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Stefano Bollani|O Que Será (Live)

O Que Será (Live)

Stefano Bollani

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Recorded live just a year before its release, O Que Será pairs Italian postmodernist jazz pianist Stefano Bollani with one of Brazil's great musical innovators, Hamilton De Holanda playing bandolim (a ten-string mandolin). The pair met on-stage in 2009 and played just two numbers, but it was enough; they realized what was possible. They played a full show in 2011, and in August of 2012 they appeared together at the Jazz Middleheim Festival and made this recording. Despite the stark instrumentation, this program is lively and full of risky moves. Of the ten pieces here, seven are from the Brazilian canon. Each participant contributed one composition and there is a haunted, heartbreaking read of Astor Piazzolla's "Oblivion." The classically trained De Holanda is well known in his own country, having recorded several albums both solo and orchestral. He has also collaborated with everyone from Mike Marshall and Béla Fleck to Richard Galliano and the Preservation Hall Jazz Band. Bollani has, in recent years, become well known as a stylist, recording material by everyone from Prokofiev and Scott Joplin to the Beach Boys and Thelonious Monk. He has employed Brazilian music on numerous recordings, among them Orvieto with Chick Corea and on his own fine Stone in the Water. O Que Será commences with a limpid, graceful reading of Edú Lobo's "Beatriz." The duo demonstrate their intimate communication skills, moving through the melody with elegance and restraint yet chock-full of emotion. Next up is Bollani's fiery yet dryly humorous "Il Barbone Di Siviglia," which employs a brisk tempo that quotes the opera, but via the pulse of baião and his high-register arpeggios, the improvisational quotient is high. The effect is knotty and slightly dissonant, yet deeply intuitive. This contrasts beautifully with De Holanda's "Caprichos de Espanha," which weds flamenco, bolero, Middle Eastern modal music, choro, and Western classical musics in a dazzling, labyrinthine journey. The tender reading of Jobim's "Luiza" engages bossa but shifts the focus toward jazz in order to reveal another musical possibility for this simple song. "Canto de Ossanha" is a burner that weds choro, samba, and syncopated modernist jazz in a fiery display of near symbiotic interaction with electrifying solos. O Que Será is a one of a kind dialogue between two musicians who understand that music is an adventure; they submit themselves to it fully with a wealth of ideas and bring out the heat, intimacy, and humor in these tunes.
© Thom Jurek /TiVo

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O Que Será (Live)

Stefano Bollani

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1
Beatriz (Live)
00:03:25

Edu Lobo, ComposerLyricist - Chico Buarque, ComposerLyricist - Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

2
Il Barbone Di Siviglia (Live)
00:06:27

Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Composer, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

3
Caprichos De Espanha (Live)
00:03:04

Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, Composer, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

4
Guarda Che Luna (Live)
00:06:51

Bruno Pallesi, Composer - Gualtiero Malgoni, Composer - Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

5
Luiza (Live)
00:06:17

António Carlos Jobim, ComposerLyricist - Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

6
O Que Será (Live)
00:05:26

Chico Buarque, ComposerLyricist - Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

7
Rosa (Live)
00:03:36

Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Pinxiguina, Composer - Octavio De Souza, Composer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

8
Canto De Ossanha (Live)
00:08:53

Vinicius De Moraes, ComposerLyricist - Baden Powell, ComposerLyricist - Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

9
Oblivión (Live)
00:04:35

Astor Piazzolla, Composer - Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

10
Apanhei-te Cavaquinho (Live)
00:05:24

Ernesto Nazareth, Composer - Jan Erik Kongshaug, Mixer, StudioPersonnel - Hamilton De Holanda, MainArtist - Stefano Bollani, Mixer, MainArtist, StudioPersonnel - Manfred Eicher, Producer - Walter De Niel, Recording Engineer, StudioPersonnel - Roberto Lioli, Mixer, StudioPersonnel - Johan Favoreel, Recording Engineer, StudioPersonnel

℗ 2013 ECM Records GmbH

Chronique

Recorded live just a year before its release, O Que Será pairs Italian postmodernist jazz pianist Stefano Bollani with one of Brazil's great musical innovators, Hamilton De Holanda playing bandolim (a ten-string mandolin). The pair met on-stage in 2009 and played just two numbers, but it was enough; they realized what was possible. They played a full show in 2011, and in August of 2012 they appeared together at the Jazz Middleheim Festival and made this recording. Despite the stark instrumentation, this program is lively and full of risky moves. Of the ten pieces here, seven are from the Brazilian canon. Each participant contributed one composition and there is a haunted, heartbreaking read of Astor Piazzolla's "Oblivion." The classically trained De Holanda is well known in his own country, having recorded several albums both solo and orchestral. He has also collaborated with everyone from Mike Marshall and Béla Fleck to Richard Galliano and the Preservation Hall Jazz Band. Bollani has, in recent years, become well known as a stylist, recording material by everyone from Prokofiev and Scott Joplin to the Beach Boys and Thelonious Monk. He has employed Brazilian music on numerous recordings, among them Orvieto with Chick Corea and on his own fine Stone in the Water. O Que Será commences with a limpid, graceful reading of Edú Lobo's "Beatriz." The duo demonstrate their intimate communication skills, moving through the melody with elegance and restraint yet chock-full of emotion. Next up is Bollani's fiery yet dryly humorous "Il Barbone Di Siviglia," which employs a brisk tempo that quotes the opera, but via the pulse of baião and his high-register arpeggios, the improvisational quotient is high. The effect is knotty and slightly dissonant, yet deeply intuitive. This contrasts beautifully with De Holanda's "Caprichos de Espanha," which weds flamenco, bolero, Middle Eastern modal music, choro, and Western classical musics in a dazzling, labyrinthine journey. The tender reading of Jobim's "Luiza" engages bossa but shifts the focus toward jazz in order to reveal another musical possibility for this simple song. "Canto de Ossanha" is a burner that weds choro, samba, and syncopated modernist jazz in a fiery display of near symbiotic interaction with electrifying solos. O Que Será is a one of a kind dialogue between two musicians who understand that music is an adventure; they submit themselves to it fully with a wealth of ideas and bring out the heat, intimacy, and humor in these tunes.
© Thom Jurek /TiVo

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