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Langue disponible : anglais
Music in Golden-Age Florence 1250-1750 accompanies a book by musicologist Anthony Curtis of the same title. Yet it is of general interest as well, as shown by the album's appearance on classical best-seller lists in early 2023. Curtis' aim is to elevate the musical contributions of Florence to the same level enjoyed by its artistic and literary productions. The value of his musical selections is twofold. First, he introduces to listeners a great many composers they may not know. Second, he catches international styles as they wash over a specific city in a unique way. The album has four sections, devoted respectively to the late Middle Ages, the early and late Renaissance, and the Baroque. Each of these is mostly the province of one of the three groups present: the early music vocal-instrumental group La Morra, the late Renaissance ensemble Theatro dei Cervelli, and the pianist Francesco Corti. All are more than competent. Corti plays some little-known Baroque keyboard music from Florence, much of it anonymous, that may be the biggest find here; works such as the Pastorale mezza bigia of Francesco Feroci have a unique lyricism even if one might argue that by 1750, Florence was past its "golden age." Not all the music is Florentine; as Franco-Flemish polyphony came to rule Europe, Florence was no exception, and such composers as Heinrich Isaac and Alexander Agricola are included. No doubt, readers of the book will gain more insight into the issues involved, but Curtis' own booklet offers a useful taste. The album will be of great value to museum programmers looking to present music associated with their collections of Florentine art, and it will appeal to anyone who has been fascinated by the jewel of Tuscany.
© James Manheim /TiVo
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Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - La Morra, MainArtist - Corina Marti, MainArtist - Rainer Arndt, MasteringEngineer, AAndRAdministrator, SoundEngineer, ExecutiveProducer, SoundEditor - Michał Gondko, MainArtist
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Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - La Morra, MainArtist - Corina Marti, MainArtist - Rainer Arndt, MasteringEngineer, AAndRAdministrator, SoundEngineer, ExecutiveProducer, SoundEditor - Michał Gondko, MainArtist
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Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - La Morra, MainArtist - Corina Marti, MainArtist - Rainer Arndt, MasteringEngineer, AAndRAdministrator, SoundEngineer, ExecutiveProducer, SoundEditor - Michał Gondko, MainArtist
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Copyright Control, MusicPublisher - La Morra, MainArtist - Corina Marti, MainArtist - Vaclav Gunther Jacob, Composer - Rainer Arndt, MasteringEngineer, AAndRAdministrator, SoundEngineer, ExecutiveProducer, SoundEditor - Michał Gondko, MainArtist
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Anonymous, Lyricist - Copyright Control, MusicPublisher - Andrea da Firenze, Composer - La Morra, MainArtist - Corina Marti, MainArtist - Rainer Arndt, MasteringEngineer, AAndRAdministrator, SoundEngineer, ExecutiveProducer, SoundEditor - Michał Gondko, MainArtist
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Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - La Morra, MainArtist - Corina Marti, MainArtist - Rainer Arndt, MasteringEngineer, AAndRAdministrator, SoundEngineer, ExecutiveProducer, SoundEditor - Michał Gondko, MainArtist
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Chronique
Music in Golden-Age Florence 1250-1750 accompanies a book by musicologist Anthony Curtis of the same title. Yet it is of general interest as well, as shown by the album's appearance on classical best-seller lists in early 2023. Curtis' aim is to elevate the musical contributions of Florence to the same level enjoyed by its artistic and literary productions. The value of his musical selections is twofold. First, he introduces to listeners a great many composers they may not know. Second, he catches international styles as they wash over a specific city in a unique way. The album has four sections, devoted respectively to the late Middle Ages, the early and late Renaissance, and the Baroque. Each of these is mostly the province of one of the three groups present: the early music vocal-instrumental group La Morra, the late Renaissance ensemble Theatro dei Cervelli, and the pianist Francesco Corti. All are more than competent. Corti plays some little-known Baroque keyboard music from Florence, much of it anonymous, that may be the biggest find here; works such as the Pastorale mezza bigia of Francesco Feroci have a unique lyricism even if one might argue that by 1750, Florence was past its "golden age." Not all the music is Florentine; as Franco-Flemish polyphony came to rule Europe, Florence was no exception, and such composers as Heinrich Isaac and Alexander Agricola are included. No doubt, readers of the book will gain more insight into the issues involved, but Curtis' own booklet offers a useful taste. The album will be of great value to museum programmers looking to present music associated with their collections of Florentine art, and it will appeal to anyone who has been fascinated by the jewel of Tuscany.
© James Manheim /TiVo
À propos
- 2 disque(s) - 49 piste(s)
- Durée totale : 02:41:29
- 1 Livret Numérique
- Artistes principaux : La Morra Theatro dei Cervelli Francesco Corti
- Compositeur : Various Composers
- Label : Ramée
- Genre : Classique
2023 Outhere Music 2023 Outhere Music
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