Similar artists



Alternative & Indie - Released February 10, 2017 | City Slang

Distinctions 4F de Télérama
Sinkane, aka Ahmed Gallab, has picked up where he left off with 2014's Mean Love. On that record, he distilled his many influences into a coherent pop collection that embraced genres such as post-rock, Afro-beat, and soul. It was a marked progression in a career that revolved around his role as music director of the supergroup Atomic Bomb! Band, and as a session musician for such diverse artists as Caribou, Yeasayer, and Eleanor Friedberger until he embarked on his own solo recordings. Rather than develop his sound further on Life & Livin' It, Gallab seems content to coast with it for a while. And in many respects, that's not a bad thing, especially on the lead single "U'Huh." It contains all the elements that have made his music so engaging up to now: Afro-beat cadences, funky guitar licks, and his own soulful falsetto. In addition, it emits unrelentingly good vibes delivered with real groove, which makes it a wonderful antidote to uncertain times, and an early contender for a summer's anthem. Gallab has often evoked the music of Curtis Mayfield on his recordings, and it's a comparison that could be applied to tracks like "Fire," which conjures up '70s psychedelic soul. Its lyrics proclaim "I don't understand or know, at all, myself," as Gallab exposes some uncertainty, but musically he sounds decidedly assured. Although the album often deals with doubt, the lasting impression is that this is a hugely optimistic record. "Theme from Life & Livin' It" rests on an undulating bassline, rolling percussion, and punchy brass that frame a hopeful directive for living: "Live this life the way you want to be/Put out what you want to receive." Its vibrancy elevates and reinforces his claim that "It's my vision, my decision/Live this life that's mine." Disco is another genre that gets the Sinkane treatment. "Telephone" marries classic '70s disco rhythms with high-energy brass and subtle synth touches. "Favorite Song" is less successful at being a straight ode to the genre. The result is slightly akin to "Copacabana," and the vocal sounds a bit labored. Gallab is definitely more successful when he employs his highly expressive falsetto. The Afro-beat-funk of "Passenger" works, as does the reggae-infused melody of "The Way." Sinkane is most impressive when he updates all those '70s influences that permeate his music, like on "How We Be" from Mean Love. But more often than not on Life & Livin' It, he is too conservative with his obvious talents. On "Passenger" he sings "Cause if I don’t take control/I might never make it home/I'm a passenger..." and this time around it feels like he is coasting a little. Life & Livin' It isn't as rich as previous offerings have been; the delicate but effective nuances are replaced by a streamlined sound rolled out at the expense of his more imaginative compositions. That said, his influences are worn lightly, the melodies remain inventive, and there is a real elegance to Sinkane's music. ~ Bekki Bemrose

Funk - Released May 31, 2019 | City Slang


Alternative & Indie - Released May 7, 2019 | City Slang


Funk - Released February 27, 2019 | City Slang

Alternative & Indie - Released June 7, 2015 | O Genesis

Download not available

Electronic/Dance - Released February 21, 2017 | City Slang


Funk - Released April 9, 2019 | City Slang

Under the name Sinkane, singer, songwriter, and multi-instrumentalist, Ahmed Gallab has spent over a decade steadily building up a catalog that explores more than anything else his dueling affinities for '70s funk and Aro-pop. Complemented by veins of indie rock, jazz, psych, and reggae, his work has trended toward the biographical and at times, the philosophical. Raised for the most part in the U.S., his narrative bears the complexities of immigration; an African Muslim in origin, he was born in London, lived his early childhood in Sudan, and at the age of five settled with his family in the American Midwest. More so than on any of his previous Sinkane releases, 2019's Dépaysé delves deeply into Gallab's personal experience as an immigrant in an increasingly divided and discordant American era. The album's title is a French word referring to being "removed from one's habitual surroundings," which succinctly describes the feeling of cultural displacement he'd endured many times throughout his life. Ultimately more celebratory than cynical, Dépaysé begins on a defiantly optimistic note with the rousing funk of "Everybody" and its thematic partner "Everyone," a pair of inclusionary tracks praising unity through diversity. Elsewhere, Gallab comes to terms with what he refers to as his duality, merging his competing American and Sudanese cultures on the hard, circular grooves of "The Searching" and the colorful Afro-pop of "Ya Sudan." The title cut dramatically pairs serpentine wah-wah guitar leads with a cinematic East-African melody while alternating between English and Arabic lyrics that apparently came to him a dream. Ironically, it's Gallab's unfailingly straightforward vocal delivery that provides some of the biggest juxtapositions in his music: the rich palette of soulful musical styles he draws from is often at odds with his strangely plain American diction. Yet, the vivid tones of his African heritage transmuted through his Ohio upbringing are a major part of his story, and with his melting pot of styles, influences, and cultures, Sinkane sets out to prove that we can be many things at once and still find acceptance and love. ~ Timothy Monger

Electronic/Dance - Released August 21, 2015 | DFA Records


Electronic/Dance - Released March 2, 2015 | DFA Records