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The Ataris|Welcome the Night

Welcome the Night

The Ataris

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The Ataris couldn't have picked a more appropriate title for their fifth record, Welcome the Night: almost every note sounds as if written at the midnight hour by frontman Kris Roe as he was locked in his apartment alone during a self-imposed exile. The guys parted ways with Columbia following the completion of Night (their long-delayed follow-up to 2003's So Long, Astoria), and wound up creating their own Isola Recordings (with distribution through Sanctuary) to finally bring the album to the light of day. In the meantime, the group inflated to a staggering seven members (including a cellist and pianist), and together the Ataris are now apparently infatuated with their Smiths collections and overall love of lush and moody alternative rock. They are hardly recognizable as the same band documenting Black Flag stickers on Cadillacs just a few short years ago, and the difference is not just in Roe's noticeably richer vocals. Layers of sweeping arrangements and dynamic buildups over lyrics of longing and snapshots of yesterday suggest that the Ataris now need to be seen as serious rock musicians free from the constraints of pop-punk. This is grown-up angst, and the opening "Not Capable of Love" is surprisingly melancholic in its reflections of life and relationships in the years since those doe-eyed beginnings. "I'm not capable of love/That kind of love/That I felt when I was 21," Roe achingly sings wrapped in a dark envelope of yearning. The added depth of instrumentation gives Welcome the Night a lonely sort of warmth that was never really present in the band's prior work, and it's a nice feel. Songs like the nearly hopeful "The Cheyenne Line" and wounded "From the Last, Last Call" -- the latter using light acoustics for reflections through stained glass -- are well-crafted balances of hidden pain and muted radiance. But elsewhere, the Ataris seem to get too wrapped up in their seriousness to notice when things get a tad too melodramatic for their own good. Though it's nice to see the band reaching for something unexpected (and hitting the mark dead-on several times), even those good intentions can't unfortunately hide the fact that by Welcome the Night's end, it's really just become a murky sea of mournful strings, gentle percussion, and hushed lines of regret that simply float away into the darkness.

© Corey Apar /TiVo

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Welcome the Night

The Ataris

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1
Not Capable of Love
00:03:29

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar, Piano - Stephen Marcussen, MasteringEngineer - Paul David Hagar, Mixer - Sean Hansen, Drums, Percussion, Vocals, Bass - Paul Carabello, Guitar, Percussion, Vocals - Thom Flowers, Producer - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company.

2
Cardiff-By-The-Sea
00:04:13

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Producer - ANGUS COOKE, Cello, Percussion - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

3
New Year's Day
00:03:14

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar, Piano - Stephen Marcussen, MasteringEngineer - Paul David Hagar, Mixer - Sean Hansen, Drums, Percussion, Vocals, Bass - Paul Carabello, Guitar, Percussion, Vocals - Thom Flowers, Producer - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company.

4
Secret Handshakes
00:03:43

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Producer - ANGUS COOKE, Cello, Percussion - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

5
The Cheyenne Line
00:03:11

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Producer - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

6
And We All Become Like Smoke
00:04:00

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Producer - Bob Hoag, Mellotron - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

7
Connections Are More Dangerous Than Lies
00:03:00

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar, Piano - Stephen Marcussen, MasteringEngineer - Paul David Hagar, Mixer - Sean Hansen, Drums, Percussion, Vocals, Bass - Paul Carabello, Guitar, Percussion, Vocals - Thom Flowers, Producer - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company.

8
Whatever Lies Will Help You Rest
00:03:33

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Production - Bob Hoag, Mellotron - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

9
Far from the Last, Last Call
00:04:10

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Production - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

10
When All Else Fails It Fails
00:03:34

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Production - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

11
A Soundtrack for This Rainy Morning
00:04:47

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Production - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

12
Begin Again from the Beginning
00:05:39

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Production - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

13
Act V, Scene V: And So It Ends Like It Begins
00:05:57

The Ataris, MainArtist - Kris Roe, Guitar, Percussion, Vocals, Theremin - John Collura, Guitar - Tim Palmer, Mixer - Stephen Marcussen, MasteringEngineer - Nick Launay, Production - Sean Hansen, Bass - Paul Carabello, Guitar, Percussion, Vocals - Shane Chikeles, Percussion

© 2007 Isola Recordings / Sanctuary Records Group Ltd., a BMG Company. ℗ 2007 Isola Recordings under exclusive licence to Sanctuary Records Group Ltd., a BMG Company

Album review

The Ataris couldn't have picked a more appropriate title for their fifth record, Welcome the Night: almost every note sounds as if written at the midnight hour by frontman Kris Roe as he was locked in his apartment alone during a self-imposed exile. The guys parted ways with Columbia following the completion of Night (their long-delayed follow-up to 2003's So Long, Astoria), and wound up creating their own Isola Recordings (with distribution through Sanctuary) to finally bring the album to the light of day. In the meantime, the group inflated to a staggering seven members (including a cellist and pianist), and together the Ataris are now apparently infatuated with their Smiths collections and overall love of lush and moody alternative rock. They are hardly recognizable as the same band documenting Black Flag stickers on Cadillacs just a few short years ago, and the difference is not just in Roe's noticeably richer vocals. Layers of sweeping arrangements and dynamic buildups over lyrics of longing and snapshots of yesterday suggest that the Ataris now need to be seen as serious rock musicians free from the constraints of pop-punk. This is grown-up angst, and the opening "Not Capable of Love" is surprisingly melancholic in its reflections of life and relationships in the years since those doe-eyed beginnings. "I'm not capable of love/That kind of love/That I felt when I was 21," Roe achingly sings wrapped in a dark envelope of yearning. The added depth of instrumentation gives Welcome the Night a lonely sort of warmth that was never really present in the band's prior work, and it's a nice feel. Songs like the nearly hopeful "The Cheyenne Line" and wounded "From the Last, Last Call" -- the latter using light acoustics for reflections through stained glass -- are well-crafted balances of hidden pain and muted radiance. But elsewhere, the Ataris seem to get too wrapped up in their seriousness to notice when things get a tad too melodramatic for their own good. Though it's nice to see the band reaching for something unexpected (and hitting the mark dead-on several times), even those good intentions can't unfortunately hide the fact that by Welcome the Night's end, it's really just become a murky sea of mournful strings, gentle percussion, and hushed lines of regret that simply float away into the darkness.

© Corey Apar /TiVo

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