Italian conductor Antonio Florio is also a composer and musicologist. He began to study music in his hometown of Bari, taking lessons in cello and piano, and studying composition with Nino Rota. He also took an interest in early music, studying period instruments and performance practices of the Baroque era. He founded the Cappella della Pietà de' Turchini, now called I Turchini, in 1987. Florio specializes in 17th and 18th century Neapolitan music, researching works of the period and performing neglected operas by Francesco Provenzale, Francesco Boerio, Gaetano Latilla, Leonardo Vinci, Giovanni Paisiello, Francesco Cavalli, Gian Francesco de Majo, and Pasquale Anfossi, among other neglected composers. As a teacher, Florio has taught master classes and seminars at the Centre de Musique Baroque, Versailles, the Fondation Royaumont, and the Toulouse Conservatoire. He is also the chair of chamber music at the Conservatorio di Musica San Pietro a Majella in Naples.
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Sacred Oratorios - Released March 23, 2018 | Glossa
Hi-Res Booklet Distinctions 5 de Diapason
The indefatigable Antonio Florio, along with his associates from Cappella Neapolitana, has succeeded, with a work by Donato Ricchezza, in unearthing another major rediscovery from the Neapolitan Baroque. The labours of Florio – coupled with the ability to turn dry notes on a dusty manuscript into a sumptuous audio feast – can be no better demonstrated than with this release on Glossa of Los Santos Niños: “Oratorio di San Giusto e San Pastore”, written by a composer who was a pupil of the great Francesco Provenzale. Very little else is known about Donato Ricchezza (c1650-1722), apart from him bequeathing a quantity of scores to the Oratory of the Girolamini in Naples where he worked. The oratorio relates the story of the defence offered by the “holy children” – the brothers Giusto and Pastore, to be martyred in Spain during the Persecution of Diocletian in 303/4 – against the charge of being Christians, as levelled against them first by a soldier and then by the Roman governor Daciano. Marta Fumagalli (contralto), Federica Pagliuca (soprano), Luca Cervoni (tenor) and Giuseppe Naviglio (bass) vividly occupy these four vocal roles.Why Ricchezza chose this story in 1683 Naples is discussed by Dinko Fabris in his enlightening booklet essay. Meagre additional knowledge about Ricchezza says that he wrote eight other oratorios and, as a bonus, an aria from La gara degli elementi is included here, as are a pair of sinfonias by Ricchezza’s contemporary (and fellow pupil of Provenzale), Gaetano Veneziano. © Glossa