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Frankie Paul|Don Man

Don Man

Frankie Paul

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By the early '90s, Frankie Paul may no longer have been the top-ranked singer in the dancehalls, but this was no reflection of the quality of the music he was recording during these years. The 1993 release Don Man is a case in point, a strong set that's dancehall-fired but soul-inspired. With Niney Holness in the producer's chair, inevitably the beats rule, and Sly Dunbar serves them up forcefully, while partner in crime Robbie Shakespeare sends out basslines with the pulsing throb of a heartbeat. Keyboardists Herbie Miller and Robbie Lyn conjure up strong melodies, heady atmospheres, and myriad moods out of the highly digitized proceedings, abetted by Lloyd "Gitsy" Willis' surprisingly delicate guitar work. More than half the set is given over to covers, running the gamut from Boyz II Men to Mary J. Bilge, but of the originals, the one-drop rhythms supporting the dread-fired "Ram Dance Hall," the culturally themed "Row the Boat," and the sufferer's "Recession" will fire up the roots fans, while the lusher R&B arrangement backing the slice-of-life "It Feels So Real" will thrill urban audiences. The covers are just as inspired, with Holness and company mixing up styles to dramatic effect, from the hint of steel drums that bop about "How I Care for You" to the bluesy guitar riff that licks around "End of the Road" and "Sexy Thing (You Got the Body)." Paul's performance on that latter song is so sultry that the disc virtually ignites under his incendiary tones. Agilely shifting from dancehall delivery to stirring, soulful performances, the singer stamps his imprimatur as heavily on the covers as the originals. Mixed down by Collin "Bulbie" York and Lynford "Fatta" Marshall, the entire album has a crispness of sound that defies the organic, rootsy feel conjured up even through the most digitized riddims. A superb set that proudly declares Paul's standing in the dancehalls hasn't been eclipsed just yet.

© Jo-Ann Greene /TiVo

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Don Man

Frankie Paul

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1
Ram Dance Hall
00:03:50

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Winston Boswell, ComposerLyricist - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

2
How I Care For You
00:03:35

B. Jackson, ComposerLyricist - D. Townsend, ComposerLyricist - Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

3
All Out Of My Mind
00:03:58

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Winston Boswell, ComposerLyricist - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

4
Sexy Thing (You Got The Body)
00:03:57

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - R. Kelly, ComposerLyricist - Frankie Paul, Vocals, MainArtist, AssociatedPerformer - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer - B. Harkenson, ComposerLyricist

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

5
End Of The Road
00:04:03

Daryl Simmons, ComposerLyricist - Robbie Lyn, Keyboards, AssociatedPerformer - Kenneth Edmonds, ComposerLyricist - Malcolm Burn, Recording Engineer, StudioPersonnel - Antonio Reid, ComposerLyricist - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Babyface, ComposerLyricist - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

6
You Remind Me
00:04:12

Dave Hall, ComposerLyricist - Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer - Chris Wilson , Drums, AssociatedPerformer - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Eric Milteer, ComposerLyricist - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

7
Row The Boat
00:03:53

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Winston Boswell, ComposerLyricist - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

8
It Feels So Real
00:04:03

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Winston Boswell, ComposerLyricist - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

9
Recession
00:03:44

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Winston Boswell, ComposerLyricist - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

10
Here I Go Again
00:03:58

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer - Glenn Jones, ComposerLyricist - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

11
Let's Stay Together
00:03:51

Teddy Riley, ComposerLyricist - Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

12
Here I Go Again (Underground Soul Vibe)
00:04:36

Robbie Lyn, Keyboards, AssociatedPerformer - Malcolm Burn, Recording Engineer, StudioPersonnel - Dow Brain, Remixer, StudioPersonnel - Brad Young, Remixer, StudioPersonnel - Lloyd Willis, Guitar, AssociatedPerformer - Sly Dunbar, Drums, AssociatedPerformer - Frankie Paul, Vocals, MainArtist, AssociatedPerformer - Chris Wilson , Mixer, StudioPersonnel - Glenn Jones, ComposerLyricist - Lynford "Fatta" Marshall, Mixer, StudioPersonnel - Robbie Shakespeare, Electric Bass, AssociatedPerformer - Herbie Miller, Keyboards, AssociatedPerformer - Junior Edwards, Recording Engineer, StudioPersonnel - Colin York, Mixer, Recording Engineer, StudioPersonnel - Niney The Observer, Producer

℗ 1993 Rounder Records, a division of Concord Music Group, Inc.

Chronique

By the early '90s, Frankie Paul may no longer have been the top-ranked singer in the dancehalls, but this was no reflection of the quality of the music he was recording during these years. The 1993 release Don Man is a case in point, a strong set that's dancehall-fired but soul-inspired. With Niney Holness in the producer's chair, inevitably the beats rule, and Sly Dunbar serves them up forcefully, while partner in crime Robbie Shakespeare sends out basslines with the pulsing throb of a heartbeat. Keyboardists Herbie Miller and Robbie Lyn conjure up strong melodies, heady atmospheres, and myriad moods out of the highly digitized proceedings, abetted by Lloyd "Gitsy" Willis' surprisingly delicate guitar work. More than half the set is given over to covers, running the gamut from Boyz II Men to Mary J. Bilge, but of the originals, the one-drop rhythms supporting the dread-fired "Ram Dance Hall," the culturally themed "Row the Boat," and the sufferer's "Recession" will fire up the roots fans, while the lusher R&B arrangement backing the slice-of-life "It Feels So Real" will thrill urban audiences. The covers are just as inspired, with Holness and company mixing up styles to dramatic effect, from the hint of steel drums that bop about "How I Care for You" to the bluesy guitar riff that licks around "End of the Road" and "Sexy Thing (You Got the Body)." Paul's performance on that latter song is so sultry that the disc virtually ignites under his incendiary tones. Agilely shifting from dancehall delivery to stirring, soulful performances, the singer stamps his imprimatur as heavily on the covers as the originals. Mixed down by Collin "Bulbie" York and Lynford "Fatta" Marshall, the entire album has a crispness of sound that defies the organic, rootsy feel conjured up even through the most digitized riddims. A superb set that proudly declares Paul's standing in the dancehalls hasn't been eclipsed just yet.

© Jo-Ann Greene /TiVo

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