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Women of Modern Country

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Playlist: Women of Modern Country

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A rising tide lifts all boats, and with the crossover success of Maren Morris, Kacey Musgraves and Brandi Carlile, women in country music are riding a powerful wave right now. The genre hallmarks of being cheated on and lied to haven't gone away, but today's females are confident, independent and have lyrical life that ventures far beyond men — exploring fem...

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Women of Modern Country

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Title Artist Album Duration
My Church
Maren Morris HERO (Deluxe Edition) 00:03:17

Maren Morris, Associated Performer, Composer, Co-Producer, Lyricist, Main Artist - Busbee, Acoustic Guitar, Composer, Co-Producer, Lyricist - Beverly McCrary - Derek Wells, Electric Guitar - Aaron Sterling, Drums - Deborah McCrary - Alfreda McCrary - Regina McCrary - Allen McCrary

(P) 2015 Sony Music Entertainment

Fooled Around and Fell in Love
Miranda Lambert Fooled Around and Fell in Love 00:04:09

Miranda Lambert, MainArtist, AssociatedPerformer, Vocal - Elvin Bishop, Composer, Lyricist - Jay Joyce, Producer - Elle King, FeaturedArtist, AssociatedPerformer, Vocal - Maren Morris, FeaturedArtist, AssociatedPerformer, Vocal - Ashley McBryde, FeaturedArtist, AssociatedPerformer, Vocal - Caylee Hammack, FeaturedArtist, AssociatedPerformer, Vocal - Tenille Townes, FeaturedArtist, AssociatedPerformer, Vocal - Miranda Lambert feat. Maren Morris, Elle King, Ashley McBryde, Tenille Townes & Caylee Hammack, AssociatedPerformer

(P) 2019 Vanner Records, LLC, under exclusive license to Sony Music Entertainment. All rights reserved.

A Little Pain
Margo Price All American Made 00:02:55

Margo Price, MainArtist - Peach Pit (SESAC)/Fisheye (SESAC), MusicPublisher

(C) 2017 Third Man Records, LLC (P) 2017 Third Man Records, LLC

12 Feet High
Leslie Stevens Sinner 00:03:45

Jonathan Wilson, Producer - Leslie Stevens, MainArtist

(C) 2019 LyricLand LLC marketed and distributed by Thirty Tigers (P) 2019 LyricLand LLC marketed and distributed by Thirty Tigers

Golden Hour
Kacey Musgraves Golden Hour 00:03:18

Greg Calbi, Mastering Engineer, StudioPersonnel - Bobby Shin, Engineer, StudioPersonnel - Ian Fitchuk, Producer, Drums, Piano, AssociatedPerformer, ComposerLyricist - Craig Alvin, Engineer, StudioPersonnel - Steve Fallone, Mastering Engineer, StudioPersonnel - Daniel Tashian, Producer, Baritone Guitar, Background Vocalist, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Kacey Musgraves, Producer, Acoustic Guitar, MainArtist, AssociatedPerformer, ComposerLyricist - Russ Paul, Pedal Steel, AssociatedPerformer - Shawn Everett, Mixer, StudioPersonnel - Todd Lombardo, Acoustic Guitar, Electric Guitar, Baritone Guitar, AssociatedPerformer - Alberto Vaz, Asst. Recording Engineer, StudioPersonnel - Zack Pancoast, Asst. Recording Engineer, StudioPersonnel - Ivan Wayman, Assistant Mixer, StudioPersonnel - Colton Jean, Asst. Recording Engineer, StudioPersonnel

℗ 2018 UMG Recordings, Inc.

Hands on You
Ashley Monroe Sparrow 00:03:52

Jon Randall, Writer - Ashley Monroe, Backing Vocals, Lead Vocals, Writer, MainArtist - Dave Cobb, Producer, Electric Guitar, Percussion - Michael Webb, Keyboards - Brian Allen, Bass - Chris Powell, Drums, Percussion - Eddie Spear, Mixer, Engineer - Gena Johnson, AssistantEngineer - Brightman Music, Co-ordinator Production

© 2018 Warner Music Nashville LLC for the U.S. and WEA International Inc. for the world outside the U.S. ℗ 2018 Warner Music Nashville LLC.

Miranda Lambert The Weight of These Wings 00:04:00

Miranda Lambert, Associated Performer, Composer, Lyricist, Main Artist - Frank Liddell, Co-Producer - Eric Masse, Co-Producer - Glenn Worf, Bass, Co-Producer - Matt Chamberlain, Drums - Frank Carter Rische, Electric Guitar - Shane McAnally, Composer, Lyricist - Josh Osborne, Composer, Lyricist - Spencer Cullum, Steel Guitar - Luke Reynolds, Electric Guitar - Madi Diaz

(P) 2016 Vanner Records, LLC, under exclusive license to Sony Music Nashville, a division of Sony Music Entertainment

The Joke
Brandi Carlile By the Way, I Forgive You 00:04:39

Brandi Carlile, Piano, Vocals, Writer, MainArtist - Tim Hanseroth, Electric Guitar, Vocals, Writer - Phil Hanseroth, Vocals, Writer, Bass - David Angell, Violin - Carole Rabinowitz, Cello - Tom Elmhirst, Mixer - Pete Lyman, Masterer - Dave Cobb, Producer, Guitar, Writer - Shooter Jennings, Producer, Keyboards, Organ - Chris Powell, Drums, Percussion - Josh Neumann, Cello - Alicia Enstrom, Violin - Eddie Spear, Engineer - Brandon Bost, Engineer - Gena Johnson, SecondEngineer - Kristin Wikinson, String Arranger, Viola

© 2018 Brandi Carlile Band, LLC under exclusive license to Elektra Records for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company ℗ 2017 Brandi Carlile Band, LLC under exclusive license to Elektra Records for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company

Crisp & Cold
Lillie Mae Other Girls 00:02:29

Dave Cobb, Producer - Lillie Mae, MainArtist

(C) 2019 Third Man Records (P) 2019 Third Man Records

Bathroom Floor
Maddie & Tae Bathroom Floor 00:02:33

Jimmie Lee Sloas, AssociatedPerformer, Bass (Vocal) - BEN FOWLER, Engineer, StudioPersonnel - JUstin Niebank, Mix Engineer, StudioPersonnel - David Dorn, Keyboards, AssociatedPerformer - Russ Pahl, Steel Guitar, AssociatedPerformer - Fred Eltringham, Drums, AssociatedPerformer - Jimmy Robbins, Producer, Recording Engineer, StudioPersonnel - Ilya Toshinskiy, Banjo, Acoustic Guitar, Mandolin, AssociatedPerformer - Derek Wells, Producer, Electric Guitar, Recording Engineer, AssociatedPerformer, StudioPersonnel - Maddie & Tae, MainArtist - Taylor Dye, ComposerLyricist - Maddie Marlow, ComposerLyricist - Josh Kerr, ComposerLyricist - Ryan Yount, Asst. Recording Engineer, StudioPersonnel

A Mercury Nashville Recording; ℗ 2019 UMG Recordings, Inc.

Got My Name Changed Back
Pistol Annies Interstate Gospel 00:02:54

Miranda Lambert, Composer, Lyricist - Ashley Monroe, Composer, Lyricist - Dan Dugmore, Dobro - Matt Chamberlain, Drums - Glenn Worf, Co-Producer, Bass - Pistol Annies, MainArtist, AssociatedPerformer - Angaleena Presley, Composer, Lyricist - Eric Masse, Co-Producer - Frank Liddell, Co-Producer - Frank Carter Rische, Electric Guitar - Karl Kaplin, Acoustic Guitar

(P) 2018 Sony Music Entertainment

My Name Can't Be Mama
The Highwomen The Highwomen 00:02:30

Brandi Carlile, Lead Vocals, Writer, Background Vocals - Tim Hanseroth, Acoustic Guitar - Phil Hanseroth, Bass - Tom Elmhirst, Mixer, Programmer - Daniel Bacigalupi, Masterer - Pete Lyman, Masterer - Dave Cobb, Producer, Acoustic Guitar - Peter Levin, Keyboards, Piano - Brandon Bell, Engineer - Jason Isbell, Electric Guitar - Maren Morris, Lead Vocals, Writer, Background Vocals - Chris Powell, Drums, Percussion - Amanda Shires, Violin, Lead Vocals, Writer, Background Vocals - Toby Hulbert, AssistantEngineer - Gena Johnson, AssistantEngineer - Colin Lott, AssistantEngineer - The Highwomen, MainArtist

© 2019 Highwomen LLC under exclusive license to Elektra Records ℗ 2019 Highwomen LLC under exclusive license to Elektra Records

Drag You Down
Aubrie Sellers Drag You Down 00:02:37

Frank Liddell, Producer - Aubrie Sellers, Producer, MainArtist

(C) 2019 Aubrie Sellers marketed and distributed by Soundly Music (P) 2019 Aubrie Sellers marketed and distributed by Soundly Music

Somebody's Daughter
Tenille Townes Road to the Lemonade Stand - EP 00:03:49

Jay Joyce, Producer, Acoustic Guitar - Luke Laird, Composer, Lyricist - Barry Dean, Composer, Lyricist - Fred Eltringham, Drums - JoAnna Janet, Background Vocal - Robert E. McNelley, II, Electric Guitar - Tenille Townes, Composer, Lyricist, Acoustic Guitar, MainArtist, AssociatedPerformer - William Mercer, Bass

(P) 2018 Sony Music Entertainment. All rights reserved.

Family Tree
Caylee Hammack Family Tree 00:03:29

Troy Verges, ComposerLyricist - Ted Jensen, Mastering Engineer, StudioPersonnel - Gordie Sampson, ComposerLyricist - Rob McNelley, Electric Guitar, AssociatedPerformer - Ryan Hewitt, Mix Engineer, StudioPersonnel - Sinead Burgess, Background Vocalist, AssociatedPerformer - Mikey Reaves, Producer, Acoustic Guitar, Electric Guitar, Keyboards, Beatbox, Vocal Engineer, Programming, Background Vocalist, AssociatedPerformer, StudioPersonnel - Emily Hackett, Background Vocalist, AssociatedPerformer - Patrick Droney, Background Vocalist, AssociatedPerformer - Davis Naish, Keyboards, Background Vocalist, AssociatedPerformer - Jeffrey Goldford, Background Vocalist, AssociatedPerformer - Connor Thuotte, Background Vocalist, AssociatedPerformer - Caylee Hammack, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Will Duperier, Assistant Mixer, StudioPersonnel - Nolan Verner, AssociatedPerformer, Bass (Vocal) - Carly Olds, Background Vocalist, AssociatedPerformer - Emily Olds, Background Vocalist, AssociatedPerformer

A Capitol Records Nashville Release; ℗ 2019 UMG Recordings, Inc.

Waiting On You
Lindsay Ell The Project 00:03:55

Lindsay Ell, Composer, Vocals, MainArtist - Adam Hambrick, Composer - Andrew DeRoberts, Composer

© 2017 This Is Hit, Inc. d/b/a Stoney Creek Records ℗ 2017 This Is Hit, Inc. d/b/a Stoney Creek Records

Danielle Bradbery I Don't Believe We've Met 00:03:32

Johan Fransson, ComposerLyricist - Danielle Bradbery, MainArtist, ComposerLyricist - Emily Weisband, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

One Night Standards
Ashley McBryde One Night Standards 00:03:10

Jay Joyce, Producer, Mixer, Acoustic Guitar, Electric Guitar, Keyboards, Recorded by - Chris Harris, Acoustic Guitar, Background Vocals - Andrew Mendelson, Masterer - Jason Hall, Mixing Engineer - Shane McAnally, Writer - Nicolette Hayford, Writer - Jimmy Mansfield, Assistant Mix Engineer - Ashley McBryde, Electric Guitar, Lead Vocals, Writer, MainArtist - Quinn Hill, Drums - Court Blankenship, Assistant Production - Matt Helmkamp, Electric Guitar - Chris Sancho, Bass

© 2019 Ashley McBryde under exclusive license to Warner Music Nashville LLC. ℗ 2019 Ashley McBryde under exclusive license to Warner Music Nashville LLC.

My Mistake
Cam Untamed 00:03:20

Cam, Main Artist - Jeff Bhasker, Co-Executive Producer, Co-Producer, Piano - Tyler Sam Johnson, Composer, Co-Producer, Lyricist - Stephen Jordan, Drums - Tom Bukovac, Electric Guitar - Glen Duncan, Lute - Russ Pahl, Steel Guitar - Tony Lucido, Bass - Camaron Ochs, Co-Executive Producer, Composer, Lyricist - Tyler Johnson, Co-Executive Producer, Keyboards, Programmer

(P) 2015 Sony Music Entertainment

Ingrid Andress Both 00:03:23

Andrew Mendelson, Masterer - Tony Lucido, Bass - Alex Wright, Organ, Piano, Synthesizer - Jeff Braun, Mixer - Miles McPherson, Drums, Percussion - Jordan Schmidt, Producer, Acoustic Guitar, Electric Guitar, Programmer, Writer, Recorded by - Derrick Southerland, Writer - Todd Lombardo, Banjo, Acoustic Guitar - Ingrid Andress, Producer, Lead Vocals, Writer, Background Vocals, MainArtist - Bryce Roberts, Assistant - Alyson McAnally, Co-ordinator Production - Tyler Chiarelli, Electric Guitar

© 2019 Warner Music Nashville LLC ℗ 2019 Warner Music Nashville LLC

Every Little Thing
Carly Pearce Every Little Thing 00:03:00

Busbee, Producer, ComposerLyricist - Emily Shackelton, ComposerLyricist - Carly Pearce, MainArtist, ComposerLyricist

℗ 2017 Big Machine Label Group, LLC

For A Boy
RaeLynn Origins 00:03:02

Jimmie Lee Sloas, AssociatedPerformer, Bass (Vocal) - Bryan Sutton, Mandolin, AssociatedPerformer - Scott Johnson, Production Coordinator, StudioPersonnel - Joey Moi, Producer, Mixer, Percussion, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel - Adam Shoenfeld, Electric Guitar, AssociatedPerformer - Charlie Judge, Keyboards, AssociatedPerformer - Danny Rader, Acoustic Guitar, AssociatedPerformer - Laura Veltz, ComposerLyricist - RaeLynn, MainArtist, ComposerLyricist - Ilya Toshinskiy, Banjo, AssociatedPerformer

℗ 2015 Big Machine Label Group, LLC

Kassi Ashton Violins 00:03:40

Luke Laird, Producer, Electric Guitar, Clapping, AssociatedPerformer - Natalie Hemby, Background Vocalist, AssociatedPerformer, ComposerLyricist - Andrew Mendelson, Mastering Engineer, StudioPersonnel - Roy Agee, Horn, AssociatedPerformer - David Dorn, Keyboards, AssociatedPerformer - Jim Cooley, Mixer, Engineer, StudioPersonnel - Jon-Paul Frappier, Horn, AssociatedPerformer - Eli Beaird, AssociatedPerformer, Bass (Vocal) - Kam Luchterhand, Asst. Recording Engineer, StudioPersonnel - Todd Lombardo, Acoustic Guitar, AssociatedPerformer - Justin Ostrander, Electric Guitar, AssociatedPerformer - Evan Hutchings, Drums, Percussion, AssociatedPerformer - Luke Dick, Programming, AssociatedPerformer, ComposerLyricist - Kassi Ashton, Producer, Vocals, Clapping, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 2019 UMG Recordings, Inc.

Buy My Own Drinks
Runaway June Blue Roses 00:03:22

Josh Kear, Composer - Hillary Lindsey, Composer - B. James Lowry, Guitar - Mark Hill, Bass - Greg Morrow, Drums - Scotty Sanders, Guitar - Tony Harrell, Keyboards - Jenee Fleenor, Mandolin, Fiddle - Jennifer Wayne, Composer, Vocals - Hannah Mulholland, Composer, Vocals - Rob McNelly, Guitar - Naomi Cooke, Composer, Vocals - Runaway June, Composer, MainArtist

2019 This Is Hit, Inc. d/b/a Wheelhouse Records 2018 This Is Hit, Inc. d/b/a Wheelhouse Records

About Playlist

A rising tide lifts all boats, and with the crossover success of Maren Morris, Kacey Musgraves and Brandi Carlile, women in country music are riding a powerful wave right now. The genre hallmarks of being cheated on and lied to haven't gone away, but today's females are confident, independent and have lyrical life that ventures far beyond men — exploring feminism, family conflict, even societal outcasts (Carlile's "The Joke") and homelessness ("Somebody's Daughter" by Tenille Townes). And they'll create their own trouble, thank you very much. Sonically, these ladies borrow from rock (Aubrie Sellers) and rockabilly (Lillie Mae), soul (Lindsay Ell) and R&B (Kassi Ashton), and there's a deep reverence for country roots, as shown by Ashley McBryde, Leslie Stevens and Margo Price. They're also having it both ways: successful solo careers and sisterhood, with supergroups like Pistol Annies and The Highwomen, and Miranda Lambert gathering her tour openers for a spirited cover of "Fooled Around and Fell in Love."

Photo © Kelly Christine Sutton

The Women of ’90s Alt-Rock in 10 Albums

by Shelly Ridenour

When male-dominated grunge kicked ’80s hair metal to the curb in the early 1990s, it also opened a door for women to finally play a different role in the music industry. Whether it was Riot Grrrls forcing third-wave feminism to the front; Fiona Apple letting it be known that teenagers have more to talk about than being rubbed like a genie in a bottle; or Liz Phair — posturing as “6-feet-1 instead of 5-feet-2” — standing tall in a scene of pretentious guys, the women of ’90s alt-rock claimed alpha dominance. Sex talk wasn’t just not taboo, it also wasn’t veiled in the lyrics of PJ Harvey and Phair. (Kim Deal’s “Divine Hammer” is another story, whether you think it’s about finding a greater purpose or a greater lover, or those are one and the same.) Helium’s Mary Timony ventured into those most dude-centric of genres, prog and medieval fantasy. And Courtney Love reclaimed the bad-girl imagery of witch and shrew — not to mention “victim” — with a vengeance. Here are 10 ’90s alt-rock albums by women that left an indelible impression.

Helium – The Dirt of Luck (1995)

Lasting just five years, from 1992 to 1997, Helium — and, more specifically, singer/guitarist Mary Timony — nevertheless left a huge impact on artists from Sleater-Kinney to Death Cab for Cutie. On paper, the formula isn’t an obvious one: low-slung, almost monotone vocals singing about pirates, doves and mythological monsters over D-tuned guitar. But Timony spins some kind of sorcery on the band’s first full-length album. “Pat’s Trick” and “Medusa” are heavy drags through medieval mud, while “Superball” bounces and jousts over a beat of Ren Faire drums. “She’s sweeter than honeycomb…she’s slower than Valium,” Timony deadpans on the shoe-gazer “Honeycomb” — a ballad that should’ve made Mazzy Star jealous. The Dirt of Luck is a weird record, to say the least, but an irresistible precursor to Timony’s solo work and future bands Wild Flag and Ex Hex.

Fiona Apple – Tidal (1996)

When Tidal was released, much was made of one fact: Fiona Apple was just 18. And while that may have seemed novel at the time, to think about it now is astonishing — how did a girl write those words and sing them the way she did? “I wander the halls along the walls,” she moans on “Sullen Girl.” “And under my breath, I say to myself, ‘I need fuel to take flight.” Apple’s debut was the right record at the right time for a generation approaching adulthood scared and already scarred by society. Produced by Jon Brion — who expertly added in lush layers of vibraphone, harp and marimba —Tidal could have been a lost classic from Nina Simone; this is not the sweet longing of Carole King. “I could swallow the seas to wash down all this pride,” Apple sings over the trip-hop beats of “Sleep to Dream” — just one of the classics here, along with “Shadowboxer” and “Criminal.” (Apple has said she tossed off the latter in 45 minutes after her label said she needed a more obvious hit). When Apple accepted her Moon Man at the VMAs the next year by saying, "You shouldn't model your life on what we think is cool, and what we're wearing and what we're saying and everything,” the world reacted as if she were an ingrate. Little did they know, she was trailblazing a path. No one would even blink if Billie Eilish said that today.

Beth Orton – Trailer Park (1996)

To hear Beth Orton tell it, the singer reluctantly fell into music. She was trying to figure out if she wanted to be an actress when she met producer William Orbit (Madonna, U2) at a party. The two became a couple and he encouraged her singing, but Orton resisted being a part of his starry world — and of having the reputation of the girl who only has a career because of who she’s dating. Still, she did guest on his SuperPinkyMandy as well as work by The Chemical Brothers. But once Orton and Orbit broke up, she was motivated to put together her own band. There was a greater purpose, too: Orton has said making her debut record saved her life after the death of her mother. Trailer Park is a gentle creature, with moments, such as “Don’t Need a Reason” and “Sugar Boy,” that breathe fresh life into Sandy Denny-style folk. A cover of The Ronettes’ “I Wish I Never Saw the Sunshine” strips away Phil Spector’s Wall of Sound histrionics to reveal a bittersweet lullaby. It feels symbolic that Orton also strips away Orbit’s heavy-handed production on “She Cries Your Name” — first recorded for his Strange Cargo — and lets her light shine through.

Sleater Kinney - Dig Me Out (1997)

While bands like Bratmobile, Heavens to Betsy and Bikini Kill built the foundation of Riot Grrrl — flying the flag of third-wave feminism and claiming a more powerful place for all kinds of women in music — it was Sleater Kinney’s third album that established the Pacific Northwest scene as more than just a cult movement. Credit goes to a few factors. One, founders Carrie Brownstein (formerly of Excuse 17) and Corin Tucker (formerly of Heavens to Betsy) added the heat and polish of classic rock to their already mighty garage-punk sound. Two, it’s the first SK album with Quasi drummer Janet Weiss; her muscular work pushed the band’s energy right up to the edge and established a solid ground beneath Tucker’s wildly frenetic vocals. As a result, songs like “Turn It On” and the title track are masterpieces of dynamics, both sonic and emotional, that fly high and swoop close to the ground with equal force. The band’s first album for Kill Rock Stars, Dig Me Out was recorded in Seattle at John and Stu’s Place (the same building where Nirvana’s Bleach was laid down) and its cover art is a tribute to The KinksThe Kink Kontroversy. But its energy and heart are the alchemy of three young women sending out a beacon.

Cat Power – Moon Pix (1998)

Chan Marshall has said her fourth album came about in a most unusual way: While alone in the South Carolina countryside, she had a vivid nightmare that she has described as “dark spirits” smashing the windows. Rattled, she grabbed her guitar — “I thought that if people found my body, I needed to leave a tape,” she told the Daily Telegraph — and songs poured out of her, including “Say” and “Metal Heart.” It had previously been a fallow time for the singer-songwriter, who has said she’d even contemplated retirement. Instead, she went to Melbourne to record Moon Pix with guitarist Mick Turner and drummer Jim White of Dirty Three. It’s since been hailed as her best early work, featuring “American Flag,” “Colors and the Kids” (with some of Marshall’s most moving piano work) and “Cross Bones Style” — which Marshall has said is about children she met in Africa who slept in trees after their parents’ deaths. "it feels like I’m alive today because of being able to write those songs,” she told the Guardian. “Moon Pix was my salvation as a very mixed-up young person.

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