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BeMyFiasco|Where I Left You

Where I Left You

BeMyFiasco

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Bianca Rodriguez, aka BeMyFiasco, had been releasing music for a few years when her flirty R&B jam "Monday Morning Blues" motivated Phonte to seek her for vocals on what became "Violets," off Robert Glasper's 2016 Miles Davis project Everything's Beautiful. Around the end of the decade and into the next one, the singer/songwriter added luster to Phonte's own "Beverly Hills" and Little Brother's "All in a Day," as well as "Talkin' to Myself," the lead single from Zo! and Tall Black Guy's Abstractions. These and other connections with Phonte built up to Where I Left You. Rodriguez's first album, Where I Left You was executive produced by Phonte and released on his and Nicolay's Foreign Exchange label. She co-wrote everything with Phonte and Zo! the closest collaborators in a lineup of writers, producers, players, and singers that mixes longtime FE affiliates with newer associates. All of the productions place Rodriguez front and center. They make her velvety voice pop, whether she's brushing off an impulsive relationship, moving forward with trepidation, feeling the rush of new flame, or yearning for a distant lover. Ballads such as the pulsing and glimmering "Love Feels" and slowly knocking Darien Brockington duet "Thinkin Bout It" are moving and finely crafted, but it's the songs with the highest beats per minute -- and the set's highest and lowest emotions -- that leave the deepest impressions. "Caramel," smack in the middle, is pure joy, a rippling boogie bliss-out. "Through the Middle" is a stung (and stinging) dismissal that broods in slow motion, launches into zipping synth funk, and decelerates to end this eminently loop-able album in a tranquil state.
© Andy Kellman /TiVo

More info

Where I Left You

BeMyFiasco

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1
Ask Me When I'm Done
00:02:14

J. Anderson, ComposerLyricist - J. Mullen, ComposerLyricist - P. Coleman, ComposerLyricist - Vader, Producer - Anakin, Producer - BeMyFiasco, MainArtist - M. Shamberger, ComposerLyricist

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

2
Bad Dream
00:02:46

P. Coleman, ComposerLyricist - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - RoHo, Producer - R. Mudgal, ComposerLyricist

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

3
Love Feels
00:03:17

D. Jones, ComposerLyricist - T. Wallace, ComposerLyricist - L. Ferguson, ComposerLyricist - Daniel Jones, Producer - P. Coleman, ComposerLyricist - Phonte, Producer - Tall Black Guy, Producer - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - Lorenzo Ferguson, Producer

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

4
2 Car Garage
00:01:25

L. Ferguson, ComposerLyricist - P. Coleman, ComposerLyricist - Phonte, Producer - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - Lorenzo Ferguson, Producer

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

5
Anywhere
00:02:52

J. Anderson, ComposerLyricist - J. Mullen, ComposerLyricist - L. Ferguson, ComposerLyricist - Carlitta Durand, FeaturedArtist - P. Coleman, ComposerLyricist - Vader, Producer - Phonte, Producer - Anakin, Producer - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - Lorenzo Ferguson, Producer - M. Shamberger, ComposerLyricist - G. Lambirth, ComposerLyricist

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

6
Caramel
00:04:18

L. Ferguson, ComposerLyricist - Phonte, Producer - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - Lorenzo Ferguson, Producer

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

7
Outside The Lines
00:03:17

T. Jones, ComposerLyricist - W. Moore, ComposerLyricist - Little Brother, FeaturedArtist - P. Coleman, ComposerLyricist - M. PERRY, ComposerLyricist - B. Rodriguez, ComposerLyricist - The Nukez, Producer - BeMyFiasco, MainArtist - R. Bartell, ComposerLyricist - DJ Cozmos, Producer

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

8
Thinkin Bout It
00:03:38

J. Anderson, ComposerLyricist - J. Mullen, ComposerLyricist - P. Coleman, ComposerLyricist - Vader, Producer - Darien Brockington, FeaturedArtist - Anakin, Producer - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - M. Shamberger, ComposerLyricist

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

9
U And I
00:03:24

S. Williams, ComposerLyricist - P. Coleman, ComposerLyricist - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - Sheldon Williams, Producer

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

10
Withdrawal
00:00:57

D. Harris, ComposerLyricist - B. Rodriguez, ComposerLyricist - DJ Harrison, Producer - BeMyFiasco, MainArtist - P. Coleman, ComposerLyricist

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

11
Through The Middle
00:03:06

L. Ferguson, ComposerLyricist - P. Coleman, ComposerLyricist - Phonte, Producer - B. Rodriguez, ComposerLyricist - BeMyFiasco, MainArtist - Lorenzo Ferguson, Producer

2021 The Foreign Exchange Music 2021 The Foreign Exchange Music

Album review

Bianca Rodriguez, aka BeMyFiasco, had been releasing music for a few years when her flirty R&B jam "Monday Morning Blues" motivated Phonte to seek her for vocals on what became "Violets," off Robert Glasper's 2016 Miles Davis project Everything's Beautiful. Around the end of the decade and into the next one, the singer/songwriter added luster to Phonte's own "Beverly Hills" and Little Brother's "All in a Day," as well as "Talkin' to Myself," the lead single from Zo! and Tall Black Guy's Abstractions. These and other connections with Phonte built up to Where I Left You. Rodriguez's first album, Where I Left You was executive produced by Phonte and released on his and Nicolay's Foreign Exchange label. She co-wrote everything with Phonte and Zo! the closest collaborators in a lineup of writers, producers, players, and singers that mixes longtime FE affiliates with newer associates. All of the productions place Rodriguez front and center. They make her velvety voice pop, whether she's brushing off an impulsive relationship, moving forward with trepidation, feeling the rush of new flame, or yearning for a distant lover. Ballads such as the pulsing and glimmering "Love Feels" and slowly knocking Darien Brockington duet "Thinkin Bout It" are moving and finely crafted, but it's the songs with the highest beats per minute -- and the set's highest and lowest emotions -- that leave the deepest impressions. "Caramel," smack in the middle, is pure joy, a rippling boogie bliss-out. "Through the Middle" is a stung (and stinging) dismissal that broods in slow motion, launches into zipping synth funk, and decelerates to end this eminently loop-able album in a tranquil state.
© Andy Kellman /TiVo

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