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Peggy Lee|I Like Men!

I Like Men!

Peggy Lee

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Peggy Lee and arranger/conductor Jack Marshall's concept for the album I Like Men! is embodied in the title and in the title song that the two wrote together. The songs, from the annals of Tin Pan Alley and Broadway, specify several particular men: "Charley, My Boy," "Good for Nothing Joe," "I'm Just Wild About Harry," "Bill," "Jim," and "Oh Johnny, Oh Johnny, Oh!" But sometimes Lee objectifies the object of her affection as simply male: "When a Woman Loves a Man," "My Man," "It's So Nice to Have a Man Around the House." And sometimes she generalizes even further by simply paying tribute to romance: "I Love to Love," "So in Love." The sentiments, if ever faithful, vary from friskiness to attachment and even outright slavery ("My Man," popularized in the U.S. by Fanny Brice, may be the ultimate torch song, though somehow it remains light in Lee's rendition). Sometimes, the man is not particularly accomplished ("Good-for-Nothin' Joe") or attractive ("Bill," "Oh Johnny! Oh Johnny! Oh!"). It doesn't seem to matter. Lee, as stated up-front, likes men. Marshall seems to like musicians, and he employs a lot of them, giving each song a different setting and instrumentation, from lush strings to small jazz ensembles. Lee is her usual buoyant self throughout, and even if the concept is really just another excuse to put together an album of standards, it gives her fans the opportunity to hear her sing them.

© William Ruhlmann /TiVo

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I Like Men!

Peggy Lee

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1
Charley, My Boy (Remastered 1998)
00:01:33

T. Fiorito, Composer - Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Gus Kahn, Composer - Peggy Lee, MainArtist - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Terry Burch, Mastering Engineer, StudioPersonnel

(C) 2011 Capitol Records, LLC ℗ 1998 Capitol Records, LLC

2
Good-For-Nothin' Joe
00:02:32

Pete Candoli, Trumpet, AssociatedPerformer - Ted Koehler, Composer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Rube Bloom, Composer - Peggy Lee, Vocals, MainArtist, AssociatedPerformer - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Jack Marshall And His Orchestra, Orchestra

(C) 2011 Capitol Records, LLC ℗ 1959 Capitol Records, LLC

3
I Love To Love (Remastered 1998)
00:02:49

Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Peggy Lee, MainArtist - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Terry Burch, Mastering Engineer, StudioPersonnel - Herbert Baker, Composer

(C) 2011 Capitol Records, LLC ℗ 1998 Capitol Records, LLC

4
When A Woman Loves A Man (Remastered 1995)
00:02:45

Robert Norberg, Mixer, Mastering Engineer, StudioPersonnel - Pete Candoli, Trumpet, AssociatedPerformer - Johnny Mercer, ComposerLyricist - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Bernie Hanighen, ComposerLyricist - Shelly Manne, Drums, AssociatedPerformer - Gordon Jenkins, ComposerLyricist - Peggy Lee, Vocals, MainArtist, AssociatedPerformer - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Jack Marshall And His Orchestra, Orchestra

(C) 2011 Capitol Records, LLC ℗ 1995 Capitol Records, LLC

5
I Like Men! (Acoustic)
00:02:04

Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Peggy Lee, Composer, MainArtist - Jack Marshall, Composer, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Terry Burch, Mastering Engineer, StudioPersonnel

(C) 2011 Capitol Records, LLC ℗ 1998 Capitol Records, LLC

6
I'm Just Wild About Harry (Remastered 1995)
00:02:07

Robert Norberg, Mixer, Mastering Engineer, StudioPersonnel - Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Peggy Lee, Vocals, MainArtist, AssociatedPerformer - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - Eubie Blake, Composer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Jack Marshall And His Orchestra, Orchestra - Noble Sissle, Composer

(C) 2011 Capitol Records, LLC ℗ 1995 Capitol Records, LLC

7
My Man
00:02:11

Robert Norberg, Mastering Engineer, Remixer, StudioPersonnel - Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jacques Charles, Composer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Maurice Yvain, Composer - Peggy Lee, Vocals, MainArtist, AssociatedPerformer - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Jack Marshall And His Orchestra, Orchestra - Channing Pollock, Composer - Albert Lucien Willemetz, Composer

(C) 2011 Capitol Records, LLC ℗ 1959 Capitol Records, LLC

8
Bill
00:02:45

Pete Candoli, Trumpet, AssociatedPerformer - Jerome Kern, Composer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Oscar Hammerstein II , Composer - Peggy Lee, Vocals, MainArtist, AssociatedPerformer - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - Pelham Wodehouse, Composer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Jack Marshall And His Orchestra, Orchestra

(C) 2011 Capitol Records, LLC ℗ 1959 Capitol Records, LLC

9
So In Love
00:02:32

Cole Porter, ComposerLyricist - Peggy Lee, MainArtist - Dave Cavanaugh, Producer

(C) 2011 Capitol Records, LLC ℗ 1959 Capitol Records LLC

10
Jim (Remastered 1998)
00:02:59

Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Peggy Lee, MainArtist - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Terry Burch, Mastering Engineer, StudioPersonnel - Milton Samuels, Composer - Caesar Petrillo, Composer - Nelson Shawn, Composer

(C) 2011 Capitol Records, LLC ℗ 1998 Capitol Records, LLC

11
It's So Nice To Have A Man Around The House (Remastered 1998)
00:02:21

Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Peggy Lee, MainArtist - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - Harold Spina, Composer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Terry Burch, Mastering Engineer, StudioPersonnel - John Elliott, Composer

(C) 2011 Capitol Records, LLC ℗ 1998 Capitol Records, LLC

12
Oh Johnny, Oh Johnny, Oh! (Remastered 1998)
00:01:46

E. Rose, Composer - Pete Candoli, Trumpet, AssociatedPerformer - Barney Kessel, Guitar, AssociatedPerformer - Jack Sheldon, Trumpet, AssociatedPerformer - Shelly Manne, Drums, AssociatedPerformer - Peggy Lee, MainArtist - Jack Marshall, Conductor - Dave Cavanaugh, Producer - Benny Carter, Alto Saxophone, AssociatedPerformer - JIMMY ROWLES, Piano, AssociatedPerformer - FRANK ROSOLINO, Trombone, AssociatedPerformer - Milt Bernhart, Trombone, AssociatedPerformer - Terry Burch, Mastering Engineer, StudioPersonnel - A. Olman, Composer

(C) 2011 Capitol Records, LLC ℗ 1998 Capitol Records, LLC

Chronique

Peggy Lee and arranger/conductor Jack Marshall's concept for the album I Like Men! is embodied in the title and in the title song that the two wrote together. The songs, from the annals of Tin Pan Alley and Broadway, specify several particular men: "Charley, My Boy," "Good for Nothing Joe," "I'm Just Wild About Harry," "Bill," "Jim," and "Oh Johnny, Oh Johnny, Oh!" But sometimes Lee objectifies the object of her affection as simply male: "When a Woman Loves a Man," "My Man," "It's So Nice to Have a Man Around the House." And sometimes she generalizes even further by simply paying tribute to romance: "I Love to Love," "So in Love." The sentiments, if ever faithful, vary from friskiness to attachment and even outright slavery ("My Man," popularized in the U.S. by Fanny Brice, may be the ultimate torch song, though somehow it remains light in Lee's rendition). Sometimes, the man is not particularly accomplished ("Good-for-Nothin' Joe") or attractive ("Bill," "Oh Johnny! Oh Johnny! Oh!"). It doesn't seem to matter. Lee, as stated up-front, likes men. Marshall seems to like musicians, and he employs a lot of them, giving each song a different setting and instrumentation, from lush strings to small jazz ensembles. Lee is her usual buoyant self throughout, and even if the concept is really just another excuse to put together an album of standards, it gives her fans the opportunity to hear her sing them.

© William Ruhlmann /TiVo

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