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Outkast|Southernplayalisticadillacmuzik

Southernplayalisticadillacmuzik

OutKast

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16-Bit/44.1 kHz Stereo

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It is on OutKast's debut album that the fledgling production team Organized Noize began forging one of the most distinctive production sounds in popular music in the '90s: part hip-hop; part live, Southern-fried guitar licks and booty-thick bass runs; and part lazy, early-'70s soul. The album was not only artistically successful but also thrived commercially, leaping into the Top 20 album chart on the back of the outstanding hit single "Player's Ball" and eventually going platinum. Although a little bit too dependent on overly simplistic and programmed snare beats, the music is unconditionally excellent, with languid, mellow melodies sliding atop rapid, mechanical drums. Organized Noize already had their distinguishing sound figured out, down to the last twanged, wah-wahed note. But what makes Southernplayalisticadillacmuzick such a wonderful album has even more to do with the presence of its rappers, Dre and Big Boi. No one sounded like OutKast in 1994 -- a mixture of lyrical acuity, goofball humor, Southern drawl, funky timing, and legitimate offbeat personalities. Few rappers of the '90s have displayed such an inventive sense of rhyme flow either, and few rap artists in general have ears as attuned to creating such catchy melodic and vocal hooks. Almost every song has some sort of tuneful chant or repetitive hook that marks it as instantly memorable. There are occasional dull and mediocre spots, such as "Call of Da Wild" and the overlong "Funky Ride," that can't even be elevated by a head-nodding bassline or a tricky rhyme. Such low points, however, are far outshined by the brilliant moments. Already an extremely strong showing, OutKast would continue to develop into one of the finest, most consistently challenging (not to mention booty-shaking) rap groups of the decade.

© Stanton Swihart /TiVo

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Southernplayalisticadillacmuzik

Outkast

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1
Peaches (Intro) Explicit
00:00:51

Organized Noize, Producer - A. Patton, Composer - A. Patton, Lyricist - A. Benjamin, Composer - A. Benjamin, Lyricist - OutKast, Performer

(P) 1994 Arista Records, LLC

2
Myintrotoletuknow Explicit
00:02:40

Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - A. Patton, Composer - A. Patton, Lyricist - A. Benjamin, Composer - A. Benjamin, Lyricist - OutKast, Performer

(P) 1994 Arista Records, LLC

3
Ain't No Thang (Dirty Version) Explicit
00:05:38

Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Performer

(P) 1994 Arista Records, LLC

4
Welcome to Atlanta (Interlude) Explicit
00:00:57

Organized Noize, Producer - Organized Noize, Composer - Organized Noize, Lyricist - A. Patton, Composer - A. Patton, Lyricist - A. Benjamin, Composer - A. Benjamin, Lyricist - OutKast, Vocal

(P) 1994 Arista Records, LLC

5
Southernplayalisticadillacmuzik Explicit
00:05:17

Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Vocal

(P) 1994 Arista Records, LLC

6
Call of da Wild Explicit
00:06:06

Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - Willie Knighton, Composer - Willie Knighton, Lyricist - OutKast, Performer - OutKast, Vocal - André Benjamin, Composer - André Benjamin, Lyricist - Raymon Murray, Composer - Raymon Murray, Lyricist - Robert T. Barnett, Composer - Robert T. Barnett, Lyricist - Thomas Burton, Composer - Thomas Burton, Lyricist - Rico Wade, Composer - Rico Wade, Lyricist - Patrick Brown, Composer - Patrick Brown, Lyricist - Antwan Patton, Composer - Antwan Patton, Lyricist

(P) 1994 Arista Records, LLC

7
Player's Ball (Album Version) Explicit
00:04:21

Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Performer

(P) 1993 Arista Records, LLC

8
Claimin' True Explicit
00:04:43

Rico Wade, Composer - Rico Wade, Lyricist - Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - Raymon Murray, Composer - Raymon Murray, Lyricist - Patrick Brown, Composer - Patrick Brown, Lyricist - OutKast, Performer - OutKast, Vocal

(P) 1994 Arista Records, LLC

9
Club Donkey Ass (Interlude) Explicit
00:00:25

Organized Noize, Producer - Organized Noize, Composer - Organized Noize, Lyricist - OutKast, Vocal

(P) 1994 Arista Records, LLC

10
Funky Ride
00:06:30

Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Performer

(P) 1994 Arista Records, LLC

11
Flim Flam (Interlude) Explicit
00:01:14

Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Vocal

(P) 1994 Arista Records, LLC

12
Git Up, Git Out (Dirty Version) Explicit
00:07:27

Cameron Gipp, Composer - Cameron Gipp, Lyricist - Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Performer - Thomas Burton, Composer - Thomas Burton, Lyricist

(P) 1994 Arista Records, LLC

13
True Dat (Interlude) Explicit
00:01:16

Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - A. Patton, Composer - A. Patton, Lyricist - A. Benjamin, Composer - A. Benjamin, Lyricist - OutKast, Vocal

(P) 1994 Arista Records, LLC

14
Crumblin' Erb (Dirty Version) Explicit
00:05:09

Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Performer

(P) 1994 Arista Records, LLC

15
Hootie Hoo Explicit
00:03:58

Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Performer

(P) 1994 Arista Records, LLC

16
D.E.E.P. Explicit
00:05:31

Rico Wade, Composer - Rico Wade, Lyricist - Antwan Patton, Composer - Antwan Patton, Lyricist - André Benjamin, Composer - André Benjamin, Lyricist - Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - Raymon Murray, Composer - Raymon Murray, Lyricist - Patrick Brown, Composer - Patrick Brown, Lyricist - OutKast, Performer - OutKast, Vocal

(P) 1994 Arista Records, LLC

17
Player's Ball (Reprise)
00:02:19

Organized Noize, Composer - Organized Noize, Lyricist - Organized Noize, Producer - OutKast, Vocal

(P) 1994 Arista Records, LLC

Chronique

It is on OutKast's debut album that the fledgling production team Organized Noize began forging one of the most distinctive production sounds in popular music in the '90s: part hip-hop; part live, Southern-fried guitar licks and booty-thick bass runs; and part lazy, early-'70s soul. The album was not only artistically successful but also thrived commercially, leaping into the Top 20 album chart on the back of the outstanding hit single "Player's Ball" and eventually going platinum. Although a little bit too dependent on overly simplistic and programmed snare beats, the music is unconditionally excellent, with languid, mellow melodies sliding atop rapid, mechanical drums. Organized Noize already had their distinguishing sound figured out, down to the last twanged, wah-wahed note. But what makes Southernplayalisticadillacmuzick such a wonderful album has even more to do with the presence of its rappers, Dre and Big Boi. No one sounded like OutKast in 1994 -- a mixture of lyrical acuity, goofball humor, Southern drawl, funky timing, and legitimate offbeat personalities. Few rappers of the '90s have displayed such an inventive sense of rhyme flow either, and few rap artists in general have ears as attuned to creating such catchy melodic and vocal hooks. Almost every song has some sort of tuneful chant or repetitive hook that marks it as instantly memorable. There are occasional dull and mediocre spots, such as "Call of Da Wild" and the overlong "Funky Ride," that can't even be elevated by a head-nodding bassline or a tricky rhyme. Such low points, however, are far outshined by the brilliant moments. Already an extremely strong showing, OutKast would continue to develop into one of the finest, most consistently challenging (not to mention booty-shaking) rap groups of the decade.

© Stanton Swihart /TiVo

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