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The Cure|Three Imaginary Boys

Three Imaginary Boys

The Cure

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Minimalist and cold on the surface, the music from the Cure sounds like Alice’s attic from Lewis Carroll in its imagery and in the construction of its melodies. But this first stripped-down attempt veering toward post-punk doesn’t yet prefigure the upcoming highly anthracite trilogy (the essential Seventeen Seconds, Faith and Pornography). In the blend of metallic, saturated and nervous sounds of Three Imaginary Boys released in May 1979, Robert Smith evokes his phobias and his fears in an atypical way. Atypical like 10:15 Saturday Night, a genial pop song both disjointed and sharp, leaning on the crutch of improbable saturated guitars. Atypical again is the oddball cover of Foxy Lady from Hendrix, of whom Smith is an absolute fan. These are weird and strange beginnings, far from the huge success that this flagship band of the British New Wave will enjoy throughout the 80s and 90s… © Marc Zisman/Qobuz

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Three Imaginary Boys

The Cure

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1
10:15 Saturday Night (2005 Remaster)
00:03:42

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

2
Accuracy (2005 Remaster)
00:02:17

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

3
Grinding Halt (2005 Remaster)
00:02:49

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

4
Another Day (2005 Remaster)
00:03:44

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

5
Object (2005 Remaster)
00:03:01

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra Entertainment Group Inc.

6
Subway Song (2005 Remaster)
00:01:58

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

7
Foxy Lady
00:02:29

Mike Hedges, Engineer - Jimi Hendrix, Writer - Robert Smith, Guitar - The Cure, MainArtist - Lol Tolhurst, Drums - Michael Dempsey, Bass Guitar, Vocals - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra Entertainment Group Inc.

8
Meathook
00:02:17

Mike Hedges, Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra Entertainment Group Inc.

9
So What (2005 Remaster)
00:02:36

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

10
Fire in Cairo (2005 Remaster)
00:03:23

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

11
It's Not You (2005 Remaster)
00:02:50

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra Entertainment Group Inc.

12
Three Imaginary Boys (2005 Remaster)
00:03:15

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Vocals, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Vocals, Writer - Chris Parry, Producer - Mike Dutton, AssistantEngineer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra/Asylum Records

13
The Weedy Burton (2005 Remaster)
00:00:53

Mike Hedges, Engineer - Chris Blair, Remastering Engineer - Robert Smith, Guitar, Writer - The Cure, MainArtist - Lol Tolhurst, Drums, Writer - Michael Dempsey, Bass Guitar, Writer - Chris Parry, Producer

2008 © 1979 Fiction Records UK ℗ 1979 Elektra Entertainment Group Inc.

Album review

Minimalist and cold on the surface, the music from the Cure sounds like Alice’s attic from Lewis Carroll in its imagery and in the construction of its melodies. But this first stripped-down attempt veering toward post-punk doesn’t yet prefigure the upcoming highly anthracite trilogy (the essential Seventeen Seconds, Faith and Pornography). In the blend of metallic, saturated and nervous sounds of Three Imaginary Boys released in May 1979, Robert Smith evokes his phobias and his fears in an atypical way. Atypical like 10:15 Saturday Night, a genial pop song both disjointed and sharp, leaning on the crutch of improbable saturated guitars. Atypical again is the oddball cover of Foxy Lady from Hendrix, of whom Smith is an absolute fan. These are weird and strange beginnings, far from the huge success that this flagship band of the British New Wave will enjoy throughout the 80s and 90s… © Marc Zisman/Qobuz

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