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Cecilia Bartoli|Unreleased

Unreleased

Cecilia Bartoli, Kammerorchester Basel, Muhai Tang

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Seven dramatic arias. We would expect nothing less from Cecilia Bartoli, who loves to play the harpy, at least on stage and on record! In this album, recorded in Basel with the Kammerorchester Basel conducted by Muhai Tang, the Italian diva, so adored by the masses, performs arias composed by Mozart, Haydn, Mysliveček and Beethoven for the great sopranos of their own times.

It was not uncommon in those days for arias to be tailored to the style, vocal abilities and range of the cantatrici and singers. Thus Bartoli brings back to life for us the memory of Josepha Duschek, Nancy Storace and the castrato Pietro Benedetti. "Unreleased" proclaims the title of the album, but only those unheard among Cecilia Bartoli's previous recordings, for the arias here performed are, for some, well known, such as Beethoven's Ah! Perfido, Haydn's great Scena di Berenice and Mozart's arias Ah, lo previdiL’ameró, saró costante and Bella mia fiamma, addio.

With the latter, beware of confusion with the aria Ch’io mi scordi di te, K. 490 performed here by Cecilia Bartoli, which is a substitute aria for a partial revival of Idomeneo and not the famous concert aria of the same name (K. 505) for which Mozart wrote a large solo clavier part for himself. The aria sung here by Cecilia Bartoli includes an important solo violin part that Mozart had intended for Count Hatzfeld, played here for our great pleasure by Maxim Vengerov, from whom we hear twice more within this programme. We should emphasise also the pure beauty of an aria from La Clemenza di Tito by Joseph Mysliveček, a contemporary and friend of Mozart who cries out to be rediscovered. © François Hudry/Qobuz

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Unreleased

Cecilia Bartoli

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Ah Perfido!, Op. 65 (Ludwig van Beethoven)

1
"Ah, Perfido!"
00:03:03

Kammerorchester Basel, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

2
Aria "Per pietà, non dirmi addio"
00:05:01

Kammerorchester Basel, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Anonymous, Author - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

3
"Ah crudel! tu vuoi ch'io mora!"
00:03:33

Kammerorchester Basel, Orchestra, MainArtist - Ludwig van Beethoven, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

4
Ch'io mi scordi di te?... Non temer, amato bene, K. 490
00:08:56

Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Maxim Vengerov, Violin, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

La clemenza di Tito / Act 2 (Josef Mysliveček)

5
"Se mai senti spirarti sul volto"
00:05:31

Kammerorchester Basel, Orchestra, MainArtist - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Josef Myslivecek, Composer - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

6
Ah, lo previdi!, K. 272: "Ah, lo previdi … Ah, t'invola agl'occhi miei"
00:06:25

Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Vittorio Amadeo Cigna-Santi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

7
Ah, lo previdi!, K. 272: Cavatina "Deh, non varcar quell'onda"
00:04:23

Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Vittorio Amadeo Cigna-Santi, Author - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

8
Bella mia fiamma, addio K. 528: Recitativo "Bella mia fiamma, addio"
00:02:52

Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Author - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

9
Bella mia fiamma, addio K. 528: Aria "Resta, o cara"
00:05:17

Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Lorenzo Da Ponte, Author - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

Il re pastore, K. 208 / Act 2 (Wolfgang Amadeus Mozart)

10
"L'amerò, sarò costante"
00:05:54

Kammerorchester Basel, Orchestra, MainArtist - Wolfgang Amadeus Mozart, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Maxim Vengerov, Violin, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

11
Scena di Berenice, Hob. XXIVa:10: Recitativo "Berenice, che fai?"
00:04:10

Kammerorchester Basel, Orchestra, MainArtist - Joseph Haydn, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

12
Scena di Berenice, Hob. XXIVa:10: Aria & Recitiativo "Non partir bell’idol mio… Me infelice!"
00:02:48

Kammerorchester Basel, Orchestra, MainArtist - Joseph Haydn, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

13
Scena di Berenice, Hob. XXIVa:10: Aria "Perché, se tanti siete"
00:03:44

Kammerorchester Basel, Orchestra, MainArtist - Joseph Haydn, Composer - Cecilia Bartoli, Mezzo-Soprano, MainArtist, AssociatedPerformer - Muhai Tang, Conductor, MainArtist - Pietro Metastasio, Author - Arend Prohmann, Producer, Editor, Recording Producer, StudioPersonnel - Philip Siney, Recording Engineer, StudioPersonnel

℗ 2021 Universal Music Operations Limited

Album review

Seven dramatic arias. We would expect nothing less from Cecilia Bartoli, who loves to play the harpy, at least on stage and on record! In this album, recorded in Basel with the Kammerorchester Basel conducted by Muhai Tang, the Italian diva, so adored by the masses, performs arias composed by Mozart, Haydn, Mysliveček and Beethoven for the great sopranos of their own times.

It was not uncommon in those days for arias to be tailored to the style, vocal abilities and range of the cantatrici and singers. Thus Bartoli brings back to life for us the memory of Josepha Duschek, Nancy Storace and the castrato Pietro Benedetti. "Unreleased" proclaims the title of the album, but only those unheard among Cecilia Bartoli's previous recordings, for the arias here performed are, for some, well known, such as Beethoven's Ah! Perfido, Haydn's great Scena di Berenice and Mozart's arias Ah, lo previdiL’ameró, saró costante and Bella mia fiamma, addio.

With the latter, beware of confusion with the aria Ch’io mi scordi di te, K. 490 performed here by Cecilia Bartoli, which is a substitute aria for a partial revival of Idomeneo and not the famous concert aria of the same name (K. 505) for which Mozart wrote a large solo clavier part for himself. The aria sung here by Cecilia Bartoli includes an important solo violin part that Mozart had intended for Count Hatzfeld, played here for our great pleasure by Maxim Vengerov, from whom we hear twice more within this programme. We should emphasise also the pure beauty of an aria from La Clemenza di Tito by Joseph Mysliveček, a contemporary and friend of Mozart who cries out to be rediscovered. © François Hudry/Qobuz

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