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George Russell|Electronic Sonata For Souls Loved By Nature - 1969

Electronic Sonata For Souls Loved By Nature - 1969

George Russell

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Composer, theorist, arranger, and pianist George Russell debuted his 14-part master composition "Electronic Sonata for Souls Loved By Nature" on April 28, 1969, at a concert in Norway. The ambitious, elaborate work blended bebop, free, Asian, and blues elements, as well as electronic effects, and mixed live performance with tape and vocal segments. It was a testimony to the prowess of trumpeter Manfred Schoof, tenor saxophonist Jan Garbarek, guitarist Terje Rypdal, bassist Red Mitchell, and drummer John Christensen that they weren't overwhelmed by the sheer weight of the experience. The digital mastering enables listeners to fully hear the disparate styles converging, and understand just how advanced Russell's concepts were, particularly for the time. While not everything worked, the composition ranks alongside Ornette Coleman's "Free Jazz" as one of jazz's finest, most adventurous pieces.

© TiVo

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Electronic Sonata For Souls Loved By Nature - 1969

George Russell

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1
Events I, II, III, IV, V, VI, VII
00:25:50

Red Mitchell, AssociatedPerformer - George Russell, Composer, Producer, MainArtist, AssociatedPerformer - Jan Garbarek, AssociatedPerformer - Terje Rypdal, AssociatedPerformer - Manfred Schoof, AssociatedPerformer - Russ-Hix Music, MusicPublisher - John Christensen, AssociatedPerformer

1985 Kepach Music S.r.l. 1969 Kepach Music S.r.l.

2
Events VIII, IX, X, XI, XII, XIII, XIV
00:26:33

Red Mitchell, AssociatedPerformer - George Russell, Composer, Producer, MainArtist, AssociatedPerformer - Jan Garbarek, AssociatedPerformer - Terje Rypdal, AssociatedPerformer - Manfred Schoof, AssociatedPerformer - Russ-Hix Music, MusicPublisher - John Christensen, AssociatedPerformer

1985 Kepach Music S.r.l. 1969 Kepach Music S.r.l.

Chronique

Composer, theorist, arranger, and pianist George Russell debuted his 14-part master composition "Electronic Sonata for Souls Loved By Nature" on April 28, 1969, at a concert in Norway. The ambitious, elaborate work blended bebop, free, Asian, and blues elements, as well as electronic effects, and mixed live performance with tape and vocal segments. It was a testimony to the prowess of trumpeter Manfred Schoof, tenor saxophonist Jan Garbarek, guitarist Terje Rypdal, bassist Red Mitchell, and drummer John Christensen that they weren't overwhelmed by the sheer weight of the experience. The digital mastering enables listeners to fully hear the disparate styles converging, and understand just how advanced Russell's concepts were, particularly for the time. While not everything worked, the composition ranks alongside Ornette Coleman's "Free Jazz" as one of jazz's finest, most adventurous pieces.

© TiVo

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