Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Recorded in June of 1980, Soul Exorcism proves that jazz, funk, experimental, and new wave make quite an intoxicating mix when perfected. James Chance sums up the proceedings perfectly in the liner notes, where he states that the music perfectly reveals the essence and soul of New York City (even though it was recorded in Rotterdam). Backed up by a stellar backing band, which Chance himself calls one of the most volatile units he's worked with, the Contortions simply shine. Like most other Contortions recordings, cacophony rears its head from time to time, but that's what the band uses to paint different moods and textures: it's not used haphazardly. The whole album is inspired from beginning to end, and features such great tracks as "I Danced with a Zombie," "Exorcise the Funk," and a pair of interesting covers -- Michael Jackson's "Don't Stop 'Til You Get Enough" and James Brown's "King Heroin." [In 2007 the Roir label reissued the album as Soul Exorcism Redux. Three tracks from a 1987 demo session were added to the end of the track list along with new art work.]
© Greg Prato /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
James Chance, MainArtist - the Contortions, MainArtist
Reachout International Records, Inc. Reachout International Records, Inc.
Chronique
Recorded in June of 1980, Soul Exorcism proves that jazz, funk, experimental, and new wave make quite an intoxicating mix when perfected. James Chance sums up the proceedings perfectly in the liner notes, where he states that the music perfectly reveals the essence and soul of New York City (even though it was recorded in Rotterdam). Backed up by a stellar backing band, which Chance himself calls one of the most volatile units he's worked with, the Contortions simply shine. Like most other Contortions recordings, cacophony rears its head from time to time, but that's what the band uses to paint different moods and textures: it's not used haphazardly. The whole album is inspired from beginning to end, and features such great tracks as "I Danced with a Zombie," "Exorcise the Funk," and a pair of interesting covers -- Michael Jackson's "Don't Stop 'Til You Get Enough" and James Brown's "King Heroin." [In 2007 the Roir label reissued the album as Soul Exorcism Redux. Three tracks from a 1987 demo session were added to the end of the track list along with new art work.]
© Greg Prato /TiVo
À propos
- 1 disque(s) - 14 piste(s)
- Durée totale : 01:19:10
- Artistes principaux : James Chance The Contortions
- Label : ROIR
- Genre : Pop/Rock Rock Alternatif et Indé
Reachout International Records, Inc. Reachout International Records, Inc.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.