Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
Compared to where most of the band's career would later go, Accelerator is a fairly conventional debut from the duo -- certainly it's the most explicitly commercial-minded the duo ever was, slotting in well with many other early-'90s U.K. dance/techno outfits. As such it's also arguably the least cryptic and most approachable release for newcomers, holding up well a decade after its original appearance. Rather than focusing on ambient experimentalism or industrial noise destruction, here Future Sound of London sound like a straightforward if at times inspired act, whose tendencies to push the envelope are secondary to keeping the beat going. The main reason to listen remains its awesome single "Papua New Guinea," blending a treated vocal sample from Dead Can Dance's Lisa Gerrard with a slightly sped-up James Brown drum loop and other, more shadowy touches like echoed piano. The result combines exaltation, energy, and atmosphere into a dramatic result, as danceable as it is subtly threatening. At various points on Accelerator, FSOL show an inspired focus on breakbeats as much as acid pulses; while nowhere near as frenetic as other early hardcore/jungle creations, the music clearly leans towards those records in inspiration. "Expander," which also appears in a remix at the end, makes for a good start for the album along those lines, while "Central Industrial" plays around with more distorted rhythms. At other points FSOL follows in more conventional veins -- "Stolen Documents" is practically an early 808 State track in all but name -- while throwing in odd noises and background quirks which in later years would dominate their own compositions. "It's Not My Problem" in particular is a fun little creepout, a flat semi-robot voice declaiming the title as needed while buried synths create a darker mood amidst the regular beat and additional, echoed percussion hits.
© Ned Raggett /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
The Future Sound Of London, MainArtist - Brian Dougans, Composer - GARY COCKBAIN, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Brian Dougans, Composer - GARY COCKBAIN, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
DISQUE 2
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
The Future Sound Of London, MainArtist - Garry John Cockbain, Composer - Brian Robert Dougans, Composer
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
Chronique
Compared to where most of the band's career would later go, Accelerator is a fairly conventional debut from the duo -- certainly it's the most explicitly commercial-minded the duo ever was, slotting in well with many other early-'90s U.K. dance/techno outfits. As such it's also arguably the least cryptic and most approachable release for newcomers, holding up well a decade after its original appearance. Rather than focusing on ambient experimentalism or industrial noise destruction, here Future Sound of London sound like a straightforward if at times inspired act, whose tendencies to push the envelope are secondary to keeping the beat going. The main reason to listen remains its awesome single "Papua New Guinea," blending a treated vocal sample from Dead Can Dance's Lisa Gerrard with a slightly sped-up James Brown drum loop and other, more shadowy touches like echoed piano. The result combines exaltation, energy, and atmosphere into a dramatic result, as danceable as it is subtly threatening. At various points on Accelerator, FSOL show an inspired focus on breakbeats as much as acid pulses; while nowhere near as frenetic as other early hardcore/jungle creations, the music clearly leans towards those records in inspiration. "Expander," which also appears in a remix at the end, makes for a good start for the album along those lines, while "Central Industrial" plays around with more distorted rhythms. At other points FSOL follows in more conventional veins -- "Stolen Documents" is practically an early 808 State track in all but name -- while throwing in odd noises and background quirks which in later years would dominate their own compositions. "It's Not My Problem" in particular is a fun little creepout, a flat semi-robot voice declaiming the title as needed while buried synths create a darker mood amidst the regular beat and additional, echoed percussion hits.
© Ned Raggett /TiVo
À propos
- 2 disque(s) - 22 piste(s)
- Durée totale : 02:03:49
- Artistes principaux : The Future Sound Of London
- Compositeur : Various Composers
- Label : Hypnotic Records
- Genre : Électronique Techno
(C) 2002 Hypnotic Records (P) 2002 Hypnotic Records
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.