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Eric Johnson|Up Close

Up Close

Eric Johnson

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By Eric Johnson’s standards, the five-year gap between 2005’s Bloom and 2010’s Up Close is swift. It’s the shortest time between albums since Ah Via Musicom followed Tones by a mere four years and although Up Close could hardly be called spontaneous, it does have a looseness that’s often absent in Johnson’s work, perhaps because it trades so heavily on the guitarist’s Texas roots, a point he underscores by having songs called “Texas” and “Austin.” Naturally, this means there’s a bunch of blues on Up Close, which finds room for cameos by Steve Miller, Jimmie Vaughan, Jonny Lang, and Sonny Landreth, but even these moments don’t bear much grit because dirt is not part of Johnson’s repertoire. He prefers clean and sculpted, an aesthetic that runs from his tone to his rhythms. He remains indebted to the fusion etched out by Jeff Beck on Blow by Blow but he no longer is taking it to the extremes, as when he divided Bloom into movements. Up Close is merely Eric Johnson served straight-up: it is not far removed from the feel of Ah Via Musicom, lacking only the major melodies that sucked in crossover listeners, but Johnson’s journey is not one of innovation, it’s of refinement and he continues to find interesting ways to hone his specific craft on Up Close.

© Stephen Thomas Erlewine /TiVo

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Up Close

Eric Johnson

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1
Awaken
00:01:04

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

2
Fatdaddy
00:02:44

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

3
Brilliant Room
00:03:52

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist - Malford Milligan, FeaturedArtist

℗ 2010 Vortexan Music

4
Texas
00:06:02

Jimmie Vaughan, FeaturedArtist - STEVE MILLER, FeaturedArtist - Buddy Miles, ComposerLyricist - Richard Mullen, Producer - Mike Bloomfield, Composer - Eric Johnson, Producer, MainArtist

℗ 2010 Vortexan Music

5
Gem
00:04:09

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

6
Traverse
00:01:18

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

7
Austin
00:04:01

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist - Jonny Lang, FeaturedArtist

℗ 2010 Vortexan Music

8
Soul Surprise
00:06:10

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

9
On The Way
00:03:09

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

10
Arithmetic
00:04:32

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

11
The Sea And The Mountain
00:01:50

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

12
Vortexan
00:03:03

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

13
A Change Has Come To Me
00:05:19

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

14
Change (Revisited)
00:01:39

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist

℗ 2010 Vortexan Music

15
Your Book
00:04:14

Richard Mullen, Producer - Eric Johnson, Composer, Producer, MainArtist - Sonny Landreth, FeaturedArtist

℗ 2010 Vortexan Music

Album review

By Eric Johnson’s standards, the five-year gap between 2005’s Bloom and 2010’s Up Close is swift. It’s the shortest time between albums since Ah Via Musicom followed Tones by a mere four years and although Up Close could hardly be called spontaneous, it does have a looseness that’s often absent in Johnson’s work, perhaps because it trades so heavily on the guitarist’s Texas roots, a point he underscores by having songs called “Texas” and “Austin.” Naturally, this means there’s a bunch of blues on Up Close, which finds room for cameos by Steve Miller, Jimmie Vaughan, Jonny Lang, and Sonny Landreth, but even these moments don’t bear much grit because dirt is not part of Johnson’s repertoire. He prefers clean and sculpted, an aesthetic that runs from his tone to his rhythms. He remains indebted to the fusion etched out by Jeff Beck on Blow by Blow but he no longer is taking it to the extremes, as when he divided Bloom into movements. Up Close is merely Eric Johnson served straight-up: it is not far removed from the feel of Ah Via Musicom, lacking only the major melodies that sucked in crossover listeners, but Johnson’s journey is not one of innovation, it’s of refinement and he continues to find interesting ways to hone his specific craft on Up Close.

© Stephen Thomas Erlewine /TiVo

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