Albums

$7.99

Sacred Vocal Music - Released November 2, 2018 | Herald

$14.99
$12.99

Sacred Vocal Music - Released October 26, 2018 | Warner Classics

Hi-Res Booklet Distinctions 5 de Diapason - Choc de Classica - 5 Sterne Fono Forum Klassik
For his first album as a soloist, the Polish countertenor Jakub Józef Orliński chose to explore some of the rarest repertoires, to the point that several of the pieces presented here are world premieres. As a result, we are introduced to composers who are almost unknown today: Gaetano Schiassi (1698-1754), Domènec Terradellas (1711-1751) and Nicola Fago (1677-1745), alongside other composers who are famous today such as Hasse, Zelenka or Durante. Helped by the bass-baritone Yannis François, Orliński covers a large amount of time, from the end of the 17th century to the last third of the 18th century, though solely in the spiritual domain, with Masses, Dixit Dominus or sacred oratorios. That said, the vocal and instrumental writing borrows from baroque, with its vocalisations, its embellishments and its brightness. On top of this, the ensemble il pomo d'oro performs the work with great confidence. © SM/Qobuz
$13.49
$8.99

Sacred Vocal Music - Released September 28, 2018 | Editions Jade

Hi-Res Booklet
$14.49
$10.49

Choirs (sacred) - Released September 21, 2018 | Mirare

Hi-Res Booklet Distinctions 5 de Diapason - Choc de Classica
$18.00
$11.99

Sacred Vocal Music - Released September 10, 2018 | Channel Classics Records

Hi-Res Booklet Distinctions Hi-Res Audio
$13.49
$8.99

Cantatas (sacred) - Released June 22, 2018 | Ricercar

Hi-Res Booklet Distinctions 5 de Diapason
Most of the works presented here by the Clematis Ensemble and countertenor Paulin Bündgen come from the rich Düben collection held by the Uppsala University. In the 17th century, Gustaf Düben was kapellmeister at the Swedish court; he had mostly gathered manuscript scores of compositions from numerous German, French, Italian and Baltic authors. It is one of the largest sources of Lutherian repertoire of the 17th century, particularly as it contains numerous in unicum scores. Among the composers featured in this piece, some were Schütz’ successors or disciples, but it’s worth mentioning that the German composers of that time – particularly Schein, Franz Tunder (who was Buxtehude’s master) and Johann Fischer – were considerably influenced by Italian baroque. You’ll notice the presence of two Bachs on this album: Johann Michael (1648-1694) and Johann Christoph (1642-1703), two second-degree cousins of Johann Sebastian. Johann Christoph Bach’s Lamento − whom his cousin described as a “deep composer” – is without a doubt one of the best-known compositions of the sacred German repertoire of the time. Like in the entire repertoire, the role of strings remains essential. This sacred piece relies on the text’s numerous descriptive effects, like a “painting in musical form”: the sharpest terms (crying, sighing, sinking…) are underlined by similar vocal and instrumental effects. This Lamento is without a doubt the perfect example of the aria à da capo form that Johann Sebastian Bach so frequently used in his sacred works. This vocal music programme is accompanied by a few instrumental pieces that can be assimilated to church music. © SM/Qobuz
$22.99
$16.49

Cantatas (sacred) - Released April 20, 2018 | Audax

Hi-Res Booklet Distinctions 5 de Diapason
Continuing their research into the vast hinterland of German cantatas from the early baroque period, Johannes Pramsohler and the musicians of his excellent Diderot Ensemble here dive into the austere and strange music of Biber, but also the less-well-known works of Johann Christoph Bach, great uncle of Johann Sebastian and musicians like Pachelbel, Bruhns and Eberlin. Johannes Pramsohler brings a particular fire and mystical sensuality to this new album (heavenly and earthly delights never being so far apart), and intense celestial flights to his violin playing. A range of international singers have left behind opera and dived with staggering ease into a completely different repertoire. The architects of this success, the supply and airy voice of the Canadian mezzo Andrea Hill, the perfectly gloomy timbre of Spanish tenor Jorge Navarro Colorado and the dark colours of the Argentine bass Nahuel di Pierro, sound the depths of this music driven by a great piety. © François Hudry/Qobuz

Sacred Vocal Music - Released March 15, 2018 | Art House Records

Download not available
$13.49
$8.99

Sacred Vocal Music - Released February 23, 2018 | Alpha

Hi-Res Booklet Distinctions 4F de Télérama - Preis der deutschen Schallplattenkritik - 5 étoiles de Classica
What a fascinating assembly work this is by Simon-Pierre Bestion, like creating a Grand Cru from already sublime sources. On the first hand he took The Resurrection of Jesus Christ, by Heinrich Schütz, performed as a whole – but “interspersed” with a dozen wonderful madrigals from Johann Hermann Schein’s Israelsbrünnlein. Knowing both works were made in 1623 and that Schütz and Schein were good friends, one born in 1585, the other in 86, the stars really did align perfectly. But the distinctive feature of this recording is that for Schütz’s Resurrection, the singer in the role of the evangelist is no less than Byzantine cantor Georges Abdallah, whose unique voice, elocution, magnificent art of ornamentation and micro-deviations confer this partition − deliberately designed in an archaic way – an unsuspected richness. As for Israelsbrünnlein, Bestion selected nine madrigals out of the twenty-six featured in the collection and interspersed them between each numbers of The Resurrection of Jesus Christ, thus creating a sort of new piece, co-authored by Schütz and Schein. Furthermore he redistributed Schütz’s instrumentation, initially designed for four viols, but which benefits greatly from the addition of cornets and sackbuts – creating a subtle play of sound exchanges, from one musical cell to the other. Regarding Schein, the partition was originally designed for voices, with no indication on instruments, but in line with the customs of the era, nothing prevented a line, part or cell to be assigned to an instrument or instrumental group and to exchange freely with the voices, according to the interpreters’ imagination. Some madrigals were exclusively given to the orchestral ensemble – which became a proper orchestra a-la-Gabrieli –, others were a blend of instruments and voices. As the listener may guess, here is a truly exciting album, granted very unusual and original, but extraordinarily well crafted. And of course let’s not forget the exceptional acoustics of the chapel of the Palace of Versailles, which further adds to the musical mystery of the recording. © SM/Qobuz
$0.99

Sacred Vocal Music - Released January 6, 2018 | Zauberwald Records

$2.99

Sacred Vocal Music - Released December 10, 2017 | First Love Media

$0.99
$0.99

Sacred Vocal Music - Released December 8, 2017 | BENDEZ RECORDS

Hi-Res
$14.49

Sacred Oratorios - Released November 24, 2017 | Bella Musica Edition

$7.49

Sacred Vocal Music - Released October 6, 1997 | Herald

$7.49

Sacred Vocal Music - Released April 6, 1998 | Herald

$7.49

Sacred Vocal Music - Released May 5, 1997 | Herald

$7.49

Sacred Vocal Music - Released May 5, 1997 | Herald

$7.49

Sacred Vocal Music - Released October 25, 1999 | Herald

$7.49

Sacred Vocal Music - Released January 7, 2008 | Herald