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Gothic Voices|Echoes of an Old Hall

Echoes of an Old Hall

Gothic Voices

Livret numérique

Disponible en
24-Bit/96 kHz Stereo

Musique illimitée

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Langue disponible : anglais

The Old Hall Manuscript, compiled over some years ending around the 1420s, is the main source of late medieval and early Renaissance English polyphony. It takes its name from St. Edmunds College, Old Hall Green, in Hertfordshire, where it was once owned. It is hardly a household name, and the commercial success of this Linn Records release may seem surprising, but it's worth checking out for several reasons. One is that the idea of recording a survey of a medieval manuscript tells listeners a lot about the music. One doesn't have to speculate about what hearers of the time considered important, for here, the selections made by the scribes themselves, who may have included the composers of some of the music. The contents capture the fascinating interchange between English and the Continent (mostly Burgundy and the Low Countries), with influences going in both directions. The evolution of the interval of a third into a consonance, forming the center of what became modern major and minor chords, was the work of the English, whereas the expressive marriage of music and text began on the Continent and was mastered in the lyrical works of Dunstable heard here. The small ensemble Gothic Voices selects quite a variety of works, from chant to mass movements, motets, French-language chansons, and a remarkable piece called Arae post libamina that is about the act of singing itself. It is the singing on this recording that is the main draw, even for listeners less interested in the musical history. The expressive singing of the group, which avoids simple divisions into lyrical and intellectual, brings these small pieces alive at a distance of 600 years. Other attractions: much of the music will be new to most listeners, and the sound, from Chichester's Boxgrove Priory, is idiomatic and clear. A delightful and fully accessible early Renaissance release.

© TiVo

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Echoes of an Old Hall

Gothic Voices

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1
Arae post libamina / Nunc surgunt
00:01:34

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - Mayshuet de Joan, Composer

2021 Outhere 2021 Linn Records

2
Alma redemptoris mater
00:01:47

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

3
Salve porta paradisi
00:01:42

Anonymous, Lyricist - Copyright Control, MusicPublisher - Thomas Damett, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

4
Veni creator spiritus
00:00:28

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

5
Gloria in excelsis
00:04:05

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - John Cooke, Composer

2021 Outhere 2021 Linn Records

6
Ave regina caelorum
00:03:56

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - John Dunstaple, Composer

2021 Outhere 2021 Linn Records

7
Regina caeli laetare
00:01:34

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

8
Sanctus
00:02:32

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

9
Veni sancte spiritus / Veni sancte spiritus / Veni creator spiritus / Mentes tuorum
00:05:20

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - John Dunstaple, Composer

2021 Outhere 2021 Linn Records

10
Nesciens mater
00:01:54

Anonymous, Lyricist - Copyright Control, MusicPublisher - Thomas Byttering, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

11
Stella caeli extirpavit
00:01:22

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - John Cooke, Composer

2021 Outhere 2021 Linn Records

12
Agnus Dei
00:02:16

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

13
Nesciens mater
00:00:36

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

14
Gloria in excelsis
00:03:28

Anonymous, Lyricist - Copyright Control, MusicPublisher - Leonel Power, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

15
Qualis est dilectus
00:03:33

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - John Forest, Composer

2021 Outhere 2021 Linn Records

16
Beata progenies
00:00:37

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

17
Tota pulchra es
00:03:44

Anonymous, Lyricist - Copyright Control, MusicPublisher - Johannes de Lymburgia, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

18
Ave regina caelorum
00:01:19

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

19
Flos florum
00:04:04

Anonymous, Lyricist - Copyright Control, MusicPublisher - Guillaume DuFay, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

20
Ave regina caelorum
00:02:14

Anonymous, Lyricist - Copyright Control, MusicPublisher - Leonel Power, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

21
Ave regina caelorum
00:07:09

Anonymous, Lyricist - Copyright Control, MusicPublisher - Guillaume DuFay, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

22
Je demande ma bienvenue
00:01:52

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - Johannes Haucourt, Composer

2021 Outhere 2021 Linn Records

23
Adieu mon amoureuse joye
00:03:04

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gilles Binchois, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

24
Dueil angoisseux
00:07:00

Copyright Control, MusicPublisher - Gilles Binchois, Composer - Gothic Voices, MainArtist - Christine de Pisan, Lyricist

2021 Outhere 2021 Linn Records

25
Beata Dei genitrix
00:02:23

Anonymous, Lyricist - Copyright Control, MusicPublisher - Thomas Damett, Composer - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

26
Qui diceris paraclitus
00:02:50

Anonymous, Composer, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist

2021 Outhere 2021 Linn Records

27
Gloria in excelsis
00:03:28

Anonymous, Lyricist - Copyright Control, MusicPublisher - Gothic Voices, MainArtist - Jehan Pycard, Composer

2021 Outhere 2021 Linn Records

Chronique

The Old Hall Manuscript, compiled over some years ending around the 1420s, is the main source of late medieval and early Renaissance English polyphony. It takes its name from St. Edmunds College, Old Hall Green, in Hertfordshire, where it was once owned. It is hardly a household name, and the commercial success of this Linn Records release may seem surprising, but it's worth checking out for several reasons. One is that the idea of recording a survey of a medieval manuscript tells listeners a lot about the music. One doesn't have to speculate about what hearers of the time considered important, for here, the selections made by the scribes themselves, who may have included the composers of some of the music. The contents capture the fascinating interchange between English and the Continent (mostly Burgundy and the Low Countries), with influences going in both directions. The evolution of the interval of a third into a consonance, forming the center of what became modern major and minor chords, was the work of the English, whereas the expressive marriage of music and text began on the Continent and was mastered in the lyrical works of Dunstable heard here. The small ensemble Gothic Voices selects quite a variety of works, from chant to mass movements, motets, French-language chansons, and a remarkable piece called Arae post libamina that is about the act of singing itself. It is the singing on this recording that is the main draw, even for listeners less interested in the musical history. The expressive singing of the group, which avoids simple divisions into lyrical and intellectual, brings these small pieces alive at a distance of 600 years. Other attractions: much of the music will be new to most listeners, and the sound, from Chichester's Boxgrove Priory, is idiomatic and clear. A delightful and fully accessible early Renaissance release.

© TiVo

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