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Mitsuko Uchida|Mozart: Piano Concertos No.17, K.453 & No.25, K.503 (Live)

Mozart: Piano Concertos No.17, K.453 & No.25, K.503 (Live)

The Cleveland Orchestra

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For her fifth live recording of Wolfgang Amadeus Mozart's piano concertos with the Cleveland Orchestra, Mitsuko Uchida presents the Piano Concerto No. 17 in G major, K 453, and the Piano Concerto No. 25 in C major, K 503, a delightful pairing that reflects her previous albums in this critically acclaimed series on Decca. Conducting from the keyboard, Uchida plays a modern Steinway in a conventional manner without any nods to period practices, though her refinement and elegance go a long way to make up for the lack of historically informed details. Instead, Uchida has developed her own approach to Mozart, which allows for personal interaction with the music and a degree of spontaneity with the orchestra that involves playfulness and expansive lyricism. Uchida's cycle with Jeffrey Tate and the English Chamber Orchestra on Philips established her as a leading interpreter of the concertos in the 1980s and 1990s, but these later offerings have the feeling of revisiting old favorites, rather than reassessing the music in any dramatic way. A good track to sample would be the Andante of K 453, to which Uchida gives full expression of the music's beauty, in a performance that is both Classical in its lucidity and Romantic in its yearning.

© TiVo

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Mozart: Piano Concertos No.17, K.453 & No.25, K.503 (Live)

Mitsuko Uchida

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Piano Concerto No. 17 in G Major, K. 453 (Wolfgang Amadeus Mozart)

1
1. Allegro (Live)
00:12:45

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

2
2. Andante (Live)
00:11:29

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

3
3. Allegretto - Finale. Presto (Live)
00:08:30

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

Piano Concerto No. 25 in C Major, K. 503 (Wolfgang Amadeus Mozart)

4
1. Allegro maestoso (Live)
00:16:39

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

5
2. Andante (Live)
00:08:23

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

6
3. Allegretto (Live)
00:09:32

Wolfgang Amadeus Mozart, Composer - Everett Porter, Producer, Recording Producer - The Cleveland Orchestra, Orchestra, MainArtist - Mitsuko Uchida, Piano, MainArtist, AssociatedPerformer - Bruce Gigax, Asst. Recording Engineer, StudioPersonnel

℗ 2016 Decca Music Group Limited

Chronique

For her fifth live recording of Wolfgang Amadeus Mozart's piano concertos with the Cleveland Orchestra, Mitsuko Uchida presents the Piano Concerto No. 17 in G major, K 453, and the Piano Concerto No. 25 in C major, K 503, a delightful pairing that reflects her previous albums in this critically acclaimed series on Decca. Conducting from the keyboard, Uchida plays a modern Steinway in a conventional manner without any nods to period practices, though her refinement and elegance go a long way to make up for the lack of historically informed details. Instead, Uchida has developed her own approach to Mozart, which allows for personal interaction with the music and a degree of spontaneity with the orchestra that involves playfulness and expansive lyricism. Uchida's cycle with Jeffrey Tate and the English Chamber Orchestra on Philips established her as a leading interpreter of the concertos in the 1980s and 1990s, but these later offerings have the feeling of revisiting old favorites, rather than reassessing the music in any dramatic way. A good track to sample would be the Andante of K 453, to which Uchida gives full expression of the music's beauty, in a performance that is both Classical in its lucidity and Romantic in its yearning.

© TiVo

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