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Earplay|Vintage Renaissance and beyond

Vintage Renaissance and beyond

Earplay

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William Kraft, composer and longtime member of the Los Angeles Philharmonic, was a key figure in the diffusion of Igor Stravinsky's later music in the U.S. This little selection of Kraft's music shows its derivation from Stravinsky without sounding like any specific aspect of his style, which is all to the good. Further, the five works span a period from 1961 and 2005, and they hold together as a group without sounding much like one another. The connection to Stravinsky, which involves the use of instrumental groupings to comment on preexisting materials or fixed structures established by the ongoing composition itself, is most evident in the opening Vintage Renaissance and Beyond, a set of three ensemble elaborations on actual Renaissance melodies, presented with greater or lesser fidelity to their original forms. The rest of the music is more closely focused on percussion, but the sense of elaboration and commentary, which would have been close to Stravinsky's heart, carries over into each work in a different way. Perhaps the strongest is the Concerto for four percussion soloists and symphonic wind ensemble (1995), adapted from a version for soloists and orchestra; here the winds at first play a subtle, ornamental role but gradually expand their discourse. The rest of the music is more concerned with the potentialities of percussion instruments, but this, too, is a kind of commentary on the instruments' usual timbres. A nice selection of music, enjoyably performed by a varied group of players, from a landmark figure of contemporary music in the U.S.

© TiVo

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Vintage Renaissance and beyond

Earplay

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1
Vintage Renaissance and beyond: Danza Alta
Earplay
00:05:38

William Kraft, Composer - Mary Chun, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

2
Vintage Renaissance and beyond: O Rubor Sanguinis
Earplay
00:04:03

William Kraft, Composer - Mary Chun, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

3
Vintage Renaissance and beyond: Bransle
Earplay
00:04:03

William Kraft, Composer - Mary Chun, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

4
Suite for Percussion: Fanfare
Ted Adkatz
00:01:26

William Kraft, Composer - Frank Epstein, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble - John Tanzer, FeaturedArtist - Hans Morrison, FeaturedArtist - Scott Vincent, FeaturedArtist - Ted Adkatz, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

5
Suite for Percussion: Andante
Ted Adkatz
00:02:04

William Kraft, Composer - Frank Epstein, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble - John Tanzer, FeaturedArtist - Hans Morrison, FeaturedArtist - Scott Vincent, FeaturedArtist - Ted Adkatz, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

6
Suite for Percussion: Ostinato
Ted Adkatz
00:01:41

William Kraft, Composer - Frank Epstein, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble - John Tanzer, FeaturedArtist - Hans Morrison, FeaturedArtist - Scott Vincent, FeaturedArtist - Ted Adkatz, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

7
Suite for Percussion: Toccata
Ted Adkatz
00:01:57

William Kraft, Composer - Frank Epstein, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble - John Tanzer, FeaturedArtist - Hans Morrison, FeaturedArtist - Scott Vincent, FeaturedArtist - Ted Adkatz, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

8
Suite for Percussion: Cadenza
Ted Adkatz
00:04:33

William Kraft, Composer - Frank Epstein, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble - John Tanzer, FeaturedArtist - Hans Morrison, FeaturedArtist - Scott Vincent, FeaturedArtist - Ted Adkatz, MainArtist

(C) 2010 Albany Records (P) 2010 Albany Records

9
Concerto for Four Percussion Soloists and Symphonic Wind Ensemble: Recitativo Quasi Senza Musura
Earplay
00:05:45

William Kraft, Composer - Frank Battisti, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Orchestra, Ensemble - Earplay, Ensemble, MainArtist - John Tanzer, FeaturedArtist - Eric Milstein, FeaturedArtist - Matthew Manturuk, FeaturedArtist - Scott Vincent, FeaturedArtist

(C) 2010 Albany Records (P) 2010 Albany Records

10
Concerto for Four Percussion Soloists and Symphonic Wind Ensemble: Allegro con brio
Earplay
00:04:57

William Kraft, Composer - Frank Battisti, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Orchestra, Ensemble - Earplay, Ensemble, MainArtist - John Tanzer, FeaturedArtist - Eric Milstein, FeaturedArtist - Matthew Manturuk, FeaturedArtist - Scott Vincent, FeaturedArtist

(C) 2010 Albany Records (P) 2010 Albany Records

11
Concerto for Four Percussion Soloists and Symphonic Wind Ensemble: Cadenza e Variozini
Earplay
00:12:12

William Kraft, Composer - Frank Battisti, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Orchestra, Ensemble - Earplay, Ensemble, MainArtist - John Tanzer, FeaturedArtist - Eric Milstein, FeaturedArtist - Matthew Manturuk, FeaturedArtist - Scott Vincent, FeaturedArtist

(C) 2010 Albany Records (P) 2010 Albany Records

12
Encounters VI: Concertino for Roto-Toms and Percussion Quartet
Craig McNutt
00:09:28

William Kraft, Composer - Mary Chun, Conductor - Craig McNutt, MainArtist - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble - Rhett del Campo, FeaturedArtist - Matthew Manturuk, FeaturedArtist - Jeff Ridgeway, FeaturedArtist - Joel Strucki, FeaturedArtist - rFrank Epstein, Frank Battisti, Conductor

(C) 2010 Albany Records (P) 2010 Albany Records

13
Encounters IX
Marhsall Taylor
00:09:47

William Kraft, Composer - Mary Chun, Conductor - Theodore Presser Company, MusicPublisher - New England Conservatory Wind Ensemble, Ensemble - Earplay, Ensemble - Marhsall Taylor, MainArtist - Don Linzzi, FeaturedArtist - rFrank Epstein, Frank Battisti, Conductor

(C) 2010 Albany Records (P) 2010 Albany Records

Album review

William Kraft, composer and longtime member of the Los Angeles Philharmonic, was a key figure in the diffusion of Igor Stravinsky's later music in the U.S. This little selection of Kraft's music shows its derivation from Stravinsky without sounding like any specific aspect of his style, which is all to the good. Further, the five works span a period from 1961 and 2005, and they hold together as a group without sounding much like one another. The connection to Stravinsky, which involves the use of instrumental groupings to comment on preexisting materials or fixed structures established by the ongoing composition itself, is most evident in the opening Vintage Renaissance and Beyond, a set of three ensemble elaborations on actual Renaissance melodies, presented with greater or lesser fidelity to their original forms. The rest of the music is more closely focused on percussion, but the sense of elaboration and commentary, which would have been close to Stravinsky's heart, carries over into each work in a different way. Perhaps the strongest is the Concerto for four percussion soloists and symphonic wind ensemble (1995), adapted from a version for soloists and orchestra; here the winds at first play a subtle, ornamental role but gradually expand their discourse. The rest of the music is more concerned with the potentialities of percussion instruments, but this, too, is a kind of commentary on the instruments' usual timbres. A nice selection of music, enjoyably performed by a varied group of players, from a landmark figure of contemporary music in the U.S.

© TiVo

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