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Mieneke van der Velden|Musickes Sweetest Joyes

Musickes Sweetest Joyes

Mieneke van der Velden

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Musickes sweetest joyes 'For now my soule delights in heavenly noyse of musickes sweetest joyes'* Because of the gentle melancholy which underlies the instruments sound, the viola da gamba was the instrument par excellence for the music which became fashionable in 17th-century England,. Sadness was the prevailing tone in compositions of the period, as can be heard not only in many of the song texts (Go nightly cares, Like hermit poor) but also in the stately beauty of instrumental works like the Pavins. Fortunately, not all of the music of this period is gloomy or melancholy; many of the suites, with their light-footed dance movements, as well as folk song settings or grounds, provide a welcome contrast. As you study the English repertoire, you are quickly overwhelmed by the vast quantity of glorious music written for the viola da gamba, and curiosity spurs you on to continue reading through new pieces. In England, the gamba was used in various ways and in all sorts of different combinations, so that the instruments possibilities and possibilities for tone color were put to their best use...

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Musickes Sweetest Joyes

Mieneke van der Velden

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1
Prelude in D
Mieneke van der Velden
00:01:42

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - Christopher Simpson, Composer

2004 Channel Classics Records 2004 Channel Classics Records

2
Divisions upon a Ground (I)
Mieneke van der Velden
00:05:06

Copyright Control, MusicPublisher - Fred Jacobs, MainArtist - Mieneke van der Velden, MainArtist - Christopher Simpson, Composer

2004 Channel Classics Records 2004 Channel Classics Records

3
A Pavin
Mieneke van der Velden
00:05:34

Copyright Control, MusicPublisher - Jaap ter Linden, MainArtist - Robert Jones, Composer - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

4
Coranto (I)
Mieneke van der Velden
00:01:19

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - William Corkine, Composer

2004 Channel Classics Records 2004 Channel Classics Records

5
The Punckes Delight
Mieneke van der Velden
00:02:18

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - William Corkine, Composer

2004 Channel Classics Records 2004 Channel Classics Records

6
Cease Leaden Slumber
Peter Kooij
00:04:07

Copyright Control, MusicPublisher - Jaap ter Linden, MainArtist - Fred Jacobs, MainArtist - Mieneke van der Velden, MainArtist - Tobias Hume, Composer, Lyricist - Peter Kooij, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

7
Good Againe
Mieneke van der Velden
00:05:31

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - Tobias Hume, Composer

2004 Channel Classics Records 2004 Channel Classics Records

8
What Greater Griefe
Mieneke van der Velden
00:02:47

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - Tobias Hume, Composer, Lyricist - Peter Kooij, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

Suite in C Minor/Major (Matthew Locke)

9
I. Fantazie
Mieneke van der Velden
00:01:30

Copyright Control, MusicPublisher - Jaap ter Linden, MainArtist - Matthew Locke, Composer - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

10
II. Courant
Mieneke van der Velden
00:01:17

Copyright Control, MusicPublisher - Jaap ter Linden, MainArtist - Matthew Locke, Composer - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

11
III. Fantazie
Mieneke van der Velden
00:01:16

Copyright Control, MusicPublisher - Jaap ter Linden, MainArtist - Matthew Locke, Composer - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

12
IV. Fantazie
Mieneke van der Velden
00:01:46

Copyright Control, MusicPublisher - Jaap ter Linden, MainArtist - Matthew Locke, Composer - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

13
V. Saraband
Mieneke van der Velden
00:00:52

Copyright Control, MusicPublisher - Jaap ter Linden, MainArtist - Matthew Locke, Composer - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

14
Preludium
Fred Jacobs
00:01:06

Copyright Control, MusicPublisher - John Dowland, Composer - Fred Jacobs, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

15
Go Nightly Cares
Johannette Zomer
00:06:41

Anonymous, Lyricist - Copyright Control, MusicPublisher - John Dowland, Composer - Jaap ter Linden, MainArtist - Fred Jacobs, MainArtist - Johannette Zomer, MainArtist - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

16
A Piece Without a Title
Fred Jacobs
00:01:39

Copyright Control, MusicPublisher - John Dowland, Composer - Fred Jacobs, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

17
Coranto (II)
Fred Jacobs
00:01:23

Copyright Control, MusicPublisher - John Dowland, Composer - Fred Jacobs, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

18
Lasso vita mia
Johannette Zomer
00:03:32

Anonymous, Lyricist - Copyright Control, MusicPublisher - John Dowland, Composer - Jaap ter Linden, MainArtist - Fred Jacobs, MainArtist - Johannette Zomer, MainArtist - Mieneke van der Velden, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

19
Prelude in E
Mieneke van der Velden
00:02:13

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - Christopher Simpson, Composer

2004 Channel Classics Records 2004 Channel Classics Records

20
Divisions upon a Ground (II)
Mieneke van der Velden
00:07:46

Copyright Control, MusicPublisher - Fred Jacobs, MainArtist - Mieneke van der Velden, MainArtist - Christopher Simpson, Composer

2004 Channel Classics Records 2004 Channel Classics Records

21
Like Hermit Poor
Peter Kooij
00:03:17

Copyright Control, MusicPublisher - Fred Jacobs, MainArtist - Nicolas Lanier, Composer - Peter Kooij, MainArtist - Walter Raleigh, Lyricist

2004 Channel Classics Records 2004 Channel Classics Records

22
A Polish Ayre
Mieneke van der Velden
00:01:03

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - Tobias Hume, Composer

2004 Channel Classics Records 2004 Channel Classics Records

23
Fain Would I Change That Note
Peter Kooij
00:01:41

Anonymous, Lyricist - Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - Tobias Hume, Composer - Peter Kooij, MainArtist

2004 Channel Classics Records 2004 Channel Classics Records

24
A Pavin
Mieneke van der Velden
00:03:21

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - William Corkine, Composer

2004 Channel Classics Records 2004 Channel Classics Records

25
Coranto (III)
Mieneke van der Velden
00:01:45

Copyright Control, MusicPublisher - Mieneke van der Velden, MainArtist - William Corkine, Composer

2004 Channel Classics Records 2004 Channel Classics Records

Chronique

Musickes sweetest joyes 'For now my soule delights in heavenly noyse of musickes sweetest joyes'* Because of the gentle melancholy which underlies the instruments sound, the viola da gamba was the instrument par excellence for the music which became fashionable in 17th-century England,. Sadness was the prevailing tone in compositions of the period, as can be heard not only in many of the song texts (Go nightly cares, Like hermit poor) but also in the stately beauty of instrumental works like the Pavins. Fortunately, not all of the music of this period is gloomy or melancholy; many of the suites, with their light-footed dance movements, as well as folk song settings or grounds, provide a welcome contrast. As you study the English repertoire, you are quickly overwhelmed by the vast quantity of glorious music written for the viola da gamba, and curiosity spurs you on to continue reading through new pieces. In England, the gamba was used in various ways and in all sorts of different combinations, so that the instruments possibilities and possibilities for tone color were put to their best use...

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