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Bertrand de Billy|Zemlinsky : Eine florentinische Tragödie (Live)

Zemlinsky : Eine florentinische Tragödie (Live)

Vienna Radio Symphony, Bertrand de Billy

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Eine florentinische Tragödie by Zemlinsky, composed in 1917 after an unfinished work by Oscar Wilde, is not a work that gets played very often; all the same, with only three singers and running to less than an hour, it would be a perfect companion to many other works of a similar running time - Pagliacci etc. - for a double-billing. It's a shame, as it is a wonderful little orchestral and vocal gem, while the devilish subject matter would be a treat for inventive producers. Judge for yourself: We are in Renaissance Florence. Cloth merchant Simone returns home early from a business trip, to find his wife Bianca cheating on him with Prince Guido. Simone acts as if he hasn't seen anything, and believes that Guido had only come over to buy some cloth. He shows him a few samples, and asks him to choose whatever he wants from his shop. The Prince replies that all he wants is... Bianca. Simone is furious; the men begin by exchanging words, but the Prince so exasperates the merchant that he decides that the matter can only be settled with swords. During the fight, Bianca urges the Prince to kill her hated husband; the Prince seems to have the upper hand, but in the end it is Simone who wins, killing Guido. Miraculously, he wins back his wife's respect, who falls once again, loving and full of admiration, into her lawful wedded husband's arms. Zemlinsky's style borrows from Strauss and Wagner, but the composer also has an idiom which is very much his own, working at the outer limits of tonality, with beautiful orchestration. This new recording will add to the work's sadly rather meagre discography. © SM/Qobuz

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Zemlinsky : Eine florentinische Tragödie (Live)

Bertrand de Billy

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Eine florentinische Tragodie, Op. 16 (Alexander von Zemlinsky)

1
Overture
ORF Vienna Radio Symphony Orchestra
00:04:37

Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - ORF Vienna Radio Symphony Orchestra, Orchestra, MainArtist

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

2
So langsam, Weib? (Simone, Bianca)
Wolfgang Koch
00:02:00

Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - Heidi Brunner, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

3
Ich heisse Guido Bardi (Guido, Simone)
Charles Reid
00:02:22

Charles Reid, Artist, MainArtist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

4
Wo ist mein Bündel? (Simone)
Wolfgang Koch
00:01:58

Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

5
Wackrer Simone, genug, ich bitte Euch (Guido, Simone)
Charles Reid
00:02:56

Charles Reid, Artist, MainArtist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

6
Bianca sag, stünde nicht dies kostbar edle Kleid dem Prinzen Guido gut? (Simone, Bianca, Guido)
Wolfgang Koch
00:03:06

Charles Reid, Artist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - Heidi Brunner, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

7
Wie, wenn ich die weiße Bianca forderte? (Guido, Simone, Bianca)
Charles Reid
00:03:05

Charles Reid, Artist, MainArtist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist - Heidi Brunner, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

8
Was gibt es Neues, mein Prinz? (Simone, Guido, Bianca)
Wolfgang Koch
00:05:03

Charles Reid, Artist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - Heidi Brunner, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

9
Wie er gleich einem schalen Krämer spricht! (Bianca, Guido, Simone)
Heidi Brunner
00:03:31

Charles Reid, Artist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist - Heidi Brunner, Artist, MainArtist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

10
Genug! (Simone, Guido)
Wolfgang Koch
00:05:20

Charles Reid, Artist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

11
Was meint der Fleck hier auf dem Tuch? (Simone, Guido)
Wolfgang Koch
00:02:30

Charles Reid, Artist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

12
Holdsel'ge Bianca, der schale Krämer langweilt mich (Guido, Bianca)
Charles Reid
00:06:13

Charles Reid, Artist, MainArtist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Heidi Brunner, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

13
Simone, jetzt muss ich nach Hause gehn! (Guido, Simone)
Charles Reid
00:01:44

Charles Reid, Artist, MainArtist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

14
Ei, welch ein Schwert! (Simone, Guido)
Wolfgang Koch
00:02:17

Charles Reid, Artist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

15
Bianca, hol mein Schwert! (Simone, Bianca)
Wolfgang Koch
00:02:03

Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - Heidi Brunner, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

16
Narr, nimm mir vom Hals deine Würgefinger! (Guido, Simone)
Charles Reid
00:01:17

Charles Reid, Artist, MainArtist - Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

17
Und jetzt zu dir! (Simone, Bianca)
Wolfgang Koch
00:02:16

Bertrand de Billy, Conductor - Alexander Zemlinsky, Composer - Wolfgang Koch, Artist, MainArtist - Heidi Brunner, Artist - ORF Vienna Radio Symphony Orchestra, Orchestra

(C) 2018 CapriccioNR (P) 2018 CapriccioNR

Album review

Eine florentinische Tragödie by Zemlinsky, composed in 1917 after an unfinished work by Oscar Wilde, is not a work that gets played very often; all the same, with only three singers and running to less than an hour, it would be a perfect companion to many other works of a similar running time - Pagliacci etc. - for a double-billing. It's a shame, as it is a wonderful little orchestral and vocal gem, while the devilish subject matter would be a treat for inventive producers. Judge for yourself: We are in Renaissance Florence. Cloth merchant Simone returns home early from a business trip, to find his wife Bianca cheating on him with Prince Guido. Simone acts as if he hasn't seen anything, and believes that Guido had only come over to buy some cloth. He shows him a few samples, and asks him to choose whatever he wants from his shop. The Prince replies that all he wants is... Bianca. Simone is furious; the men begin by exchanging words, but the Prince so exasperates the merchant that he decides that the matter can only be settled with swords. During the fight, Bianca urges the Prince to kill her hated husband; the Prince seems to have the upper hand, but in the end it is Simone who wins, killing Guido. Miraculously, he wins back his wife's respect, who falls once again, loving and full of admiration, into her lawful wedded husband's arms. Zemlinsky's style borrows from Strauss and Wagner, but the composer also has an idiom which is very much his own, working at the outer limits of tonality, with beautiful orchestration. This new recording will add to the work's sadly rather meagre discography. © SM/Qobuz

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