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Bellowhead|Matachin

Matachin

Bellowhead

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Full credit to Bellowhead. After the occasional chaos of their first album, live gigging tightened them up a lot, and for their sophomore effort, they come up with a variety of material and arrangements that really play to their instrumental and vocal strengths. For the most part the music is still traditional, but in many ways you'd hardly know it, since stylistically it pretty much falls out of time, sometimes like a dark cabaret, sometimes like a New Orleans brass band lurching madly. Jon Boden's voice continues to progress, and it's quite commanding these days, especially on something like "Fakenham Fair" or the creepy "Widow's Curse." There's plenty of fire among the musicians, and although the arrangements can be quite complex, they gobble them up with glee, especially on something like "Cholera Camp," a Kipling poem by way of Peter Bellamy. They're a completely integrated band now, rather than Boden and the rest, nobody really stands out from the pack, and that's become one of their strengths. As before, there are a couple of sea shanties, both lustily performed, and much of the choice of material is off the beaten path, avoiding comparisons to well-known versions, and thus allowing them to put their stamp on it. As a folk big band, there's no one around even remotely like them, and that's a good thing -- they'd certainly be hard to emulate.

© Chris Nickson /TiVo

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Matachin

Bellowhead

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1
Fakenham Fair
00:05:03

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Boden Jonathan James, Composer, Lyricist

2008 Navigator 2008 Navigator

2
Roll Her Down the Bay
00:03:31

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Flood Peter Quentin Daniel, Composer, Lyricist - Sweeney Samuel James Henry, Composer, Lyricist

2008 Navigator 2008 Navigator

3
Vignette I
00:00:45

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Flood Peter Quentin Daniel, Composer - Sweeney Samuel James Henry, Composer

2008 Navigator 2008 Navigator

4
I Drew My Ship Across the Harbour
00:04:18

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Boden Jonathan James, Composer, Lyricist

2008 Navigator 2008 Navigator

5
Kafoozalum / The Priest's Miss
00:05:35

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Not Found On Ice, Composer, Lyricist

2008 Navigator 2008 Navigator

6
Cholera Camp
00:06:10

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Bellamy Peter Franklyn, Composer, Lyricist - Kipling Rudyard, Composer, Lyricist

2008 Navigator 2008 Navigator

7
Vignette Ii
00:00:50

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Boden Jonathan James, Composer, Lyricist

2008 Navigator 2008 Navigator

8
Whiskey Is the Life of Man
00:03:26

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Boden Jonathan James, Composer, Lyricist

2008 Navigator 2008 Navigator

9
Spectre Review
00:05:27

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Flood Peter Quentin Daniel, Composer, Lyricist - Sweeney Samuel James Henry, Composer, Lyricist

2008 Navigator 2008 Navigator

10
Widow's Curse
00:05:37

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Flood Peter Quentin Daniel, Composer, Lyricist - Sweeney Samuel James Henry, Composer, Lyricist

2008 Navigator 2008 Navigator

11
Bruton Town
00:05:37

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Thurgur Justin Mark, Composer

2008 Navigator 2008 Navigator

12
Trip to Bucharest / The Flight of the Folk Mutants Parts 1 & 2
00:05:37

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Not Found On Ice, Composer, Lyricist

2008 Navigator 2008 Navigator

13
Vignette Iii
00:00:52

Copyright Control, MusicPublisher - Bellowhead, MainArtist - Flood Peter Quentin Daniel, Composer, Lyricist

2008 Navigator 2008 Navigator

Chronique

Full credit to Bellowhead. After the occasional chaos of their first album, live gigging tightened them up a lot, and for their sophomore effort, they come up with a variety of material and arrangements that really play to their instrumental and vocal strengths. For the most part the music is still traditional, but in many ways you'd hardly know it, since stylistically it pretty much falls out of time, sometimes like a dark cabaret, sometimes like a New Orleans brass band lurching madly. Jon Boden's voice continues to progress, and it's quite commanding these days, especially on something like "Fakenham Fair" or the creepy "Widow's Curse." There's plenty of fire among the musicians, and although the arrangements can be quite complex, they gobble them up with glee, especially on something like "Cholera Camp," a Kipling poem by way of Peter Bellamy. They're a completely integrated band now, rather than Boden and the rest, nobody really stands out from the pack, and that's become one of their strengths. As before, there are a couple of sea shanties, both lustily performed, and much of the choice of material is off the beaten path, avoiding comparisons to well-known versions, and thus allowing them to put their stamp on it. As a folk big band, there's no one around even remotely like them, and that's a good thing -- they'd certainly be hard to emulate.

© Chris Nickson /TiVo

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