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Classical - Released November 6, 2012 | Ricercar

Hi-Res Booklet Distinctions 5 de Diapason - 4F de Télérama - Coup de coeur de l'Académie Charles Cros - 4 étoiles Classica - Hi-Res Audio
The sonata is one of the most common of all musical genres, but in France toward the end of the 17th century, with Italian styles still in official disfavor, it was barely even possible to write one. Composers were fascinated, however, by the new breezes blowing from Italy, and François Couperin began to write "sonades" even though he never published them. He later claimed to have written the first French sonatas. The seven works here are odd fusions of French and Italian styles, and they are beautifully animated by the French historical-instrument group Les Dominos and its leader, violinist Florence Malgoire. Three works, La Steinquerque (track 3), L'Astrée (track 5), and La Visionnaire (track 7), approximate the texture of the Italian trio sonata, with paired instruments over a continuo, but the rest have two pairs of solo instruments and mix the concertante or contrast principle with other kinds of ensemble writing. The movement structure is purely French, with sequences of very short movements that carry some kind of programmatic content. These were, for their time and place, rather experimental works, but their genius is that they have a relaxed ebb and flow in spite of that; they are loose in structure and have a sense of discovery of fresh textures. Malgoire and Les Dominos get the loose-limbed spirit of the music, offering textures in which the bass viol of Guido Balestracci is almost an equal partner with the violins and/or flutes above. The ensemble playing of this new group is exceptional, and one awaits with interest any move they might make toward repertoire beyond the French 17th century. © TiVo
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Classical - Released September 23, 2014 | Ricercar

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To mark the 250th anniversary of the death of Jean-Philippe Rameau, Florence Malgoire and the period ensemble Les Dominos present the six Concerts en Sextuor, an anonymous arrangement of the Pièces de clavecin en concert and four pieces from the Nouvelles suites de clavecin. While there is disagreement about the authorship of the string version, presumed by some to have been prepared by Jacques-Joseph-Marie Decroix in 1768, the work has been part of the Rameau edition since Camille Saint-Saëns edited it in the late 19th century. However, where the 1768 transcription has six parts, using three violins, viola, cello, and bass, Malgoire's arrangement calls for two flutes (one doubling on piccolo), bassoon, strings, and continuo, thereby creating a more diverse color palette in line with Rameau's typical instrumentation for the théâtre lyrique. The Concerts en Sextuor have increasingly found favor among early music groups, and part of this is due to the richer timbres and fuller sound than Rameau's original pieces for solo harpsichord or two violins and harpsichord. Les Dominos' performance is enthusiastic and vibrant, and Malgoire has inspired her musicians to play with energy and strong personality. Ricercar's recorded sound is wide open and resonant, and puts the listener in the middle of the ensemble. © TiVo