Categories:
Cart 0

Your cart is empty

Tracy Chapman|Tracy Chapman

Tracy Chapman

Tracy Chapman

Available in
16-Bit CD Quality 44.1 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

Tracy Chapman

Tracy Chapman

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 80 million songs with an unlimited streaming plan.

Listen to this playlist and more than 80 million songs with our unlimited streaming plans.

From $10.83/month

1
Talkin' Bout a Revolution (LP Version)
00:02:41

Jack Holder, Electric Guitar, Organ - Tracy Chapman, Acoustic Guitar, Electric Guitar, Percussion, Vocals, Writer, MainArtist - LARRY KLEIN, Bass Guitar - David Kershenbaum, Producer - Denny Fongheiser, Drums, Percussion - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

2
Fast Car (LP Version)
00:04:56

Ed Black, Guitar - Tracy Chapman, Acoustic Guitar, Electric Guitar, Percussion, Vocals, Writer, MainArtist - LARRY KLEIN, Bass - David Kershenbaum, Producer - Denny Fongheiser, Drums - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

3
Across the Lines (LP Version)
00:03:24

Jack Holder, Dulcimer - Tracy Chapman, Acoustic Guitar, Vocals, Writer, MainArtist - LARRY KLEIN, Bass - David Kershenbaum, Producer - Denny Fongheiser, Drums - Kevin W. Smith, Mixer, Engineer - Don Rubin, ExecutiveProducer - Brian Koppelman, ExecutiveProducer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

4
Behind the Wall (LP Version)
00:01:48

Tracy Chapman, Vocals, Writer, MainArtist - David Kershenbaum, Producer - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

5
Baby Can I Hold You (LP Version)
00:03:12

Jack Holder, Organ, Sitar - Tracy Chapman, Vocals, Writer, Rhythm Guitar, MainArtist - LARRY KLEIN, Bass - Bob Marlette, Keyboards - David Kershenbaum, Producer - Denny Fongheiser, Drums, Percussion - Kevin W. Smith, Mixer, Engineer - David Laflamme, Electric Violin

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

6
Mountains O' Things (LP Version)
00:04:39

Paulinho Da Costa, Percussion - Tracy Chapman, Electric Guitar, Vocals, Writer, MainArtist - STEVE Kaplan, Keyboards - Bob Marlette, Keyboards - David Kershenbaum, Producer - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

7
She's Got Her Ticket (LP Version)
00:03:54

Jack Holder, Electric Guitar, Organ - Paulinho Da Costa, Percussion - Tracy Chapman, Electric Guitar, Vocals, Writer, MainArtist - LARRY KLEIN, Bass - STEVE Kaplan, Keyboards - David Kershenbaum, Producer - Denny Fongheiser, Drums - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

8
Why? (LP Version)
00:02:05

Jack Holder, Electric Guitar, Organ - Paulinho Da Costa, Percussion - Tracy Chapman, Acoustic Guitar, Vocals, Writer, MainArtist - LARRY KLEIN, Bass - David Kershenbaum, Producer - Denny Fongheiser, Drums, Percussion - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

9
For My Lover (LP Version)
00:03:10

Jack Holder, Dobro - Ed Black, Guitar - Tracy Chapman, Acoustic Guitar, Vocals, Writer, MainArtist - LARRY KLEIN, Bass - STEVE Kaplan, Harmonica - David Kershenbaum, Producer - Denny Fongheiser, Drums - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

10
If Not Now... (LP Version)
00:03:01

Jack Holder, Piano - Tracy Chapman, Acoustic Guitar, Percussion, Vocals, Writer, MainArtist - LARRY KLEIN, Bass - David Kershenbaum, Producer - Denny Fongheiser, Drums, Percussion - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

11
For You (LP Version)
00:03:09

Tracy Chapman, Acoustic Guitar, Vocals, Writer, MainArtist - David Kershenbaum, Producer - Kevin W. Smith, Mixer, Engineer

© 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States. ℗ 1988 Elektra/Asylum Records for the United States and WEA International for the world outside of the United States.

About the album

Distinctions:

Improve album information

Qobuz logo Why buy on Qobuz...

On sale now...

Happier Than Ever (Explicit)

Billie Eilish

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

To Pimp A Butterfly

Kendrick Lamar

To Pimp A Butterfly Kendrick Lamar

Mr. Morale & The Big Steppers (Explicit version)

Kendrick Lamar

More on Qobuz
By Tracy Chapman

Greatest Hits

Tracy Chapman

Greatest Hits Tracy Chapman

New Beginning

Tracy Chapman

New Beginning Tracy Chapman

Crossroads

Tracy Chapman

Crossroads Tracy Chapman

Our Bright Future

Tracy Chapman

Our Bright Future Tracy Chapman

Where You Live

Tracy Chapman

Where You Live Tracy Chapman

Playlists

You may also like...

Lila

Marketa Irglova

Lila Marketa Irglova

Five Leaves Left

Nick Drake

Five Leaves Left Nick Drake

The Freewheelin' Bob Dylan

Bob Dylan

Sounds Of Silence

Simon & Garfunkel

Sounds Of Silence Simon & Garfunkel

Giant Palm

Naima Bock

Giant Palm Naima Bock
In your panoramas...
The Women of Nashville

It's not easy to elbow your way through the macho Music City scene, the birthplace of country music, when you're a woman. Over the years, some of them have nevertheless managed to shift lines and attitudes, like these ten pioneers and revolutionaries who have put – even stamped – their boots on Nashville's table.

Joni Mitchell : the Blue Period

An immaculate masterpiece of 70's folk, “Blue” hasn't aged a day since its release in June 1971. But why are today’s artists still so fascinated by this fourth, intimate album by the Canadian singer-songwriter ?

Johnny Cash Behind Bars

Two legendary live albums released at the end of the sixties gave Johnny Cash’s career a huge boost and turned him into an international star. They were two records were unlike any others: they were recorded in prison. But how did the Man in Black find himself in such an unusual concert hall?

In the news...