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Pixies|Doggerel

Doggerel

Pixies

Disponible en
24-Bit/48 kHz Stereo

Musique illimitée

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Après avoir vécu une première vie de précurseurs du rock alternatif dès la fin des années 80 chez 4AD, un long hiatus et une reformation en 2004, les Pixies ont dû se réinventer. Presque trente-cinq ans après la sortie de leur premier album Surfer Rosa (1988), disque de chevet de Kurt Cobain, le groupe de Black Francis en arrive au quatrième album avec la bassiste Paz Lenchantin qui a la lourde tâche de remplacer l’iconique Kim Deal. Désormais sous étendard BMG, le groupe continue sur la lancée initiée par Beneath the Eyrie (2019). Débarrassés des artifices des premiers albums post-Kim Deal, revenant à une simplicité sans prise de risque, les Américains servent un rock commode et sans fard, aux mélodies travaillées laissant peu de traces. La formule reste ici la même : la guitare soignée par Joey Santiago, qui signe le désabusé Dregs of the Wine, la batterie moins brute de David Lovering, le chant trébuchant de son leader, doublé par Paz. C’est certain, les Pixies avancent ailleurs, loin de la caricature. © Charlotte Saintoin/Qobuz 

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Doggerel

Pixies

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1
Nomatterday
00:04:11

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

2
Vault of Heaven
00:03:59

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

3
Dregs of the Wine
00:03:29

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Joey Santiago, Composer, Writer - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

4
Haunted House
00:03:31

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

5
Get Simulated
00:03:18

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

6
The Lord Has Come Back Today
00:02:41

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

7
Thunder and Lightning
00:03:19

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

8
There's A Moon On
00:02:50

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

9
Pagan Man
00:03:01

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Joey Santiago, Composer, Writer - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

10
Who's More Sorry Now?
00:03:14

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

11
You're Such A Sadducee
00:03:53

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

12
Doggerel
00:04:38

Black Francis, Lead Vocals - Robin Schmidt, Engineer - Charles Thompson, Composer, Writer - Paz Lenchantin, Bass Guitar, Keyboards, Backing Vocals - David Lovering, Drums - Pixies, MainArtist - Tom Dalgety, Producer, Engineer - Matt Hall, Engineer - Dave Snyder, Engineer

© 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited ℗ 2022 Pixies Recording Inc, under exclusive license to BMG Rights Management (UK) Limited

Chronique

Après avoir vécu une première vie de précurseurs du rock alternatif dès la fin des années 80 chez 4AD, un long hiatus et une reformation en 2004, les Pixies ont dû se réinventer. Presque trente-cinq ans après la sortie de leur premier album Surfer Rosa (1988), disque de chevet de Kurt Cobain, le groupe de Black Francis en arrive au quatrième album avec la bassiste Paz Lenchantin qui a la lourde tâche de remplacer l’iconique Kim Deal. Désormais sous étendard BMG, le groupe continue sur la lancée initiée par Beneath the Eyrie (2019). Débarrassés des artifices des premiers albums post-Kim Deal, revenant à une simplicité sans prise de risque, les Américains servent un rock commode et sans fard, aux mélodies travaillées laissant peu de traces. La formule reste ici la même : la guitare soignée par Joey Santiago, qui signe le désabusé Dregs of the Wine, la batterie moins brute de David Lovering, le chant trébuchant de son leader, doublé par Paz. C’est certain, les Pixies avancent ailleurs, loin de la caricature. © Charlotte Saintoin/Qobuz 

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