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The Grassy Knoll|Positive

Positive

The Grassy Knoll

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Time and changes in sampling/hip-hop aesthetics rendered the Grassy Knoll's work less cutting-edge and more representative of a phase but, for all that, Positive succeeds as an enjoyable if slightly stiff exploration of jazz-meets-breakbeat culture. Green and his backing band definitely play off the sense of improvisation and group contribution; while Green is credited as the full arranger and sole composer, one can almost sense the sessions being added to by the other performers. If there's a key if not crippling fault, it's that at points Green generally seems rhythmically conservative based on what he's trying to do -- while there's variety between songs, there's not always much changing inside them. Exceptions certainly exist: Consider the fluid jumping around on "Slow Steady Salvation," one of the album's best songs, while the stuttering rhythm on the concluding "End of It All," matched by some great guitar from Green, is well worthy. If things are conventional with many of the beats, that's where the other elements of the songs step to the fore and, whether it's the interjections of Grady's trumpet or Byerly's sax or more, the result is usually quite enjoyable dark funk noir, not too far off from what fellow Texan MC 900 Ft. Jesus was trying around the same time. "The Americans" is a great example of everything connecting, a queasy, unsettling guitar line and steady rhythm underpinning Byerly's wails. Bursts of orchestral samples and other sudden drop-ins add to the unsettled, intriguing nature of the performances, while various guest performances, including two guitar appearances by Ralph Patlan, are worth noting. At Positive's least inspired, things more often resemble flaccid acid jazz than the fierce fire of electric Miles, but when Green and cohorts are on, they burn damn well.

© Ned Raggett /TiVo

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Positive

The Grassy Knoll

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1
Black Helicopters
00:03:59

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

2
Driving Nowhere
00:05:14

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Slow Steady Salvation
00:04:04

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

4
1961
00:06:19

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

5
The Americans
00:03:41

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

6
Roswell Crash
00:03:55

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

7
The Common Good
00:03:23

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Another Theory
00:01:28

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

9
Wailing & Gnashing Of Teeth
00:02:21

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Fall Of The American Empire
00:04:30

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

11
All Things Considered
00:04:31

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

12
Corrosion Of The Masses
00:04:03

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

13
End Of It All
00:01:43

Bob Green, Producer, Recording Arranger, AssociatedPerformer, ComposerLyricist - The Grassy Knoll, MainArtist - Jaime Lagueruela, Producer

℗ 1996 The Verve Music Group, a Division of UMG Recordings, Inc.

Chronique

Time and changes in sampling/hip-hop aesthetics rendered the Grassy Knoll's work less cutting-edge and more representative of a phase but, for all that, Positive succeeds as an enjoyable if slightly stiff exploration of jazz-meets-breakbeat culture. Green and his backing band definitely play off the sense of improvisation and group contribution; while Green is credited as the full arranger and sole composer, one can almost sense the sessions being added to by the other performers. If there's a key if not crippling fault, it's that at points Green generally seems rhythmically conservative based on what he's trying to do -- while there's variety between songs, there's not always much changing inside them. Exceptions certainly exist: Consider the fluid jumping around on "Slow Steady Salvation," one of the album's best songs, while the stuttering rhythm on the concluding "End of It All," matched by some great guitar from Green, is well worthy. If things are conventional with many of the beats, that's where the other elements of the songs step to the fore and, whether it's the interjections of Grady's trumpet or Byerly's sax or more, the result is usually quite enjoyable dark funk noir, not too far off from what fellow Texan MC 900 Ft. Jesus was trying around the same time. "The Americans" is a great example of everything connecting, a queasy, unsettling guitar line and steady rhythm underpinning Byerly's wails. Bursts of orchestral samples and other sudden drop-ins add to the unsettled, intriguing nature of the performances, while various guest performances, including two guitar appearances by Ralph Patlan, are worth noting. At Positive's least inspired, things more often resemble flaccid acid jazz than the fierce fire of electric Miles, but when Green and cohorts are on, they burn damn well.

© Ned Raggett /TiVo

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