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Classical - Released November 15, 2019 | Aparté

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This record is about reparation. History has not let two extraordinary composers meet each other. Georg Friedrich Haendel and Johann Sebastian Bach came to the world in 1785, one month apart. Twice, they failed to meet each other, and never again their life paths happened to come across, following parallel ways all along. This album is, thus, dedicated to this failure. Lina Tur Bonet and Dani Espasa offer here a record that reflects multiple questions, engaging a critical dialogue. If Bach and Haendel’s sonatas are facing each other, it is mostly their voices that echo to one another. By choosing these works, Lina Tur Bonet and Dani Espasa recreate, for an instant, the encounter of the two German composers, whose existences suddenly merge into one. This is the exact meaning of the matter of music, being able to suspend the time for a moment by giving birth to something that has never been before. Lina Tur Bonet and Dani Espasa prove to be true magicians in this recording, and much as their exceptional reinterpretation reveals the whole deepness and closeness that these works and their composers share. © Aparté
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Chamber Music - Released September 25, 2015 | Pan Classics

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Chamber Music - Released November 20, 2020 | Passacaille

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Vienna. 1803. George Bridgetower, a violinist of Afro-European descent, causes furore with his virtuosity and captivates Beethoven, who writes a devilish and magnificent sonata for his unique and exotic character. Despite the premiere’s enormous success performed by both of them, an unfortunate comment by the violinist about one of the composer’s female friends leads to this famous sonata being finally re-dedicated to Rodolphe Kreutzer, who however would never interpret it because of its enormous difficulty. Ten years later, Beethoven composes his next and last violin sonata, dedicated to Pierre Rode, in a completely different character, enormously poetic and introverted. Written in the stage of Beethoven’s life widely associated with his “Immortal Beloved”, the sonata nevertheless retains his incomparable energy. Described as “Fiery virtuoso” (The Strad) “the Soul Violinist” (Sankei Shinbun) or “Devil’s fiddler” (Bayerischer Rundfunk), Lina Tur Bonet joins now Aurelia Visovan, the 2019 winner of the MA Competition in Bruges, to celebrate the german composer in these Sonatas. After an intense investigation, inspired among others by Clive Brown’s extensive research on the topic, a daring and innovative version is offered, combining Beethovenian’s fire, poetry and humour with the search for the authentic. © Passacaille