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Marvin Gaye|What's Going On (Deluxe Edition / 50th Anniversary)

What's Going On (Deluxe Edition / 50th Anniversary)

Marvin Gaye

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What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, "What's Going On." When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time. Conceived as a statement from the viewpoint of a Vietnam veteran (Gaye's brother Frankie had returned from a three-year hitch in 1967), What's Going On isn't just the question of a baffled soldier returning home to a strange place, but a promise that listeners would be informed by what they heard (that missing question mark in the title certainly wasn't a typo). Instead of releasing listeners from their troubles, as so many of his singles had in the past, Gaye used the album to reflect on the climate of the early '70s, rife with civil unrest, drug abuse, abandoned children, and the spectre of riots in the near past. Alternately depressed and hopeful, angry and jubilant, Gaye saved the most sublime, deeply inspired performances of his career for "Mercy Mercy Me (The Ecology)," "Inner City Blues (Make Me Wanna Holler)," and "Save the Children." The songs and performances, however, furnished only half of a revolution; little could've been accomplished with the Motown sound of previous Marvin Gaye hits like "Stubborn Kind of Fellow" and "Hitch Hike" or even "I Heard It Through the Grapevine." What's Going On, as he conceived and produced it, was like no other record heard before it: languid, dark, and jazzy, a series of relaxed grooves with a heavy bottom, filled by thick basslines along with bongos, conga, and other percussion. Fortunately, this aesthetic fit in perfectly with the style of longtime Motown session men like bassist James Jamerson and guitarist Joe Messina. When the Funk Brothers were, for once, allowed the opportunity to work in relaxed, open proceedings, they produced the best work of their careers (and indeed, they recognized its importance before any of the Motown executives). Bob Babbitt's playing on "Inner City Blues (Make Me Wanna Holler)" functions as the low-end foundation but also its melodic hook, while an improvisatory jam by Eli Fountain on alto sax furnished the album's opening flourish. (Much credit goes to Gaye himself for seizing on these often tossed-off lines as precious; indeed, he spent more time down in the Snakepit than he did in the control room.) Just as he'd hoped it would be, What's Going On was Marvin Gaye's masterwork, the most perfect expression of an artist's hope, anger, and concern ever recorded.
© John Bush /TiVo

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What's Going On (Deluxe Edition / 50th Anniversary)

Marvin Gaye

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1
What's Going On
00:03:53

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Marvin Gaye, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - David Van dePitte, Recording Arranger, AssociatedPerformer - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

2
What's Happening Brother
00:02:43

Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Nyx, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

3
Flyin' High (In The Friendly Sky)
00:03:49

Elgie Stover, ComposerLyricist - Anna Gaye, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Maurice King, Arranger, Orchestrator - James Green, Recording Engineer, StudioPersonnel - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

4
Save The Children
00:04:03

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

5
God Is Love
00:01:41

Elgie Stover, ComposerLyricist - Anna Gaye, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Nyx, ComposerLyricist - Maurice King, Arranger, Orchestrator - James Green, Engineer, StudioPersonnel - David Van dePitte, Conductor, Recording Arranger, AssociatedPerformer - Art Stewart, Engineer, StudioPersonnel - Lawrence Miles, Mixer, Engineer, StudioPersonnel - Joe Atkinson, Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

6
Mercy Mercy Me (The Ecology)
00:03:16

Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - David Van dePitte, Conductor, Recording Arranger, AssociatedPerformer - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

7
Right On
00:07:32

Marvin Gaye, Producer, MainArtist, ComposerLyricist - Earl Derouen, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

8
Wholy Holy
00:03:07

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

9
Inner City Blues (Make Me Wanna Holler)
00:05:32

Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Nyx, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - David Van dePitte, Orchestra Contractor, AssociatedPerformer - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 UMG Recordings, Inc.

10
What's Going On (Mono Single Version)
00:03:53

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Steve Smith, Mixer, StudioPersonnel - Marvin Gaye, Producer, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - David Van dePitte, Recording Arranger, AssociatedPerformer

℗ 1971 Motown Records, a Division of UMG Recordings, Inc.

11
God Is Love (Mono Single Version)
00:02:51

Elgie Stover, ComposerLyricist - Anna Gaye, ComposerLyricist - Steve Smith, Mixer, StudioPersonnel - Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Nyx, ComposerLyricist - Maurice King, Arranger, Orchestrator - David Van dePitte, Recording Arranger, AssociatedPerformer

℗ 1971 Motown Records, a Division of UMG Recordings, Inc.

12
Mercy Mercy Me (The Ecology) (Mono Single Version)
00:02:30

Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - David Van dePitte, Conductor, Recording Arranger, AssociatedPerformer - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 Motown Records, a Division of UMG Recordings, Inc.

13
Sad Tomorrows (Mono Single Version)
00:02:22

Marvin Gaye, Producer, MainArtist, ComposerLyricist - Delores Wilkinson, ComposerLyricist - Fuller B. Gordy, ComposerLyricist

℗ 1971 UMG Recordings, Inc.

14
Inner City Blues (Make Me Wanna Holler) (Mono Single Version)
00:02:58

Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Nyx, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 Motown Records, a Division of UMG Recordings, Inc.

15
Wholy Holy (Mono Single Version)
00:03:08

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 1971 Motown Records, a Division of UMG Recordings, Inc.

16
What's Going On (Original Single Mix)
00:03:46

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - James Green, Recording Engineer, StudioPersonnel - David Van dePitte, Recording Arranger, AssociatedPerformer - Art Stewart, Recording Engineer, StudioPersonnel - Lawrence Miles, Recording Engineer, Mix Engineer, StudioPersonnel - Joe Atkinson, Recording Engineer, StudioPersonnel

℗ 2011 Motown Records, a Division of UMG Recordings, Inc.

17
What's Going On (Rhythm 'N' Strings Mix)
00:03:49

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Kevin Reeves, Mixer, StudioPersonnel - David Van dePitte, Conductor, Recording Arranger, AssociatedPerformer

℗ 2001 Motown Records, a Division of UMG Recordings, Inc.

18
What's Going On (Coffeehouse Mix)
00:03:56

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist - Kevin Reeves, Mastering Engineer, StudioPersonnel - Russell Elevado, Mixer, StudioPersonnel - Harry Weinger, Producer

℗ 2016 Motown Records, a Division of UMG Recordings, Inc.

19
What's Going On (2016 Duet Version)
00:05:05

AL CLEVELAND, ComposerLyricist - Renaldo Benson, ComposerLyricist - Rex Rideout, Recording Engineer, StudioPersonnel - Marvin Gaye, MainArtist, ComposerLyricist - BJ The Chicago Kid, FeaturedArtist - John Morales, Mixer, StudioPersonnel - Harry Weinger, Producer

℗ 2016 Motown Records, a Division of UMG Recordings, Inc.

20
Symphony (Demo)
00:02:50

William Robinson, Jr., ComposerLyricist - Marvin Gaye, Producer, MainArtist, ComposerLyricist

℗ 2021 UMG Recordings, Inc.

21
I Love The Ground You Walk On (Instrumental)
00:02:25

Marvin Gaye, MainArtist, ComposerLyricist

℗ 2011 Motown Records, a Division of UMG Recordings, Inc.

Album review

What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, "What's Going On." When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time. Conceived as a statement from the viewpoint of a Vietnam veteran (Gaye's brother Frankie had returned from a three-year hitch in 1967), What's Going On isn't just the question of a baffled soldier returning home to a strange place, but a promise that listeners would be informed by what they heard (that missing question mark in the title certainly wasn't a typo). Instead of releasing listeners from their troubles, as so many of his singles had in the past, Gaye used the album to reflect on the climate of the early '70s, rife with civil unrest, drug abuse, abandoned children, and the spectre of riots in the near past. Alternately depressed and hopeful, angry and jubilant, Gaye saved the most sublime, deeply inspired performances of his career for "Mercy Mercy Me (The Ecology)," "Inner City Blues (Make Me Wanna Holler)," and "Save the Children." The songs and performances, however, furnished only half of a revolution; little could've been accomplished with the Motown sound of previous Marvin Gaye hits like "Stubborn Kind of Fellow" and "Hitch Hike" or even "I Heard It Through the Grapevine." What's Going On, as he conceived and produced it, was like no other record heard before it: languid, dark, and jazzy, a series of relaxed grooves with a heavy bottom, filled by thick basslines along with bongos, conga, and other percussion. Fortunately, this aesthetic fit in perfectly with the style of longtime Motown session men like bassist James Jamerson and guitarist Joe Messina. When the Funk Brothers were, for once, allowed the opportunity to work in relaxed, open proceedings, they produced the best work of their careers (and indeed, they recognized its importance before any of the Motown executives). Bob Babbitt's playing on "Inner City Blues (Make Me Wanna Holler)" functions as the low-end foundation but also its melodic hook, while an improvisatory jam by Eli Fountain on alto sax furnished the album's opening flourish. (Much credit goes to Gaye himself for seizing on these often tossed-off lines as precious; indeed, he spent more time down in the Snakepit than he did in the control room.) Just as he'd hoped it would be, What's Going On was Marvin Gaye's masterwork, the most perfect expression of an artist's hope, anger, and concern ever recorded.
© John Bush /TiVo

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