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The Mendoza Line|Fortune

Fortune

The Mendoza Line

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The Mendoza Line has been steadily refining its brand of intimate, emotional indie rock over its last several albums. FORTUNE bears traces of both the band's rootsier influences and the ragged, rock-oriented sound of its 1997 debut. There are examples of Dylan-esque folk ("Fellow Travelers"), country ("Faithful Brothers [Scourge of the Land]"), classic rock ("An Architect's Eye"), and the confessional singer-songwriter tradition ("Let's Not Talk About It"). But the Mendoza Line is not a mere throwback, and the intelligent sensitivity that characterizes the songwriting is channeled through a tension in the group's sound. The organic stylistic hodge-podge, narrative, literate lyrics, and male-female vocal tradeoffs, keep the record from slipping into tepid folk-rock. Additionally, "Before I Hit the Wall" conveys a youthful combination of exuberance and ennui with its full-tilt energy, pop hooks, and lyrics about existential confusion, and "It's a Long Line ("But It Moves Quickly)" plays like roots rock meeting new wave. FORTUNE finds the Mendoza Line building a reputation as honest, expressive songwriters, yet managing to keep its sound fresh, lively, and appealing.
© TiVo

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Fortune

The Mendoza Line

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1
Fellow Travelers
00:03:29

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

2
Faithful Brother (Scourge of the Land)
00:01:57

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

3
Before I Hit the Wall
00:03:16

Pete Hoffman, Composer - The Mendoza Line, MainArtist

2004 Bar/None Records 2004 Bar/None Records

4
It's a Long Line (But It Moves Quickly)
00:03:27

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

5
Let's Not Talk About It
00:03:35

The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

6
An Architect's Eye
00:03:18

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

7
Metro Pictures
00:03:54

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

8
They Never Bat an Eye
00:03:03

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

9
Tiny Motions
00:03:22

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

10
Flat Feet and Western Style
00:04:29

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

11
Road to Insolvency
00:03:42

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

12
Will You Be Here Tomorrow?
00:03:11

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

13
Throw It in the Fire
00:08:14

Pete Hoffman, Composer - The Mendoza Line, MainArtist - Tim Bracy, Composer

2004 Bar/None Records 2004 Bar/None Records

Chronique

The Mendoza Line has been steadily refining its brand of intimate, emotional indie rock over its last several albums. FORTUNE bears traces of both the band's rootsier influences and the ragged, rock-oriented sound of its 1997 debut. There are examples of Dylan-esque folk ("Fellow Travelers"), country ("Faithful Brothers [Scourge of the Land]"), classic rock ("An Architect's Eye"), and the confessional singer-songwriter tradition ("Let's Not Talk About It"). But the Mendoza Line is not a mere throwback, and the intelligent sensitivity that characterizes the songwriting is channeled through a tension in the group's sound. The organic stylistic hodge-podge, narrative, literate lyrics, and male-female vocal tradeoffs, keep the record from slipping into tepid folk-rock. Additionally, "Before I Hit the Wall" conveys a youthful combination of exuberance and ennui with its full-tilt energy, pop hooks, and lyrics about existential confusion, and "It's a Long Line ("But It Moves Quickly)" plays like roots rock meeting new wave. FORTUNE finds the Mendoza Line building a reputation as honest, expressive songwriters, yet managing to keep its sound fresh, lively, and appealing.
© TiVo

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