frank Gutschmidt have hit on the practical idea of recording Le Sacre with Béla Bartók's Sonata for two pianos and percussion, a work that provides convenient instrumentation as well as serving as a suitable stylistic foil. While both of these modernist masterpieces share many similarities in their reliance on folk materials, angular melodies, dissonant harmonies, and rhythmic complexity, they are distinguishable because of their striking differences of approach and style. Because this version of Le Sacre is essentially a transcription of the original ballet, there are pianistic effects that mimic the orchestral score's features, such as string tremolos and bass drum rolls, whereas Bartók composed with the pianos in mind, and treated them as percussive instruments in league with the percussion battery, played here by Dominic Oelze and Torsten Schönfeld. This is a viable pairing that shows off the players' virtuosic skills and raises interesting considerations about Stravinsky's and Bartók's handling of surprisingly similar material in strikingly different ways. The playing throughout is vigorous and compelling, and NCA's transparent reproduction captures every note.
© TiVo

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Stravinsky: The Rite of Spring - Bartok: Sonata for 2 Pianos and Percussion

Frank-Immo Zichner

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Le Sacre du printemps

1
Part I: Adoration of the Earth: Introduction -
00:03:14

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

2
Part I: Adoration of the Earth: The Augurs of Spring - Dances of the Young Girls -
00:03:03

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

3
Part I: Adoration of the Earth: Ritual of Abduction -
00:01:15

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

4
Part I: Adoration of the Earth: Spring Rounds -
00:03:22

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

5
Part I: Adoration of the Earth: Ritual of the River Tribes -
00:01:41

Frank-Immo Zichner, Performer - Frank Gutschmidt, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

6
Part I: Adoration of the Earth: Procession of the Sage -
00:00:37

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

7
Part I: Adoration of the Earth: The Sage -
00:00:24

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

8
Part I: Adoration of the Earth: Dance of the Earth
00:01:11

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

9
Part II: The Sacrifice: Introduction -
00:04:17

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

10
Part II: The Sacrifice: Mystic Circles of the Young Girls -
00:03:15

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

11
Part II: The Sacrifice: Glorification of the Chosen One -
00:01:28

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

12
Part II: The Sacrifice: Evocation of the Ancestors -
00:00:47

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

13
Part II: The Sacrifice: Ritual Action of the Ancestors -
00:03:32

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

14
Part II: The Sacrifice: Sacrificial Dance
00:04:36

Frank Gutschmidt, Performer - Frank-Immo Zichner, Performer - Igor Stravinsky, Composer

2012 New Classical Adventure 2012 New Classical Adventure

Sonata for 2 Pianos and Percussion, BB 115 (Béla Bartók)

15
I. Assai lento - Allegro molto
00:12:35

Frank Gutschmidt, Performer - Dominic Oelze, Performer - Torsten Schonfeld, Performer - Frank-Immo Zichner, Performer - Béla Bartok, Composer

2012 New Classical Adventure 2012 New Classical Adventure

16
II. Lento, ma non troppo
00:05:54

Frank Gutschmidt, Performer - Dominic Oelze, Performer - Torsten Schonfeld, Performer - Frank-Immo Zichner, Performer - Béla Bartok, Composer

2012 New Classical Adventure 2012 New Classical Adventure

17
III. Allegro non troppo
00:06:08

Frank-Immo Zichner, Performer - Frank Gutschmidt, Performer - Dominic Oelze, Performer - Torsten Schonfeld, Performer - Béla Bartok, Composer

2012 New Classical Adventure 2012 New Classical Adventure

Chronique

As the two-piano version of Igor Stravinsky's Le Sacre du printemps increases in popularity, finding a suitable companion piece for a program has become a necessity, especially for CD releases. Pianists Frank-Immo Zichner and Frank Gutschmidt have hit on the practical idea of recording Le Sacre with Béla Bartók's Sonata for two pianos and percussion, a work that provides convenient instrumentation as well as serving as a suitable stylistic foil. While both of these modernist masterpieces share many similarities in their reliance on folk materials, angular melodies, dissonant harmonies, and rhythmic complexity, they are distinguishable because of their striking differences of approach and style. Because this version of Le Sacre is essentially a transcription of the original ballet, there are pianistic effects that mimic the orchestral score's features, such as string tremolos and bass drum rolls, whereas Bartók composed with the pianos in mind, and treated them as percussive instruments in league with the percussion battery, played here by Dominic Oelze and Torsten Schönfeld. This is a viable pairing that shows off the players' virtuosic skills and raises interesting considerations about Stravinsky's and Bartók's handling of surprisingly similar material in strikingly different ways. The playing throughout is vigorous and compelling, and NCA's transparent reproduction captures every note.
© TiVo

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